Pretty Woman is one of those movies I can watch over and over — it never gets old or boring.
But considering how many times I’ve seen it, it’s surprising that I’ve never noticed these bloopers and mistakes that tell a different story about the film.
Disney changed everything
*Pretty Woman* became a romantic comedy that captured millions and launched Richard Gere and Julia Roberts to fame.
But that’s not how it was originally meant to be. The first screenplay was titled *3,000*, written by then-struggling screenwriter J.F. Lawton. The early draft dealt with much darker themes about social inequality and corporate greed.
However, everything changed when Disney took over. The company chose to downplay the themes of class and sex work in Los Angeles. Instead, Disney gave it a big budget and turned it more into a romantic comedy.
Al Pacino turned down the lead role
For me, it’s hard to imagine anyone but Richard Gere as Edward Lewis, the wealthy businessman from New York who hires Vivian (Julia Roberts) to be his escort for a week.
The casting process for *Pretty Woman* took longer than expected, with Al Pacino initially in the running for the role of Lewis. The famous actor even took part in a casting reading with Julia Roberts but ultimately decided to pass on the part.
Although he liked the script, Pacino never explained why he turned it down. Looking back, he has shown respect for Roberts, who was a relatively unknown actress at the time.
“I mean, you could tell at the reading that this was going to be good, that it would be a hit,” Pacino said.
He also mentioned: “And this girl was amazing. I asked Gary, ‘Where did you find this girl?’” (Gary being Gary Marshall, the film’s director). Pacino’s instincts were right, as Roberts’s outstanding performance would shape her career and the film’s legacy.
The croissant becomes a pancake
In the scene where Richard Gere’s character orders breakfast in the room, there’s a funny little detail you might not have noticed. It starts with Vivian enjoying a croissant while talking to Edward.
But then, in an instant, the croissant magically turns into a pancake.
How did that happen? According to director Garry Marshall, he liked Julia Roberts’ performance in the later takes, where she was eating a pancake instead of the croissant, so they decided to use that footage.
However, this caused a continuity issue. In the first shot with the pancake, Vivian takes a second bite, but in the next shot, the pancake only has one bite missing, and the bite marks are clearly different.
It’s clearly not the same pancake!
Truth behind the iconic dress
The careful attention to costume design might go unnoticed by most moviegoers. However, whether you notice fashion or not, it’s hard to miss the iconic red dress that Julia Roberts’ character wears in the film.
The red dress represents Vivian’s transformation and empowerment during a key scene in the movie when Roberts’ character joins Edward Lewis for a night at the opera.
Vogue described the dress as “eye-catching, incredibly sexy without losing any elegance.” The genius behind that stunning dress? The award-winning costume designer Marilyn Vance.
She created six fabulous outfits for Julia Roberts’ character, Vivian Ward, and also designed Richard Gere’s stylish looks.
For example, the charming brown-and-white polka dot dress Roberts wore to the horse race was made from old silk found in a small antique fabric shop in Los Angeles — talk about recycling in style! And those chic shoes? They were by Chanel.
Richard Gere’s tie
As for Gere’s wardrobe, it was a masterclass in color coordination, featuring brown, navy, and blue-gray suits, all designed by Vance.
Now, about that famous tie that Roberts takes from a store employee? According to Vance, it was “nothing special” and definitely not a designer piece.
She bought it in a Los Angeles shop for $48.
The tie appears several times in the film, and if you watch closely, you might notice that it mysteriously changes knots from time to time.
During the polo match, Edward wears a straight-collar shirt with the tie that Vivian gave him, knotted in a half-Windsor. But in a later scene, sharp-eyed viewers can see a subtle change — Edward’s collar has turned into a spread style, and the tie is now in a full-Windsor knot.
‘Obscene’ shopping spree
When Richard Gere shows Julia Roberts’ character the glamorous world of the rich, he takes her on a wild shopping spree down Rodeo Drive in Beverly Hills.
That afternoon shopping trip? It would have cost Gere’s character at least $30,000, according to designer Marilyn Vance.
Talk about a shopping spree on steroids! It’s like they were shopping with Monopoly money — no wonder Vivian was in a daze.
The ruby-and-diamond necklace was real
The jewelry Julia Roberts wore with her stunning red ball gown — a heart-shaped necklace made of rubies and diamonds — was valued at an incredible quarter million dollars. Yes, you heard that right.
According to movie trivia sites, this ruby-and-diamond masterpiece was the real deal. In fact, while filming, an armed security guard from the jewelry store responsible for this extravagant necklace stood watch behind the director.
Jewelry box scene was a practical joke
The scene where Richard Gere gives Julia Roberts the expensive necklace is not only one of the most romantic and iconic moments in movie history, but it also has a funny backstory.
Originally, it was meant as a playful prank for the film’s gag reel.
As you might remember, the jewelry box snaps shut on Julia Roberts’ fingers, causing one of the most genuine and charming laughs ever caught on film.
The real story behind the scene came from director Garry Marshall, who explained why he and Gere decided to play this trick on the young actress.
According to Marshall, Roberts, who was just 23 at the time, would sometimes show up on set a little sleepy after a late night out.
“I said, ‘Richard, you gotta wake her up a little, so when she reaches for the box, slam it.’ It was a soft box. I would never hurt her,” Marshall explained.
It wasn’t until the final stages of editing that they decided to keep the scene in the movie. “We put it in… and it became like the trademark of the movie,” Marshall said.
And just like that, an unscripted joke turned into cinematic magic.
Edward’s disappearing shoes
As mentioned earlier, there are some mistakes in *Pretty Woman* that aren’t easy to spot on the first viewing, but some keen viewers have noticed them.
For instance, when they leave the opera and head to the park, Vivian takes off Edward’s shoes. However, as he begins to lie down, the shoes magically reappear.
Money in the boot
Speaking of things on (or in) your feet, there’s a little mystery involving Vivian’s boots that you might have missed.
When Edward gives her $100 in the penthouse, she slips the cash right into her boot for safekeeping. But later, after room service arrives with champagne and she takes off her boots, the money has mysteriously disappeared.
Did the cash vanish into thin air, or is Vivian just really good at hiding things? Maybe those boots had a secret compartment, or perhaps the $100 simply didn’t want to stick around for the rest of the film…
Four colored condoms
When Vivian offers Edward a selection of colorful condoms, it seems they have a mind of their own.
Vivian starts with four neatly arranged options (not counting that fancy gold circle one). But in the next shot, the order has magically changed.
Richard Gere didn’t like his character
Richard Gere has certainly gained from the success of *Pretty Woman*—both in his career and his bank account. But he hasn’t always been fully positive about the film, especially regarding his character, Edward. At a film festival in Venice, Gere described Edward as “criminally underwritten.” He added, “Basically, he’s just a suit and a good haircut.”
One scene in particular seemed to bother Gere, where Edward plays the piano while Vivian moves closer. Reflecting on it, Gere sarcastically said, “I mean, no chemistry. This actor and this actress obviously had no chemistry between them… I haven’t seen that in a long time. That’s a sexy scene.”
Director Garry Marshall came up with the idea for the scene after asking Gere what he usually did late at night in a hotel. Gere remembered, “I said, ‘Well, I’m usually jet lagged, so I’m up all night. Usually, there’s a ballroom or a bar, and I’ll find a piano and play it.’” Marshall then suggested, “Well, let’s do something with that.”
So, the scene was mostly improvised, with Gere explaining: “He said, ‘Play something moody.’ I just started playing something moody that reflected this character’s interior life.”
Then, just as mysteriously, the original lineup of condoms snaps back in the third shot. It’s as if the condoms were having their own little dance routine behind the scenes.
More than just onscreen lovers
If you ask me, the chemistry between Julia Roberts and Gere in *Pretty Woman* was undeniable. But the sparks didn’t just fly when the cameras were rolling — they formed a close bond off-screen too.
In 2017, Gere shared that he still talks to Roberts “all the time,” and back in the day, they would chat “three or four times a day.”
You could say it was love at first sight, in a friendly sort of way.
Even in a fairytale romance, things don’t always go as planned. Maybe that’s what makes this movie so charming and keeps us watching it again and again, year after year.
Did we miss your favorite *Pretty Woman* blooper? Share it with us and keep the fun going!
We pulled down a false wall in the cellar of our 1857 house and found this! What is it? Any idea?
A questioner said:
We pulled down a false wall in the cellar of our 1857 house and found this! What is it? Any idea?
May be an image of water heater and hearth
Some of the people comments about this found were:
How come no one talking about the tea kettle that’s just suspended in the air
Weird it was covered
My mother cooked on one of these, she made amazing meals, also bread and cakes, Friday was bake day. We lived on the moors in the borders of England and Scotland. I now live in western Maryland, US.
Excellent find, too bad it was not a treasure chest
That is beautiful. An antique dealer will give you quite a lot of money for that. I wouldn’t move it or touch it until I talk to antique dealers.
What an amazing find. I wonder why the former owners covered that up.
Nice I would start tearing down other walls maybe find something else!
It was probably too heavy to get it out of the cellar so they left it.
Wooooow lucky you I would be over the moon and use it with pride … I remember staying with my nan at weekends she had one and remember her having an iron on there to do her ironing … and doing toast on the fire it was lovely… lucky you 
What a treasure
So the original kitchen may have been in the cellar or it was the kitchen for the servants. Love it
I’d leave it right there. Dust it off. Then design around it. It would be the focal point of your room.
NO!!!is it full size or a child’s size? Whatever! What a FIND!
It appears like they intentionally closed up the fireplace with stove and kettles intact for a future find like this. As a builder/contractor we almost always leave little mementoes or time capsules in the wall or closed off portions of the build. We often include owners information and pictures as well as our information. Coins from the year we did the project. Even bran new tape measures or hammers. Sometimes I’ve included brief essays on current events or political thoughts. It’s fun.
Imagine putting a wall up with the kettles still on the stove!
It looks child Size. That’s truly amazing!
Do you think this was original kitchen?
Wow! They left the tea pots in there!!
I used to black lead one of these for my gran, when I was a child. Of black lead can still be bought ot will come up like new.
That old black grate is in great condition. So what are you going to do with it?
What are your thoughts?
Owning an old house often feels like holding a piece of history in your hands. Each creak and groan of the floorboards, each worn corner, and each weathered brick tells a story. When we bought our 1857 home, we knew it had secrets. Little did we know that one of its most remarkable stories was waiting to be uncovered behind a false wall in the cellar.
The Discovery
Our journey began with a simple home improvement project. The cellar, with its stone walls and cool, damp air, had always intrigued us. One wall, in particular, seemed different. It sounded hollow when tapped and had an odd, almost hidden, seam running down its length. Curiosity got the better of us, and with a few tools and a lot of determination, we decided to investigate.
As we carefully dismantled the wall, brick by brick, our anticipation grew. Finally, the last layer crumbled away to reveal a dusty, forgotten room. What lay within was beyond our wildest dreams.
The Hidden Room
The room was like a time capsule, sealed away and untouched for decades. Dust motes danced in the beams of our flashlights, illuminating a collection of objects that seemed frozen in time. We found old furniture, crates filled with yellowing papers, and a variety of curious artifacts.
Treasures and Traces of the Past
Among the most fascinating finds were:
Antique Furniture: A beautifully crafted wooden rocking chair, a small writing desk, and a trunk filled with linens and clothing from the 19th century.
Historical Documents: Letters, diaries, and legal papers that offered a glimpse into the lives of the home’s previous occupants. One particularly poignant diary detailed the daily life of a woman who lived in the house during the Civil War.
Vintage Tools and Equipment: A collection of old tools, a sewing machine, and even an early model of a phonograph.
Personal Items: Family photographs, a set of silverware, and a few pieces of jewelry that likely held sentimental value.
Piecing Together the Past
As we sifted through the items, we began to piece together the story of the house and its inhabitants. The documents revealed that the house had been a refuge during tumultuous times. The hidden room might have been used to store valuables or even serve as a safe haven during periods of unrest.
One particularly fascinating letter was from a former owner to a relative, describing how the false wall was constructed to protect the family’s most prized possessions from potential looters during the Civil War. This discovery added a layer of historical significance to our home, connecting us to the broader tapestry of American history.
Preserving Our Find
Realizing the importance of our discovery, we decided to preserve and document everything we found. We contacted local historians and museums, who were thrilled at the prospect of examining the artifacts and documents. We even received guidance on how to properly preserve the items to ensure they remained in good condition.
A New Chapter for Our Home
Uncovering the hidden room has deepened our appreciation for our historic home. It’s more than just a place to live; it’s a repository of memories and stories that have transcended generations. We plan to incorporate some of the artifacts into our home decor, creating a small museum-like display to share the history with visitors and future generations.
Conclusion
Our discovery behind the false wall in the cellar of our 1857 house has been nothing short of extraordinary. It serves as a reminder that the past is always with us, waiting to be uncovered and appreciated. As we continue to explore and restore our home, we look forward to uncovering more secrets and preserving the rich history that lies within its walls.
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