Pretty Woman is one of those movies I can watch over and over — it never gets old or boring.
But considering how many times I’ve seen it, it’s surprising that I’ve never noticed these bloopers and mistakes that tell a different story about the film.
Disney changed everything
*Pretty Woman* became a romantic comedy that captured millions and launched Richard Gere and Julia Roberts to fame.
But that’s not how it was originally meant to be. The first screenplay was titled *3,000*, written by then-struggling screenwriter J.F. Lawton. The early draft dealt with much darker themes about social inequality and corporate greed.
However, everything changed when Disney took over. The company chose to downplay the themes of class and sex work in Los Angeles. Instead, Disney gave it a big budget and turned it more into a romantic comedy.
Al Pacino turned down the lead role
For me, it’s hard to imagine anyone but Richard Gere as Edward Lewis, the wealthy businessman from New York who hires Vivian (Julia Roberts) to be his escort for a week.
The casting process for *Pretty Woman* took longer than expected, with Al Pacino initially in the running for the role of Lewis. The famous actor even took part in a casting reading with Julia Roberts but ultimately decided to pass on the part.
Although he liked the script, Pacino never explained why he turned it down. Looking back, he has shown respect for Roberts, who was a relatively unknown actress at the time.
“I mean, you could tell at the reading that this was going to be good, that it would be a hit,” Pacino said.
He also mentioned: “And this girl was amazing. I asked Gary, ‘Where did you find this girl?’” (Gary being Gary Marshall, the film’s director). Pacino’s instincts were right, as Roberts’s outstanding performance would shape her career and the film’s legacy.
The croissant becomes a pancake
In the scene where Richard Gere’s character orders breakfast in the room, there’s a funny little detail you might not have noticed. It starts with Vivian enjoying a croissant while talking to Edward.
But then, in an instant, the croissant magically turns into a pancake.
How did that happen? According to director Garry Marshall, he liked Julia Roberts’ performance in the later takes, where she was eating a pancake instead of the croissant, so they decided to use that footage.
However, this caused a continuity issue. In the first shot with the pancake, Vivian takes a second bite, but in the next shot, the pancake only has one bite missing, and the bite marks are clearly different.
It’s clearly not the same pancake!
Truth behind the iconic dress
The careful attention to costume design might go unnoticed by most moviegoers. However, whether you notice fashion or not, it’s hard to miss the iconic red dress that Julia Roberts’ character wears in the film.
The red dress represents Vivian’s transformation and empowerment during a key scene in the movie when Roberts’ character joins Edward Lewis for a night at the opera.
Vogue described the dress as “eye-catching, incredibly sexy without losing any elegance.” The genius behind that stunning dress? The award-winning costume designer Marilyn Vance.
She created six fabulous outfits for Julia Roberts’ character, Vivian Ward, and also designed Richard Gere’s stylish looks.
For example, the charming brown-and-white polka dot dress Roberts wore to the horse race was made from old silk found in a small antique fabric shop in Los Angeles — talk about recycling in style! And those chic shoes? They were by Chanel.
Richard Gere’s tie
As for Gere’s wardrobe, it was a masterclass in color coordination, featuring brown, navy, and blue-gray suits, all designed by Vance.
Now, about that famous tie that Roberts takes from a store employee? According to Vance, it was “nothing special” and definitely not a designer piece.
She bought it in a Los Angeles shop for $48.
The tie appears several times in the film, and if you watch closely, you might notice that it mysteriously changes knots from time to time.
During the polo match, Edward wears a straight-collar shirt with the tie that Vivian gave him, knotted in a half-Windsor. But in a later scene, sharp-eyed viewers can see a subtle change — Edward’s collar has turned into a spread style, and the tie is now in a full-Windsor knot.
‘Obscene’ shopping spree
When Richard Gere shows Julia Roberts’ character the glamorous world of the rich, he takes her on a wild shopping spree down Rodeo Drive in Beverly Hills.
That afternoon shopping trip? It would have cost Gere’s character at least $30,000, according to designer Marilyn Vance.
Talk about a shopping spree on steroids! It’s like they were shopping with Monopoly money — no wonder Vivian was in a daze.
The ruby-and-diamond necklace was real
The jewelry Julia Roberts wore with her stunning red ball gown — a heart-shaped necklace made of rubies and diamonds — was valued at an incredible quarter million dollars. Yes, you heard that right.
According to movie trivia sites, this ruby-and-diamond masterpiece was the real deal. In fact, while filming, an armed security guard from the jewelry store responsible for this extravagant necklace stood watch behind the director.
Jewelry box scene was a practical joke
The scene where Richard Gere gives Julia Roberts the expensive necklace is not only one of the most romantic and iconic moments in movie history, but it also has a funny backstory.
Originally, it was meant as a playful prank for the film’s gag reel.
As you might remember, the jewelry box snaps shut on Julia Roberts’ fingers, causing one of the most genuine and charming laughs ever caught on film.
The real story behind the scene came from director Garry Marshall, who explained why he and Gere decided to play this trick on the young actress.
According to Marshall, Roberts, who was just 23 at the time, would sometimes show up on set a little sleepy after a late night out.
“I said, ‘Richard, you gotta wake her up a little, so when she reaches for the box, slam it.’ It was a soft box. I would never hurt her,” Marshall explained.
It wasn’t until the final stages of editing that they decided to keep the scene in the movie. “We put it in… and it became like the trademark of the movie,” Marshall said.
And just like that, an unscripted joke turned into cinematic magic.
Edward’s disappearing shoes
As mentioned earlier, there are some mistakes in *Pretty Woman* that aren’t easy to spot on the first viewing, but some keen viewers have noticed them.
For instance, when they leave the opera and head to the park, Vivian takes off Edward’s shoes. However, as he begins to lie down, the shoes magically reappear.
Money in the boot
Speaking of things on (or in) your feet, there’s a little mystery involving Vivian’s boots that you might have missed.
When Edward gives her $100 in the penthouse, she slips the cash right into her boot for safekeeping. But later, after room service arrives with champagne and she takes off her boots, the money has mysteriously disappeared.
Did the cash vanish into thin air, or is Vivian just really good at hiding things? Maybe those boots had a secret compartment, or perhaps the $100 simply didn’t want to stick around for the rest of the film…
Four colored condoms
When Vivian offers Edward a selection of colorful condoms, it seems they have a mind of their own.
Vivian starts with four neatly arranged options (not counting that fancy gold circle one). But in the next shot, the order has magically changed.
Richard Gere didn’t like his character
Richard Gere has certainly gained from the success of *Pretty Woman*—both in his career and his bank account. But he hasn’t always been fully positive about the film, especially regarding his character, Edward. At a film festival in Venice, Gere described Edward as “criminally underwritten.” He added, “Basically, he’s just a suit and a good haircut.”
One scene in particular seemed to bother Gere, where Edward plays the piano while Vivian moves closer. Reflecting on it, Gere sarcastically said, “I mean, no chemistry. This actor and this actress obviously had no chemistry between them… I haven’t seen that in a long time. That’s a sexy scene.”
Director Garry Marshall came up with the idea for the scene after asking Gere what he usually did late at night in a hotel. Gere remembered, “I said, ‘Well, I’m usually jet lagged, so I’m up all night. Usually, there’s a ballroom or a bar, and I’ll find a piano and play it.’” Marshall then suggested, “Well, let’s do something with that.”
So, the scene was mostly improvised, with Gere explaining: “He said, ‘Play something moody.’ I just started playing something moody that reflected this character’s interior life.”
Then, just as mysteriously, the original lineup of condoms snaps back in the third shot. It’s as if the condoms were having their own little dance routine behind the scenes.
More than just onscreen lovers
If you ask me, the chemistry between Julia Roberts and Gere in *Pretty Woman* was undeniable. But the sparks didn’t just fly when the cameras were rolling — they formed a close bond off-screen too.
In 2017, Gere shared that he still talks to Roberts “all the time,” and back in the day, they would chat “three or four times a day.”
You could say it was love at first sight, in a friendly sort of way.
Even in a fairytale romance, things don’t always go as planned. Maybe that’s what makes this movie so charming and keeps us watching it again and again, year after year.
Did we miss your favorite *Pretty Woman* blooper? Share it with us and keep the fun going!
Husband Changes Locks and Throws Wife Out Thinking She Cheated – She Proves Him Wrong
Newlywed bliss shatters when Sarah’s husband, Jake, accuses her of cheating after “smelling cologne” in their bedroom. Alone and humiliated, Sarah pieces together the truth — and it’s far from what Jake expected.
It had only been two weeks since Jake and I said our vows. Two weeks of riding that post-wedding glow like it was some invincible wave. It felt like we were untouchable. No one told me how quickly that feeling could collapse.
A happy woman | Source: Midjourney
Jake’s mom had the accident on a Sunday morning. I was folding laundry when he got the call. One second, he was tapping his phone on the counter, scrolling through some meme page, and the next, his face drained of color.
“Mom’s hurt,” he said, already pulling on his hoodie. “Dad accidentally hit her with the car.” His voice cracked on that last part. “Her hip… it’s bad. She needs an urgent replacement.”
I grabbed the keys for him. “I’ll drive.”
Car keys | Source: Pexels
“No, no. I’ll be faster.” His eyes met mine, wild and unfocused. “I’ll call you when I know more.”
He kissed me on the side of my head, and then he was gone. Just like that. I stood in the kitchen, the faint smell of detergent in the air, trying to process what he’d just said. His dad hit his mom with the car?
Hours later, he called to say he’d be staying at his parents’ house to help care for her post-surgery. I told him it was fine. It was. What kind of wife would I be if I didn’t understand that?
A woman holding a cell phone | Source: Midjourney
Three days later, on Wednesday morning, I was halfway out the door for work when I heard the front lock turn behind me. My heart jumped. Jake?
He stepped in wearing the same hoodie and worn jeans. He grinned when he saw me, but as I hurried forward to greet him, he stopped in his tracks. His nose crinkled and his eyes darted across the apartment like he was searching for something.
“Hey, babe! I didn’t know you were coming back today,” I said.
A man in an apartment | Source: Midjourney
He didn’t smile. He didn’t even look at me, just kept scanning the place. Then his eyes locked on me, hard as stone.
“Who’s been here?” he asked, his voice sharp as a blade.
“What?” I blinked, stunned. “No one’s been here, Jake. It’s just me.”
He tilted his head toward the bedroom. “Then why does it smell like cologne in there?”
A frowning man | Source: Midjourney
I laughed, but it came out too light, too nervous. “Cologne? What are you talking about?”
“You tell me,” he shot back, stepping past me toward the bedroom. “Smells like a man’s been in here.”
I stared after him, frowning. “Maybe it’s something from outside,” I offered. “Maybe it’s… I don’t know. The windows were open all day yesterday.”
A woman shrugging | Source: Midjourney
My phone buzzed then. It was a text from a colleague letting me know the boss was looking for me.
“I’ve got to rush,” I called out. “I’m already running late and now Mrs. Thompson is asking for me! See you later, babe!”
I hurried out the door. Work was crazy that day, and I couldn’t wait to get home to Jake. I’d missed him so much while he was away. But when I got home that night, I knew something was wrong.
Apartment corridor | Source: Pexels
My key didn’t fit. I yanked it out, checked it, and tried again, but it was useless. I peered at the doorknob like a fool, and that’s when it hit me: Jake had changed the locks.
I banged on the door and called for Jake, but he didn’t reply. So I called his phone. It rang once before going straight to voicemail. I called again. Same thing. Texts went unanswered, too.
I sat on the stairs of our apartment complex, head in my hands, feeling too stunned to cry. I thought about calling the landlord, but what would I even say?
A shocked woman | Source: Midjourney
I had nowhere else to go, so I went to my mom’s place. She was shocked to see me, and just as confused as I was when I tried to explain why I was there.
“Why don’t you try calling Jake’s brother?” she suggested, placing a cup of tea in front of me. “Those two are so close… if anyone can help you figure out what’s going on, it’s Nick.”
“You’re right,” I muttered, wiping my eyes.
Tears in a woman’s eye | Source: Pexels
I stepped into the living room with my tea and called Nick. He picked up on the third ring.
“Hey,” I said, breathless. “Have you talked to Jake?”
“Yeah,” he said, his voice colder than I’d ever heard it. “He doesn’t want to talk to you.”
I stood up, gripping the phone tighter. “What? What are you talking about?”
A stunned woman | Source: Midjourney
“Look, Sarah,” he sighed like he was tired of me already. “He knows what you did. You should just own it.”
I pressed my hand to my mouth. “Are you serious right now?” I whispered. “What are you even talking about, Nick?”
“You know what I’m talking about.”
He hung up.
A cell phone | Source: Pexels
I immediately texted Jake again, demanding to know why he was mad at me. This time, he replied.
“You cheated on me while I was looking after Mom. Our apartment stinks of your lover’s cologne! How dare you bring another man into our bed?”
I couldn’t believe what I was reading, but it didn’t stop there.
A woman staring at her cell phone | Source: Midjourney
Another text arrived from Jake.
“Our marriage is over! I’ve told my whole family what you’ve done…”
Tears flooded my eyes as I read all the cruel names he called me after that. Jake and I had been together for five years… how could he think I’d be unfaithful to him only two weeks into our marriage?
An emotional woman | Source: Midjourney
More texts arrived in quick succession, but these were from Jake’s mom.
“Return the ring. It’s not yours anymore. It was $19,000, and we’re not letting you walk away with it.”
My breath caught in my throat. I sat up straighter, staring at my screen in shock.
“Jake is meeting with a lawyer tomorrow. An annulment can be done quickly since it’s only been 2 weeks.”
A woman holding a cell phone | Source: Midjourney
An annulment? Before I could finish processing that, the next text arrived.
“We’ll be sending your things soon. Tell us if you’d rather have them dropped off or shipped.”
My fingers curled into the blanket on my lap, gripping it like it was the only thing keeping me grounded. I kept reading the messages until I finally turned off my phone.
A woman holding a cell phone | Source: Pexels
I sat there, staring at the little gold band on my finger, wondering how we got here. Two weeks ago, we were untouchable.
I didn’t sleep that night. My mind wouldn’t stop spinning. By 2 a.m., I was replaying every little detail, looking for a clue.
And then it hit me: the wipes.
A woman holding wipes | Source: Pexels
The smell in our apartment wasn’t cologne. It was the lemon-cedarwood wipes I’d taped behind the fan in our bedroom. I’d done it on purpose after cooking fish for dinner — Jake hated the smell of fish.
My heart started pounding so hard it felt like it might break my ribs. I grabbed my phone and texted him.
“Check behind the fan. Look in the bathroom trash for the packaging. It’s the wipes, Jake. It’s not cologne. It’s not a man. It’s the wipes.”
A woman texting | Source: Midjourney
Then I waited.
The next morning, I was sitting with my mom at the kitchen table, trying to act like I hadn’t just experienced the emotional collapse of my life. My coffee was cold, and I didn’t care. My phone buzzed.
Jake.
I looked up at my mom, and she nodded. “Go on, baby.”
A mature woman | Source: Midjourney
I walked to the door. Through the window, I saw him standing there. Shoulders slouched. His eyes were red. His hands shook as he wiped at his face.
He knocked once. Just once.
I opened the door but didn’t say anything. I just watched him.
“Sarah,” he choked out, his face crumpling. “I’m so sorry.”
A man standing in a doorway | Source: Midjourney
I folded my arms, leaning against the doorframe. “Are you?”
“It was a mistake,” he said, voice cracking. “I-I let my head get… I wasn’t thinking. I just—” He looked up at me, eyes wild. “Please come home.”
My breath hitched, and before I knew it, I was stepping forward, arms wrapping around him. His warmth crashed into me, his breath shaky against my hair. Relief poured out of him in a broken sob, and for a moment, I let myself believe it was going to be okay.
A couple hugging | Source: Midjourney
I went home with Jake that evening, but I couldn’t get over what had happened. I couldn’t stop thinking about the lock change, the cruel texts, and Jake’s mom demanding my ring back like I was a thief.
The names Jake had called me circled my thoughts. One little misunderstanding was all it had taken for him and all his family to turn on me. We’d known each other for five years… we were supposed to be family.
The next night, I packed my things.
Suitcases on a bed | Source: Pexels
I carried my suitcase out into the living room, where Jake was watching TV.
“I’ve been thinking…” I started, leaning over to switch off the TV as I spoke, “about how quick you were to believe I was cheating on you, how you refused to talk things through with me, how easy it was for you to throw me out like trash.”
“Baby, I said I’m sorry.” He stared at me like he couldn’t believe this still bothered me.
A man on a sofa | Source: Midjourney
“I know, but saying sorry doesn’t mean we aren’t broken, Jake.”
“I’ll make it right, I swear! I love you.”
I shook my head, slow and steady. “Love doesn’t change the locks on me. Love doesn’t end with a text.”
His face twisted with regret. “Please.”
A sad man | Source: Midjourney
“I’m going back to my mom’s,” I said, grabbing my suitcase and heading for the door. “I need space.”
“Sarah, please!”
But I shut the door.
For the next week, he sent me long, heartbroken texts. Pages of apologies. I read them all. I didn’t reply.
A woman frowning at her phone | Source: Midjourney
I lay awake at night, thinking about it. If someone else told me this story, I’d laugh at how stupid it sounded. He thought it was cologne. It was lemon wipes. But I didn’t laugh. It wasn’t funny.
Two weeks into marriage, and I’d already learned this much: People who love you don’t turn on you that fast.
This work is inspired by real events and people, but it has been fictionalized for creative purposes. Names, characters, and details have been changed to protect privacy and enhance the narrative. Any resemblance to actual persons, living or dead, or actual events is purely coincidental and not intended by the author.
The author and publisher make no claims to the accuracy of events or the portrayal of characters and are not liable for any misinterpretation. This story is provided “as is,” and any opinions expressed are those of the characters and do not reflect the views of the author or publisher.
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