Nine-year-old boy’s mother left him to live with her boyfriend; he spent two years living alone in a chilly apartment in southwest France. His mother relocated three miles away, leaving the young boy to fend for himself in an apartment in Nersac, France, close to Angoulême. The 39-year-old mother put the child in risk and was sentenced to six months in prison last week. The father of the boy, who lives in a different town, was not charged.
The youngster who was abandoned had times without electricity, warmth, or hot water between 2020 and 2022.
He made due by utilizing blankets and sleeping bags for warmth and washing in cold water. He turned to grabbing tomatoes from a nearby balcony and foraging among neighbors for food in order to survive. After worried neighbors eventually called the authorities, the kid was placed under protective custody.
The youngster lived a life of neglect and seclusion, but no one noticed because he went to school. in part because he did his schoolwork, kept his room tidy, and got good scores. Barbara Couturier, the mayor of the town, clarified that the youngster appeared to put on a shield. presenting the impression that everything was OK. “I believe he surrounded himself with a shield of assurance that everything is OK,” she added.
When the neighbors initially saw the problem, they sensed something wasn’t quite right.
When the boy’s mother heard from neighbors about her concerns, she disregarded them, saying she was taking care of her son and requested them to keep out of her personal affairs. Because the youngster could take care of himself, the locals said the negligence went unnoticed.
The abandoned child turned to stealing tomatoes from a nearby balcony and asking about for food among the neighbors during his two years of loneliness. The youngster was eventually placed in care after the worried neighbors contacted the police.
According to a classmate, the boy stayed at home most of the time, seldom left the house, and frequently ate and rode the bus alone. Using mobile data that demonstrated her sparse attendance at the apartment, the mother’s claim that she lived with her son was refuted throughout the trial.He admitted to his friends that he rode the bus and ate his meals by himself. He didn’t always stay at home and didn’t go out.The student said.
See Also: After Her Parents Abandoned Her, She Swore To Show Them Wrong — Now She Models For Vogue
Changing shame into relief
The neighbors felt bad about not recognizing the problem sooner. blaming the anonymity of contemporary living for helping the neglect to continue.”If a mother mistreated her child, it didn’t matter too much when there was a family and a community around them since everyone in the village and the rest of the family took care of the child. It’s not the same anymore,” a local citizen remarked.
What is the University of Nottingham’s position on desertion?
A comprehensive legal definition of child abandonment is conspicuously absent from a study conducted across ten European Union countries, namely Bulgaria, Czech Republic, Denmark, France, Hungary, Lithuania, Poland, Romania, Slovakia, and the United Kingdom. The uncertainty and lack of clarity surrounding the definition of child abandonment present difficulties for this issue’s practical and academic endeavors.
A major contributing cause to the need for institutional care for children under three is child abandonment. Just 4% of children in Western European institutions were found to be abandoned, according to a comparison. In contrast, the percentage was substantially higher—32%—in Central and Eastern Europe. The largest percentages of abandoned children in institutional care were seen in Romania, Hungary, and Latvia. While the UK, Denmark, and Norway all stated that child desertion was uncommon.
EU nations are taking a number of steps to stop child desertion. Among these initiatives are:
Social support
Daycare centers
mother-child pairs
Services for family planning
services of counseling for mothers and/or families
monetary assistance
initiatives focusing on child identification and high-risk families
“Training centers” for parents
Helplines providing assistance to mothers who require it
Advice on how to stop child abandonment in maternity hospitals
Social workers’ presence in maternity units
Hospital employees receive training on how to identify high-risk situations, manage them, and offer supportive counseling.
Child star Mara Wilson, 37, left Hollywood after ‘Matilda’ as she was ‘not cute anymore’
The world first fell in love with the endearing Mara Wilson in the early 1990s. She was a child actor best remembered for her roles as the bright young girl in beloved family films like Miracle on 34th Street and Mrs. Doubtfire.
The rising actress, who turned 37 on July 24, looked like she was ready for big things, but as she got older, she lost her “cute” factor and vanished from the big screen.
She continues, “If you’re not cute anymore, if you’re not beautiful, then you are worthless. Hollywood was burned out on me.”
To find out what happened to Wilson, continue reading!
When five-year-old Mara Wilson played Robin Williams’ youngest kid in Mrs. Doubtfire in 1993, she won over millions of fans’ hearts.
When the California native was invited to feature in one of the highest-grossing comedies in Hollywood history, she had already made appearances in advertisements.
“My parents grounded me even though they were proud of me.” My mother would always tell me that I’m just an actor if I ever stated something like, “I’m the greatest!” Wilson, who is now 37, remarked, “You’re just a kid.”
Following her big screen premiere, she was cast in 1994’s Miracle on 34th Street as Susan Walker, the same character Natalie Wood had performed in 1947.
Wilson describes her audition as follows: “I read my lines for the production team and told them I didn’t believe in Santa Claus” in an essay for the Guardian. “But I did believe in the tooth fairy and had named mine after Sally Field,” she writes, referring to the Oscar-winning performer who portrayed her mother in Mrs. Doubtfire.
“Very unhappy”
Next, Wilson starred with Danny DeVito and his real-life wife Rhea Perlman in the 1996 film Matilda as the magical girl.
Additionally, Suzie, her mother, lost her fight against breast cancer in that same year.
“I wasn’t really sure of my identity.I was two different people before and after that. Regarding her profound grief following her mother’s passing, Wilson explains, “She was like this omnipresent thing in my life.””I found it kind of overwhelming,” she continues. I mostly just wanted to be a typical child, especially in the wake of my mother’s passing.
The young girl claims that she was “the most unhappy” and that she was fatigued when she became “very famous.”
She reluctantly took on her final significant role in the 2000 fantasy adventure movie Thomas and the Magic Railroad at the age of 11. “The characters had too little age. I reacted viscerally to [the] writing at 11 years old.I thought, ugh. I love it, she says to the Guardian.
“Destroyed”
Her decision to leave Hollywood wasn’t the only one, though.
Wilson was going through puberty and growing out of the “cute” position as a young teenager, so the roles weren’t coming in for him.
“Just another weird, nerdy, loud girl with bad hair and teeth, whose bra strap was always showing,” was how she was described.
“When I was thirteen, no one had complimented me on my appearance or called me cute—at least not in a flattering way.”
Wilson had to cope with the demands of celebrity and the difficulties of becoming an adult in the public glare. It had a great influence on her, her shifting image.
“I had this Hollywood notion that you are worthless if you are not attractive or cute anymore. Because I connected that directly to my career’s downfall. Rejection still hurts, even if I was kind of burned out on it and Hollywood was burned out on me.
Mara in the role of author
Wilson wrote her first book, “Where Am I Now?,” before becoming a writer. “Ancidental Fame and True Tales of Childhood,” published in 2016.
The book explores “her journey from accidental fame to relative (but happy) obscurity, covering everything from what she learned about sex on the set of Melrose Place, to discovering in adolescence that she was no longer ‘cute’ enough for Hollywood.”
In addition, she penned the memoir “Good Girls Don’t,” which explores her experiences living up to expectations as a young performer.
In her Guardian column, she states, “Being cute just made me miserable.” It was always my expectation that I would give up acting, not the other way around.
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