Any device’s full potential may often be unlocked by having a keen eye for the hidden gems beneath the surface; the iPhone’s hidden functions are no different.
Your iPhone has many hidden treasures that are just waiting to be discovered, from iMessage features to brighten every conversation to generation-specific features that maximize the technology in any particular iPhone.
A set of volume buttons is a characteristic that is common to all iPhone models. Unlike many Android phones, which only have one volume button, the iPhone has featured two different volume buttons since its original release.
The two buttons on the left side of the iPhone are used for functions other than volume control.
Like so many other locations, the phone’s buttons can be utilized for non-volume operations in addition to a few useful chores that can be accessed with their assistance.
Whether you’re a photography enthusiast seeking tactile finesse, a safety-conscious person needing quick access to emergency services, or someone who longs to have a physical snooze button again, the iPhone’s volume buttons offer a range of interactions that go far beyond their seemingly straightforward purpose.
When seconds count, the SOS feature on the iPhone helps users to rapidly summon help in an emergency.
By just holding down the side button and either volume button, the device can check the owner of the phone’s Medical ID or start an SOS emergency call.
Help is always available with this modest but impactful gesture, especially in difficult situations.
The SOS feature can also be triggered by quickly pressing the side button five times in a succession, however this needs the feature to be enabled in the settings.
The iPhone 14 Pro line enhances the iPhone’s powerful SOS features with satellite capabilities for scenarios when cellular connection is spotty.
When you make an SOS call, your phone notifies your approved emergency contacts of your location and the circumstances using the information you provide in the Medical ID section of the Health app.
With regard to Medical ID, users can store their emergency contacts, allergies, critical medical information, and other details in this function.
In an emergency, anyone can access this information. Even if your phone is locked, the Medical ID is still accessible for first responders’ use.
Switching off the power and more
Beyond emergency services, another important feature of the iPhone could be accessed by briefly depressing the side and volume down keys.
The menu that offers access to Medical ID and the emergency call slider is where you’ll find the power-off slider. Turning off the iPhone is done by using the designated slider.
Users may also use this screen to disable the Find My function on their phone when it is in sleep mode. Just below the power-off slider, there’s a popup to turn off Find My.
Find My Device will no longer work if the device’s setting is disabled through the power off menu; you will need to restart it and enter the passcode again to locate it.
This control layer significantly improves device security by granting users control over their location data even when their phone is off.
However, this feature is more intricate than it seems. Using the volume buttons to access the power-off menu has a security risk. The power off slider displays, briefly deactivating the Face ID and Touch ID functions.
This ensures the gadget can’t be turned off and prevents someone else from being able to forcibly access it when locked.
controls for the camera
Contemporary smartphones are renowned for their capacity to swiftly and effortlessly capture moments, with the iPhone outperforming rival flagship devices in terms of camera capability.
One of the more widely known features of smartphone camera apps is the ability to use volume controls.
While some Android devices allow users to zoom in, the primary purpose of the volume keys on the iPhone is to capture images.
Instead of fumbling with the on-screen shutter button, users may snap instant images by simply pushing the volume up or down button.
This small function mimics the feel of a traditional camera, offering a cozy, tactile experience that some users might find more acceptable.
Moreover, this feature is not limited to shooting photos. To start recording a video, you can also utilize the camera app’s volume buttons.
Because it provides users with control and stability during the process, allowing them to grasp onto the device steadily and capture dynamic footage, this function is very handy for recording video material.
A video recorder’s volume buttons are helpful for purposes other than merely starting a recording. If the iPhone’s camera app is still set up to capture images, you can use either volume button to begin a quick shot movie.
Users merely need to release the button to stop recording. You may also press and hold the volume up button to switch it to “Photo Burst” in the Settings app.
The Notes app’s document scanning feature and the Camera app both utilize the volume buttons for taking photos.
When scanning a document into the iPhone, users do not have to wait for the device to properly frame the document. As an alternative, you can snap a picture of anything that’s visible in the scanner’s viewfinder by pressing either volume button.
With enough time and work, such scans can be edited to appear as precise as what the iPhone can accomplish automatically.
Alarm mechanisms
It can be a surprising habit to turn off the alarm in the morning. Apple has given its users the chance to go back in time to a simpler time when they are trying to snooze their alarm in the morning.
You can immediately stop the alarm when it goes off by using the volume up or down button. This will spare you the trouble of looking for the on-screen button and give you some alone time while you get ready for the day. This method of using the volume controls also applies to vibrating, quiet alarms.
Using the volume buttons to snooze occasionally proves to be more convenient than reaching for the snooze or smaller dismiss button first thing in the morning.
Similar to the snooze button, the volume buttons are likewise simpler to reach in the early morning mist.
Slapping the enormous snooze button on an equally gigantic alarm clock radio combo doesn’t exactly feel the same.
Remember that you must first ensure that snoozing is enabled before using the volume buttons to snooze an alarm.
If the snooze setting is not enabled for an alarm, the volume buttons will simply refuse it. The alarm is programmed to sound again at the next specified time.
Turning off phone calls and locating my
Picture this: a quiet moment or a crucial meeting cut short by a ringing phone. It doesn’t happen very infrequently. It’s simple to periodically forget to switch off your phone or even to switch it back on by accident.
The volume buttons on your iPhone soon create a barrier between you and anyone close and the ringtone you’ve selected when you receive one of these unpleasant robocalls. In far harsher situations, you can use the power button to reject or end a call.
The ringing phone can be muffled with a single press of either volume button. Using the volume button to end an unwanted call makes sense.
Controlling Find My notifications on the iPhone also heavily relies on the volume buttons.
The iPhone uses new buttons to secure your relationships and belongings in a world where those things are vital.
The position of your second Apple device can be found by pressing either volume button quickly to quickly muffle the otherwise loud warning when something close sends out a Find My notification.
As a result, receiving notifications is more manageable.
App features
Despite Apple’s best efforts to stop it, iPhone volume buttons can be utilized as tools for other app interactions.
the inventive usage of volume buttons in non-Apple apps—a feature that is usually free from Apple’s stringent constraints despite its usability.
By using this repurposing, a number of software developers have provided users with instantaneous shortcuts or actions, providing a haptic and seamless alternative to traditional on-screen taps.
One particularly straightforward approach is to utilize a counter app that allows users to tick up or down dependent on whether they use the volume up or down button.
However, employing volume buttons in non-Apple apps is a technique that should be utilized cautiously due to Apple’s app development constraints.
Maintaining a consistent user interface and preventing hardware control abuse—which can possibly mislead users or obstruct normal interactions—are given top attention in these standards.
Apple usually forbids developers from altering the functionality of hardware buttons in their apps as a result.
While some programs are able to effectively integrate volume button functionality while adhering to Apple’s standards, these instances are still quite uncommon due to the challenges these constraints pose.
Not only can developers not modify the behavior of the volume buttons, but users are also not allowed to use the volume buttons to run commands that were developed within the Shortcuts app.
But not everyone has been deterred by that. The volume buttons on your phone can theoretically be used to create shortcuts, but doing so involves using a complicated workaround function that connects an action to the volume.
Restart with force
At some time, everyone has either attempted or heard the sage advise to simply turn their device on and off again. Using the volume buttons to force an iPhone reset is a quick and simple solution in many cases.
When the device becomes unresponsive, sluggish, or has software problems, this can function as a reset to help restore it to a better state.
Users can force a restart by simultaneously pushing and holding the side button, the volume up and down buttons, and the volume down button.
The volume buttons here can be used to reach the shut-down menu, but the iPhone can also be turned off without the need for a slider by holding down the side button.
After turning off their phone, users still need to push and hold the side button down until they see the Apple logo on the screen.
Actor Ali MacGraw sacrificed her own career for Steve McQueen
Ali MacGraw became a Hollywood superstar overnight. But just as quickly as she rose to fame, she disappeared from show business altogether.
Today, the 84-year-old actress has settled down in a remote and tiny town, and she’s aging gracefully with her grey hair.
Ali MacGraw
Ali MacGraw – born Elizabeth Alice MacGraw – was born on April 1, 1939, in Pound Ridge, New York, USA. Her mother, Frances, was an artist and worked at a school in Paris, later settling in Greenwich Village. She married Richard MacGraw, who was also an artist. In 1939, Ali was born.
Ali’s father Richard supposedly had issues from his own childhood which made him a little bit different from others.
He had survived a terrible childhood in an orphanage, running away at the age of 16 to go to sea. He would later study at an art school in Munich, Germany.
“Daddy was frightened and really, really angry. He never forgave his real parents for giving him up,” Ali explained, saying said her father’s adult life was spent “suppressing the rage that covered all his hurt.”
Ali MacGraw – childhood
Money was short for their family, too. Frances and Richard, together with Ali and her brother, Richard Jr, had to move into a house on a Pound Ridge wilderness preserve which they shared with an elderly couple.
“There were no doors; we shared the kitchen and bathroom with them,” Ali said. “It was utter lack of privacy. It was horrible.”
Mom Francis worked with several commercial-art assignments and supported the family. At the same time, Richard had a hard time selling his paintings, and as a result became very frustrated. Ali’s brother Richard became a victim for his anger at home.
“On good days he was great, but on bad days he was horrendous,” she recalled. “Daddy would beat my brother up, badly. I was witness to it, and it was terrible.”
Ali was the daughter of artists, and she knew that she, too, wanted to go into a creative line of work as she got older. She earned a scholarship at the prep school Rosemary Hall, and in 1956, she moved to study at Wellesley College in Massachusetts.
By the age of 22, Ali MacGraw moved to New York and got her first job as an assistant editor at Harper’s Bazaar, working with photographers as an assistant.
Fashion work in New York
Fashion editor Diana Vreeland hired Ali as, what she recalls as, a “flunkie”. Ever seen the film The Devil Wears Prada? Well, it was pretty much that.
“It was ‘Girl! Get me a pencil!’,” MacGraw recalled.
The future Hollywood celebrity worked her job as an assistant for several months. Then, about six months in, fashion photographer Melvin Sokolsky noticed her beautiful looks, and Ali MacGraw was hired as a stylist,and given a better salary. She’d end up staying in that position for six years.
“I don’t know where she got this work ethic, but Ali would come in at eight a.m., and many times I’d come back at one in the morning and she would still be doing things for the next day,” Ruth Ansel, a former art director of Vanity Fair and Harper’s Bazaar recalls.
Ali was great as a stylist. But soon, she was asked to work in front of the cameras as a model. It didn’t take long before she was on magazine covers all over the world, even appearing in television commercials. For thing led to another, and Ali tumbled headfirst into the profession of acting.
She had been sketched nude by Salvador Dali a couple of years earlier. But when the surrealist artist started sucking her toes, MacGraw decided that she’d rather be an actress than a model.
Ali MacGraw – films
Ali went straight from an unknown stylist and into the world of cinema, and boy, did she do it with a bang.
She was untutored in the art of film, which gave her acting another dimension. Her natural beauty was stunning, and the audience loved her.
Following a small role in A Lovely Way to Die (1968), she was asked to star in the 1969 film Goodbye, Columbus. It turned out to be a great call, with MacGraw receiving a Golden Globe for Most Promising Newcomer – Female. The following year, she got her big international breakthrough with a role that would pretty much sum up her career.
Ali MacGraw had received a script from her agent. She’d read it and wept twice because of how much she loved it. She decided she really wanted a part in it, and got herself a meeting with the film’s producer Robert Evans – who at the time was Paramount Picture’s head of production – at the Beverly Hills Hotel’s Polo Lounge. Not only did Evans think she was perfect for the part in the movie Love Story, he absolutely fell in love with her.
MacGraw – playing the role of Jenny – acted alongside Ryan O’Neal in the movie Love Story. The American romantic drama film, in which Ali played a working-class college student, became a smash hit.
Love Story hit the cinemas in 1970, and wow did the audience cherish it. It became the No. 1 film in the United States, and at the time, it was the sixth highest grossing movie in history in the US and Canada.
Award-winning actress
MacGraw earned an Academy Award nomination for her role, and the film itself earned her another win and five Academy Award Nominations. She also won herself a second Golden Globe as Best Actress in a Motion Picture – Drama.
Film producer Robert Evans not only loved her on screen, he had fallen in love with her in real life, and that love was reciprocated. In 1969, the couple tied the knot, and two years later, they welcomed their son, Josh Evans.
Ali MacGraw was the hot new star of the 1970s, but her private life and marriage with Evans would soon come to an end. Steve McQueen had visited their home to ask her to star alongside him in The Getaway, and the two Hollywood stars clicked right away.
“I looked in those blue eyes, and my knees started knocking,” MacGraw recalled. “I became obsessed.”
MacGraw and McQueen had an affair, and she soon left Evans to live with the actor in Malibu, along with her son Josh.
“Steve was this very original, principled guy who didn’t seem to be part of the system, and I loved that,” she said.
Ali MacGraw – Steve McQueen
But after a while, Ali realized that Steve McQueen had his own problems. Following his father abandoning his mother, a then-14-year-old Steve was sent to a school for delinquent children. MacGraw said he never trusted women after that.
(Photo by Silver Screen Collection/Getty Images)
He didn’t like that she worked and had her own career. For a while, Ali stayed home to raise their sons. But her husband’s demands were something Ali simply couldn’t accept in the long run.
Not only that, but he’d explode if she even looked at another man. He also wanted her to sign a prenuptial agreement, promising not to ask for anything if they’d divorce. She abided by the agreement when they did divorce in 1978.
“I couldn’t even go to art class because Steve expected his ‘old lady’ to be there every night with dinner on the table,” she recalled.
“Steve’s idea of hot was not me. He liked blond bimbos, and they were always around.”
This was the start of a pretty dark time in MacGraw’s life. She arrived on set to shoot the 1978 film Convoy both drunk and high, which prompted her to quit drugs.
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