As Hollywood studios continue to see movie after movie fIop with audiences who want to be entertained by a compelling storyline rather than preached to by woke directors or shown CGI slop with no reaI plot, the Golden Globes this year were yet another humiliating disaster for the entertainment industry.
In fact, even sympathetic media outIets torched the Golden Globes, saying that they were mostly a disaster this year.
This year’s flop of a Golden Globes event was particularly bad for the industry given that, having been taken over from NBC by CBS, it was meant to be something of a reboot for the awards party and bring back a show generally known over the past few years for its declining ratings, if anything.
But rather than a revivaI, it was another flop for Hollywood, with even generally sympathetic media outlet Vanity Fair running a review of the event titled, The 2024 Golden Globes Were a Near-Total Disaster. Continuing, that review went on to describe host Jo Koy’s lengthy opening monologue as a horrid, sophomoric mishmash of lazy jokes” that didn’t elicit much laughter, a problem exacerbated by Koy being mostly unknown.
Similarly, the Iess sympathetic New York Post tore into the event as being a new low for an already troubled show, with a review article titled, Golden Globes 2024 were a new low for dying awards shows. Pulling no punches, the NYP article argued that it would have been better to cancel the event than run one so awful, saying:
Preparing for the 2024 Golden Globes, the awards show made a bunch of reforms to its ethically wobbIy voting body, got a new owner and moved to a different network. But none of those PR efforts matter much when the broadcast turns out as godawful as Sunday night’s did.
If only we’d 100% canceled the Globes when we had the chance.
Conservatives on X were simiIarly harsh. Washington Examiner personality Tim Young, for example, tore into the Golden Globes with a vengeance and said, “The Golden Globes had trash ratings… Perhaps people don’t want to tune in to woke, unfunny jokes about how white people are evil. Maybe their host should lecture at Harvard… I’m sure he’d be a hit there.”
Other posters noted that Jo Koy was a terrible host, saying things Iike “#GoldenGlobes Jo Koy is a terrible comedian, watching him tell jokes is so excruciating” and “i turned on the golden globes and had to turn it off bc the host is terrible.”
Actor Walks Off The Set Of ‘The View’, Leaves Audience Stunned
Dermot Mulroney made a bold statement in support of striking writers, showcasing his commitment on a recent episode of “The View.”
During the segment that aired on Friday, Mulroney surprised viewers and the hosts alike by symbolically walking off the set as a gesture of solidarity with the ongoing writers’ strike. He took the opportunity to draw attention to the Writers Guild of America (WGA) strike, emphasizing the importance of fair wages and reasonable working hours for writers in the entertainment industry.The actor’s decision to walk off was explained toward the end of his interview. Politely checking if the show was heading into a commercial break, he thanked the hosts before making his dramatic exit. Despite the unexpected turn of events, Mulroney’s interview covered a range of friendly topics, including his Disney+ series “Secret Invasion,” his extensive career, family life, work ethic, and longevity in Hollywood.
Even though Mulroney’s segment was pre-taped, it aired exactly as it happened, with the unedited moment of him leaving the stage included. In the summer months, “The View” typically airs live four days a week, but Friday shows are pre-taped.Mulroney’s walk-off has sparked conversations about the WGA strike, which has now surpassed 50 days without resolution. Earlier this week, hundreds of Hollywood union members gathered in Los Angeles for a rally to express solidarity with the striking writers.
While the strike has led to the hiatus of many daytime shows, “The View” has managed to remain on air, largely unaffected, as the majority of its staffers are not union members. Although a couple of the show’s writers are currently impacted and not actively working, “The View” relies heavily on unscripted content, evident in the spontaneous banter and occasional hiccups among the hosts.Mulroney’s bold stance amplifies the voices advocating for fair treatment of writers within the industry. The impact of such high-profile expressions of solidarity on the negotiation process between writers and production companies remains to be seen.
Mulroney was originally on “The View” to promote his Disney+ show, Marvel’s “Secret Invasion,” which premiered on Wednesday. The synergy between Disney, Marvel, and ABC, the network airing “The View,” adds another layer to Mulroney’s choice of platform to address the pressing issue of fair treatment for writers.
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