Pretty Woman is one of those movies I can watch over and over — it never gets old or boring.
But considering how many times I’ve seen it, it’s surprising that I’ve never noticed these bloopers and mistakes that tell a different story about the film.
Disney changed everything
*Pretty Woman* became a romantic comedy that captured millions and launched Richard Gere and Julia Roberts to fame.
But that’s not how it was originally meant to be. The first screenplay was titled *3,000*, written by then-struggling screenwriter J.F. Lawton. The early draft dealt with much darker themes about social inequality and corporate greed.
However, everything changed when Disney took over. The company chose to downplay the themes of class and sex work in Los Angeles. Instead, Disney gave it a big budget and turned it more into a romantic comedy.
Al Pacino turned down the lead role
For me, it’s hard to imagine anyone but Richard Gere as Edward Lewis, the wealthy businessman from New York who hires Vivian (Julia Roberts) to be his escort for a week.
The casting process for *Pretty Woman* took longer than expected, with Al Pacino initially in the running for the role of Lewis. The famous actor even took part in a casting reading with Julia Roberts but ultimately decided to pass on the part.
Although he liked the script, Pacino never explained why he turned it down. Looking back, he has shown respect for Roberts, who was a relatively unknown actress at the time.
“I mean, you could tell at the reading that this was going to be good, that it would be a hit,” Pacino said.
He also mentioned: “And this girl was amazing. I asked Gary, ‘Where did you find this girl?’” (Gary being Gary Marshall, the film’s director). Pacino’s instincts were right, as Roberts’s outstanding performance would shape her career and the film’s legacy.
The croissant becomes a pancake
In the scene where Richard Gere’s character orders breakfast in the room, there’s a funny little detail you might not have noticed. It starts with Vivian enjoying a croissant while talking to Edward.
But then, in an instant, the croissant magically turns into a pancake.
How did that happen? According to director Garry Marshall, he liked Julia Roberts’ performance in the later takes, where she was eating a pancake instead of the croissant, so they decided to use that footage.
However, this caused a continuity issue. In the first shot with the pancake, Vivian takes a second bite, but in the next shot, the pancake only has one bite missing, and the bite marks are clearly different.
It’s clearly not the same pancake!
Truth behind the iconic dress
The careful attention to costume design might go unnoticed by most moviegoers. However, whether you notice fashion or not, it’s hard to miss the iconic red dress that Julia Roberts’ character wears in the film.
The red dress represents Vivian’s transformation and empowerment during a key scene in the movie when Roberts’ character joins Edward Lewis for a night at the opera.
Vogue described the dress as “eye-catching, incredibly sexy without losing any elegance.” The genius behind that stunning dress? The award-winning costume designer Marilyn Vance.
She created six fabulous outfits for Julia Roberts’ character, Vivian Ward, and also designed Richard Gere’s stylish looks.
For example, the charming brown-and-white polka dot dress Roberts wore to the horse race was made from old silk found in a small antique fabric shop in Los Angeles — talk about recycling in style! And those chic shoes? They were by Chanel.
Richard Gere’s tie
As for Gere’s wardrobe, it was a masterclass in color coordination, featuring brown, navy, and blue-gray suits, all designed by Vance.
Now, about that famous tie that Roberts takes from a store employee? According to Vance, it was “nothing special” and definitely not a designer piece.
She bought it in a Los Angeles shop for $48.
The tie appears several times in the film, and if you watch closely, you might notice that it mysteriously changes knots from time to time.
During the polo match, Edward wears a straight-collar shirt with the tie that Vivian gave him, knotted in a half-Windsor. But in a later scene, sharp-eyed viewers can see a subtle change — Edward’s collar has turned into a spread style, and the tie is now in a full-Windsor knot.
‘Obscene’ shopping spree
When Richard Gere shows Julia Roberts’ character the glamorous world of the rich, he takes her on a wild shopping spree down Rodeo Drive in Beverly Hills.
That afternoon shopping trip? It would have cost Gere’s character at least $30,000, according to designer Marilyn Vance.
Talk about a shopping spree on steroids! It’s like they were shopping with Monopoly money — no wonder Vivian was in a daze.
The ruby-and-diamond necklace was real
The jewelry Julia Roberts wore with her stunning red ball gown — a heart-shaped necklace made of rubies and diamonds — was valued at an incredible quarter million dollars. Yes, you heard that right.
According to movie trivia sites, this ruby-and-diamond masterpiece was the real deal. In fact, while filming, an armed security guard from the jewelry store responsible for this extravagant necklace stood watch behind the director.
Jewelry box scene was a practical joke
The scene where Richard Gere gives Julia Roberts the expensive necklace is not only one of the most romantic and iconic moments in movie history, but it also has a funny backstory.
Originally, it was meant as a playful prank for the film’s gag reel.
As you might remember, the jewelry box snaps shut on Julia Roberts’ fingers, causing one of the most genuine and charming laughs ever caught on film.
The real story behind the scene came from director Garry Marshall, who explained why he and Gere decided to play this trick on the young actress.
According to Marshall, Roberts, who was just 23 at the time, would sometimes show up on set a little sleepy after a late night out.
“I said, ‘Richard, you gotta wake her up a little, so when she reaches for the box, slam it.’ It was a soft box. I would never hurt her,” Marshall explained.
It wasn’t until the final stages of editing that they decided to keep the scene in the movie. “We put it in… and it became like the trademark of the movie,” Marshall said.
And just like that, an unscripted joke turned into cinematic magic.
Edward’s disappearing shoes
As mentioned earlier, there are some mistakes in *Pretty Woman* that aren’t easy to spot on the first viewing, but some keen viewers have noticed them.
For instance, when they leave the opera and head to the park, Vivian takes off Edward’s shoes. However, as he begins to lie down, the shoes magically reappear.
Money in the boot
Speaking of things on (or in) your feet, there’s a little mystery involving Vivian’s boots that you might have missed.
When Edward gives her $100 in the penthouse, she slips the cash right into her boot for safekeeping. But later, after room service arrives with champagne and she takes off her boots, the money has mysteriously disappeared.
Did the cash vanish into thin air, or is Vivian just really good at hiding things? Maybe those boots had a secret compartment, or perhaps the $100 simply didn’t want to stick around for the rest of the film…
Four colored condoms
When Vivian offers Edward a selection of colorful condoms, it seems they have a mind of their own.
Vivian starts with four neatly arranged options (not counting that fancy gold circle one). But in the next shot, the order has magically changed.
Richard Gere didn’t like his character
Richard Gere has certainly gained from the success of *Pretty Woman*—both in his career and his bank account. But he hasn’t always been fully positive about the film, especially regarding his character, Edward. At a film festival in Venice, Gere described Edward as “criminally underwritten.” He added, “Basically, he’s just a suit and a good haircut.”
One scene in particular seemed to bother Gere, where Edward plays the piano while Vivian moves closer. Reflecting on it, Gere sarcastically said, “I mean, no chemistry. This actor and this actress obviously had no chemistry between them… I haven’t seen that in a long time. That’s a sexy scene.”
Director Garry Marshall came up with the idea for the scene after asking Gere what he usually did late at night in a hotel. Gere remembered, “I said, ‘Well, I’m usually jet lagged, so I’m up all night. Usually, there’s a ballroom or a bar, and I’ll find a piano and play it.’” Marshall then suggested, “Well, let’s do something with that.”
So, the scene was mostly improvised, with Gere explaining: “He said, ‘Play something moody.’ I just started playing something moody that reflected this character’s interior life.”
Then, just as mysteriously, the original lineup of condoms snaps back in the third shot. It’s as if the condoms were having their own little dance routine behind the scenes.
More than just onscreen lovers
If you ask me, the chemistry between Julia Roberts and Gere in *Pretty Woman* was undeniable. But the sparks didn’t just fly when the cameras were rolling — they formed a close bond off-screen too.
In 2017, Gere shared that he still talks to Roberts “all the time,” and back in the day, they would chat “three or four times a day.”
You could say it was love at first sight, in a friendly sort of way.
Even in a fairytale romance, things don’t always go as planned. Maybe that’s what makes this movie so charming and keeps us watching it again and again, year after year.
Did we miss your favorite *Pretty Woman* blooper? Share it with us and keep the fun going!
My BIL Destroyed Our House While We Were on Vacation – Karma Got Him Before We Could Confront Him
The moment I saw our front door ajar and trash scattered across the porch, I knew something was horribly wrong. But nothing could have prepared me for the chaos inside or the wild turn of events that followed.
I sat at the edge of the bed, staring out the window, letting the soft hum of the city fill the silence. My husband, Ethan, was busy packing our suitcases in the other room, but my mind was elsewhere. I couldn’t stop thinking about how different our lives were compared to his brother, Stan.
A thoughtful woman staring out the window of her room | Source: Midjourney
Ethan and I had built our life from the ground up. We weren’t rich, but we weren’t struggling either. We had this modest, cozy house, a place we’d filled with love and countless memories. It was our sanctuary.
Despite coming from a wealthy family, Ethan had always wanted to make his own way in the world. He worked hard, never asking for handouts, not even when his father, Howard, practically begged him to join the family business.
A middle-aged businessman standing in his office | Source: Midjourney
Stan, on the other hand, well, he was another story entirely. He thrived on the luxuries that came with their father’s money. I mean, Stan had never even had a real job outside of working for their dad.
And even there, he didn’t really “work.” He just showed up, smiled, and enjoyed the perks of being the boss’s son. Fancy cars, exclusive parties, designer clothes. He loved it all.
But it wasn’t just the material things. Stan was reckless. He had this sense of entitlement that bordered on delusion. If he wanted something, he took it; no questions asked.
An entitled man standing next to his fancy car | Source: Midjourney
I sighed, pushing those thoughts away. Ethan poked his head into the room. “You ready?” he asked, zipping up the last suitcase.
“Almost,” I said, forcing a smile. “Just thinking about how nice it will be to get away for a bit. We both need this.”
He smiled back. “Yeah, we really do.”
We were about to leave for a week-long vacation. A rare escape from our everyday lives.
A closeup of a person putting a passport in a black bag | Source: Pexels
It was the first time we’d been away for this long in years, and we’d trusted Stan with our house. Just a simple favor: feed the cat, water the plants, and check the mail. I wasn’t exactly thrilled with the idea, but Ethan insisted.
“Stan will be fine,” he’d said a few days ago, sensing my hesitation. “It’s not a big deal. He can handle it.”
I had my doubts, but what could go wrong in a week?
But when we pulled into the driveway seven days later, my stomach dropped.
A shocked woman | Source: Midjourney
The front door was slightly ajar, and there were cans, bottles, and trash littering the porch.
“Ethan…” I whispered, gripping his arm. “What happened?”
His face darkened. Without a word, he pushed open the door, and we stepped inside. The air smelled sour: a mix of stale beer, smoke, and something burnt. I blinked, trying to make sense of the scene in front of me.
The living room was unrecognizable. Furniture was overturned, broken glass crunched beneath our feet, and dirty dishes were scattered everywhere.
An extremely messed up living room | Source: Midjourney
The walls? They were smeared with what looked like food: pizza sauce, mustard, and who knows what else.
“What the hell?” Ethan’s voice trailed off as he moved further into the house. “Stan! What did you do?”
I followed him into the kitchen, and that’s when I saw it — the blackened stove, the melted cabinets. Something had exploded. There was no doubt about it.
“First of all, congrats on getting a new house.”
“Ethan,” I gasped, “this is insane!”
He ran his hands through his hair, pacing back and forth. “How could he do this? He was supposed to just watch the house, not throw a frat party!”
A closeup shot of an angry man | Source: Midjourney
I grabbed my phone, fingers trembling as I dialed Stan’s number. It went straight to voicemail. I called again. Nothing.
“Stan!” Ethan yelled into the void. “Answer your freakin’ phone!”
Panic bubbled inside me as I watched Ethan try to piece together what had happened. We had trusted him. “We need answers,” I muttered, pulling up my mother-in-law’s number.
She picked up on the second ring. “Aubrey, honey, how was your trip?” she asked, her voice calm and sweet, oblivious to the storm brewing on our end.
A woman using her phone | Source: Midjourney
“Celeste,” I interrupted, “do you know where Stan is? We just got home, and the house… it’s destroyed!”
I could feel my heart racing as I clutched the phone, waiting for Celeste to explain what on earth had happened to Stan. My mind was running wild with scenarios, but nothing could have prepared me for her next words.
“Oh, you don’t know?” Celeste said, her voice far too calm for the situation. “First of all, congrats on getting a new house, and second, you won’t be seeing Stan for a while because, well, he’s unavailable.”
A middle-aged woman talking on the phone | Source: Midjourney
“Unavailable?” I repeated, not quite understanding. “What do you mean?”
There was a pause before she continued, almost as if she was gathering her thoughts or maybe trying to sugarcoat what she was about to drop on me.
“After one of his infamous parties,” she said, her tone a blend of exasperation and something that almost sounded like relief, “Stan forgot to turn off the gas in your kitchen. It caused a small explosion.”
I felt like the floor had been ripped out from beneath me. “An explosion?! Celeste, our kitchen is destroyed!”
An extremely messed up kitchen | Source: Midjourney
“I know, sweetheart, I know.” She sighed as if talking about a stubborn child who had made yet another mess.
“Your father-in-law found Stan drunk and out of his mind in your house. The explosion wasn’t big, but it scared him enough to finally take action. Stan’s been, let’s just say his days of playing executive are over. Howard’s had enough.”
I pressed the phone harder to my ear, my blood boiling. “What do you mean ‘had enough?’ What exactly did Howard do?”
An angry and stunned woman talking on her phone | Source: Midjourney
Celeste didn’t hesitate this time. “Howard demoted him. Stan’s not going to be his right-hand man anymore. He’s going to be a truck driver for the company. Howard’s sending him on a month-long haul. It’s supposed to teach him some responsibility.”
I blinked, speechless. Ethan stood frozen in the kitchen doorway, staring at me with wide eyes, waiting for me to explain what his mother had just said. “Wait, wait,” I stammered. “He’s sending Stan on a cross-country trip? Driving trucks?”
A closeup shot of a man driving a truck | Source: Midjourney
“Yes,” Celeste replied, and I could hear a hint of satisfaction in her voice. “It’s about time someone put him in his place. I guess that explosion was the final straw.”
Ethan took a step closer, his eyes narrowing in disbelief. “What is she saying?”
I covered the mouthpiece for a second. “Stan’s been demoted to a truck driver,” I whispered, still processing the words myself.
“What?” Ethan’s jaw dropped, his face a combination of shock and anger. “That’s unbelievable.”
A furious man | Source: Midjourney
But Celeste wasn’t done. “Oh, and there’s one more thing, dear. Your father-in-law was planning to buy Stan a new house, you know, something extravagant, as a reward for his work. But after all this mess, he’s decided it’s yours instead. Howard said you two deserve it more.”
I nearly dropped the phone. “What?”
“You heard me right,” Celeste said, her tone softening. “It’s yours. The papers will be sorted out soon. Congratulations, Aubrey.”
A white and gray wooden house | Source: Pexels
I stood there in stunned silence, my hand shaking as I gripped the phone. Ethan looked at me, confusion and hope battling on his face. “What did she say?”
I took a deep breath, trying to steady myself. “The house, the one Howard was going to give to Stan, is ours now.”
Ethan’s eyes widened. “What? Are you serious?”
A man looks a little startled while talking to someone | Source: Midjourney
I nodded slowly. “Yeah, she said we’re getting the house. Karma, I guess.”
For a moment, neither of us spoke. The reality of what had just happened was sinking in.
Stan had trashed our house, left it in ruins, caused an explosion, but somehow, we had come out of it better off. It didn’t make sense, but I wasn’t about to question it.
Ethan finally let out a breath he’d been holding and leaned against the counter. “I can’t believe this. I mean, it’s what he deserves, but I didn’t expect this.”
A depressed and lonely man | Source: Midjourney
“Neither did I.” I shook my head, my mind racing. “I was so angry at him, Ethan. I still am. But this is bigger than that. He’s been living this reckless life for years, and now he has to face the consequences.”
Ethan nodded slowly, the tension in his shoulders starting to ease. “He does. But I still don’t know how we’re supposed to clean this up.” He gestured to the wreckage around us.
I laughed, despite everything, a little hysterical. “Well, at least we have a new house to look forward to.”
A woman laughs hysterically | Source: Midjourney
Ethan cracked a small smile, finally. “Yeah. A new house.” He shook his head in disbelief. “I guess we should call Dad and thank him, huh?”
I exhaled slowly. “Yeah. But first, I think I need to sit down.”
We both collapsed onto the one piece of furniture that wasn’t broken: a chair in the corner. For a minute, we just sat there, surrounded by the mess Stan had made, trying to wrap our heads around what had just unfolded.
Ethan reached over and squeezed my hand. “I guess karma’s got a way of working things out.”
A man smiling faintly | Source: Midjourney
“Yeah,” I said quietly, staring at the chaos around us. “It really does.”
As the shock wore off, I realized that while Stan had wrecked our home, he hadn’t destroyed us. If anything, we were walking away with more than we ever expected. A new house. A fresh start.
And maybe, just maybe, this was the wake-up call Stan needed too.
“Let’s just hope he learns from this,” Ethan muttered.
I nodded, though I wasn’t holding my breath. “We’ll see.”
A loving couple | Source: Midjourney
Do you think karma worked its magic here? Let’s hear your take!
While you’re busy contemplating your response, check out another exciting story: Returning from a blissful Hawaiian vacation, Lisa and her two young children were shocked to find an unwelcome guest comfortably settled in their home. Faced with an uncooperative squatter and little help from the police, Lisa was forced to take drastic measures to reclaim her family’s sanctuary.
This work is inspired by real events and people, but it has been fictionalized for creative purposes. Names, characters, and details have been changed to protect privacy and enhance the narrative. Any resemblance to actual persons, living or dead, or actual events is purely coincidental and not intended by the author.
The author and publisher make no claims to the accuracy of events or the portrayal of characters and are not liable for any misinterpretation. This story is provided “as is,” and any opinions expressed are those of the characters and do not reflect the views of the author or publisher.
Leave a Reply