The memories of the day you become a parent will be ones you hold dear forever. A unique child who depends on you has just entered the world. You must provide them with the finest environment and encouragement while they work to achieve their goals.
Adriana Iliescu gave birth to her first child in 2005, and because she was 66 at the time, her story received extensive media coverage.
Adriana was overjoyed when her daughter Eliza was born.
The elderly mother has been out of the public eye for 17 years, but some recently released, well publicized images of her daughter have brought her back.
There are those days that can completely alter someone’s life. Undoubtedly, every parent who has ever experienced parenthood will concur that it is impossible to adequately express the moment you greet your child.
When you first catch that cute child looking up at you, it’s the sweetest sensation in the world.
Some people are born into history books and become immortal.
When Eliza Iliescu was born in Romania in 2005, she had that exact experience. Because of the girl, the girl’s mother made history.
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At 66 years old, Adriana Iliescu became the oldest mother ever. Eliza’s birth garnered media attention for obvious reasons, earning Adriana a spot in the Guinness Book of World Records.
In 2010, Adriana opened up about motherhood and shared her experiences after receiving severe criticism after giving birth. The people thought she was selfish and unduly old.
“The mirror is cruel to women, but if you judge me by my vitality, I’d say I’m a young lady. When I’m a little more exhausted, I feel like I’m 37, yet I just feel like I’m 27. Women more than half my age are healthier than I am.
“People think it’s humorous to refer to me as ‘grandma,’ but Eliza wasn’t there to make me appear younger. I don’t ever feel my age.
Adriana, who was 71 at the time, also said during her conversation with the British tabloid that she planned to have another child.
She said, “Medically, it’s doable. It could be done, since I understand experiments with a 70-year-old woman are currently taking place in England. I am in good health and believe that having another child in the future is conceivable, but I’m not in a rush right now.
Adriana and Eliza have a similar bond to most mothers and daughters over time. Eliza is a young child who is tremendously joyful, humorous, and intelligent.
Although a lot of people have an opinion about Adriana’s age, the mother claims that Adriana is a great mother and takes good care of Eliza.
“I don’t consume alcohol or smoke. Eliza will be 20 years old when I die if I survive as long as my parents did. I still believe I have a lot to offer her.
Adriana did not plan on getting pregnant at such a late age. When Adriana Iliescu was a young newlywed, she was forced to have an abortion due to health issues. She was 24 when her husband abandoned her.
Adriana subsequently focused on other facets of her life, such as her job as a professor at a Romanian university.
As I was working, “I couldn’t even think about a child.”
But I wasn’t ready to have children until I finished my doctorate at age 37. However, IVF did not exist back then.
Adriana was 57 years old when in-vitro fertilization became an option in Romania. Adriana’s first pregnancy in 2000 resulted in miscarriage despite her attending counseling.
Many people turned their backs on her because she wanted to have children. They thought Adriana was acting immorally, but she persisted in her desire to have children and never gave up.
Eliza was eventually born after receiving treatment from Dr. Bogdan Marinescu in Bucharest. Adriana had really been expecting triplets, but only Eliza survived after the other two died in the womb. Unfortunately, because of her premature delivery, she had to spend a lot of time in the NICU.
Adriana, who was deeply religious, wanted to baptize her daughter immediately after she had grown into a strong young child. Sadly, some religious organizations opposed Adriana having a kid at such a late age. At Eliza’s baptism, Adriana encountered weird looks from the nuns, one of them even referred to her as “the creation of dark energy.”
Adriana claims that Eliza is a gift from God. Today’s Adriana Iliescu
Adriana gave birth to her first child in 2022, which has been 17 years ago. Adriana is usually mistaken for Eliza’s grandmother, but they are currently having a great time together.
But the seasoned mother is still in great physical and mental shape. She is a very loving person, and that is what it takes to nurture a child.
Adriana is 83 years old and still writes. She claims to be in good health and has published more than 25 children’s novels. She appears to be a fantastic mother, but she still holds down a part-time professorship in Bucharest.
Adriana has also ensured that Eliza’s future is in capable hands.
When Adriana chose to use IVF, she made an agreement with the physician. He will be the girl’s godfather and legal guardian in the event that Adriana passes away.
Eliza, who is 17 years old, wants to study and attend college, but Adriana initially prefers to keep her family’s private affairs private. Eliza, who always makes the honor roll, continues on her mother’s academic tradition.
Compared to many people in their 25s and 30s, she appeared to be performing better. She is COMMITTED to her child and has no outside interests to divert her. Her daughter has an amazing energy and seems to be very content, happy, and well-rounded.
10 Little-Known Mistakes in Pretty Woman That Will Blow Your Mind
Pretty Woman is one of those movies I can watch over and over — it never gets old or boring.
But considering how many times I’ve seen it, it’s surprising that I’ve never noticed these bloopers and mistakes that tell a different story about the film.
Disney changed everything
*Pretty Woman* became a romantic comedy that captured millions and launched Richard Gere and Julia Roberts to fame.
But that’s not how it was originally meant to be. The first screenplay was titled *3,000*, written by then-struggling screenwriter J.F. Lawton. The early draft dealt with much darker themes about social inequality and corporate greed.
However, everything changed when Disney took over. The company chose to downplay the themes of class and sex work in Los Angeles. Instead, Disney gave it a big budget and turned it more into a romantic comedy.
Al Pacino turned down the lead role
For me, it’s hard to imagine anyone but Richard Gere as Edward Lewis, the wealthy businessman from New York who hires Vivian (Julia Roberts) to be his escort for a week.
The casting process for *Pretty Woman* took longer than expected, with Al Pacino initially in the running for the role of Lewis. The famous actor even took part in a casting reading with Julia Roberts but ultimately decided to pass on the part.
Although he liked the script, Pacino never explained why he turned it down. Looking back, he has shown respect for Roberts, who was a relatively unknown actress at the time.
“I mean, you could tell at the reading that this was going to be good, that it would be a hit,” Pacino said.
He also mentioned: “And this girl was amazing. I asked Gary, ‘Where did you find this girl?’” (Gary being Gary Marshall, the film’s director). Pacino’s instincts were right, as Roberts’s outstanding performance would shape her career and the film’s legacy.
The croissant becomes a pancake
In the scene where Richard Gere’s character orders breakfast in the room, there’s a funny little detail you might not have noticed. It starts with Vivian enjoying a croissant while talking to Edward.
But then, in an instant, the croissant magically turns into a pancake.
How did that happen? According to director Garry Marshall, he liked Julia Roberts’ performance in the later takes, where she was eating a pancake instead of the croissant, so they decided to use that footage.
However, this caused a continuity issue. In the first shot with the pancake, Vivian takes a second bite, but in the next shot, the pancake only has one bite missing, and the bite marks are clearly different.
It’s clearly not the same pancake!
Truth behind the iconic dress
The careful attention to costume design might go unnoticed by most moviegoers. However, whether you notice fashion or not, it’s hard to miss the iconic red dress that Julia Roberts’ character wears in the film.
The red dress represents Vivian’s transformation and empowerment during a key scene in the movie when Roberts’ character joins Edward Lewis for a night at the opera.
Vogue described the dress as “eye-catching, incredibly sexy without losing any elegance.” The genius behind that stunning dress? The award-winning costume designer Marilyn Vance.
She created six fabulous outfits for Julia Roberts’ character, Vivian Ward, and also designed Richard Gere’s stylish looks.
For example, the charming brown-and-white polka dot dress Roberts wore to the horse race was made from old silk found in a small antique fabric shop in Los Angeles — talk about recycling in style! And those chic shoes? They were by Chanel.
Richard Gere’s tie
As for Gere’s wardrobe, it was a masterclass in color coordination, featuring brown, navy, and blue-gray suits, all designed by Vance.
Now, about that famous tie that Roberts takes from a store employee? According to Vance, it was “nothing special” and definitely not a designer piece.
She bought it in a Los Angeles shop for $48.
The tie appears several times in the film, and if you watch closely, you might notice that it mysteriously changes knots from time to time.
During the polo match, Edward wears a straight-collar shirt with the tie that Vivian gave him, knotted in a half-Windsor. But in a later scene, sharp-eyed viewers can see a subtle change — Edward’s collar has turned into a spread style, and the tie is now in a full-Windsor knot.
‘Obscene’ shopping spree
When Richard Gere shows Julia Roberts’ character the glamorous world of the rich, he takes her on a wild shopping spree down Rodeo Drive in Beverly Hills.
That afternoon shopping trip? It would have cost Gere’s character at least $30,000, according to designer Marilyn Vance.
Talk about a shopping spree on steroids! It’s like they were shopping with Monopoly money — no wonder Vivian was in a daze.
The ruby-and-diamond necklace was real
The jewelry Julia Roberts wore with her stunning red ball gown — a heart-shaped necklace made of rubies and diamonds — was valued at an incredible quarter million dollars. Yes, you heard that right.
According to movie trivia sites, this ruby-and-diamond masterpiece was the real deal. In fact, while filming, an armed security guard from the jewelry store responsible for this extravagant necklace stood watch behind the director.
Jewelry box scene was a practical joke
The scene where Richard Gere gives Julia Roberts the expensive necklace is not only one of the most romantic and iconic moments in movie history, but it also has a funny backstory.
Originally, it was meant as a playful prank for the film’s gag reel.
As you might remember, the jewelry box snaps shut on Julia Roberts’ fingers, causing one of the most genuine and charming laughs ever caught on film.
The real story behind the scene came from director Garry Marshall, who explained why he and Gere decided to play this trick on the young actress.
According to Marshall, Roberts, who was just 23 at the time, would sometimes show up on set a little sleepy after a late night out.
“I said, ‘Richard, you gotta wake her up a little, so when she reaches for the box, slam it.’ It was a soft box. I would never hurt her,” Marshall explained.
It wasn’t until the final stages of editing that they decided to keep the scene in the movie. “We put it in… and it became like the trademark of the movie,” Marshall said.
And just like that, an unscripted joke turned into cinematic magic.
Edward’s disappearing shoes
As mentioned earlier, there are some mistakes in *Pretty Woman* that aren’t easy to spot on the first viewing, but some keen viewers have noticed them.
For instance, when they leave the opera and head to the park, Vivian takes off Edward’s shoes. However, as he begins to lie down, the shoes magically reappear.
Money in the boot
Speaking of things on (or in) your feet, there’s a little mystery involving Vivian’s boots that you might have missed.
When Edward gives her $100 in the penthouse, she slips the cash right into her boot for safekeeping. But later, after room service arrives with champagne and she takes off her boots, the money has mysteriously disappeared.
Did the cash vanish into thin air, or is Vivian just really good at hiding things? Maybe those boots had a secret compartment, or perhaps the $100 simply didn’t want to stick around for the rest of the film…
Four colored condoms
When Vivian offers Edward a selection of colorful condoms, it seems they have a mind of their own.
Vivian starts with four neatly arranged options (not counting that fancy gold circle one). But in the next shot, the order has magically changed.
Richard Gere didn’t like his character
Richard Gere has certainly gained from the success of *Pretty Woman*—both in his career and his bank account. But he hasn’t always been fully positive about the film, especially regarding his character, Edward. At a film festival in Venice, Gere described Edward as “criminally underwritten.” He added, “Basically, he’s just a suit and a good haircut.”
One scene in particular seemed to bother Gere, where Edward plays the piano while Vivian moves closer. Reflecting on it, Gere sarcastically said, “I mean, no chemistry. This actor and this actress obviously had no chemistry between them… I haven’t seen that in a long time. That’s a sexy scene.”
Director Garry Marshall came up with the idea for the scene after asking Gere what he usually did late at night in a hotel. Gere remembered, “I said, ‘Well, I’m usually jet lagged, so I’m up all night. Usually, there’s a ballroom or a bar, and I’ll find a piano and play it.’” Marshall then suggested, “Well, let’s do something with that.”
So, the scene was mostly improvised, with Gere explaining: “He said, ‘Play something moody.’ I just started playing something moody that reflected this character’s interior life.”
Then, just as mysteriously, the original lineup of condoms snaps back in the third shot. It’s as if the condoms were having their own little dance routine behind the scenes.
More than just onscreen lovers
If you ask me, the chemistry between Julia Roberts and Gere in *Pretty Woman* was undeniable. But the sparks didn’t just fly when the cameras were rolling — they formed a close bond off-screen too.
In 2017, Gere shared that he still talks to Roberts “all the time,” and back in the day, they would chat “three or four times a day.”
You could say it was love at first sight, in a friendly sort of way.
Even in a fairytale romance, things don’t always go as planned. Maybe that’s what makes this movie so charming and keeps us watching it again and again, year after year.
Did we miss your favorite *Pretty Woman* blooper? Share it with us and keep the fun going!
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