Kathleen Turner rose to fame in the 1980s with her strength and attractiveness – many consider her one of the most beautiful actresses in Hollywood.
It is this fortitude that has helped her through the many goods and bad times the actress has experienced over the years.
Kathleen Turner was reared in a home with four other children despite having a difficult upbringing. She and her siblings were raised in both Venezuela and London. She experienced tragedy when, at a young age, her father passed tragically suddenly while mowing the lawn of their Hampstead house.
The foreign service expelled Kathleen and her family from the UK a month after his death. Turner moved her family to Springfield, Missouri, where everyone was still mourning their father and their former residence..
After relocating to New York to pursue an acting career as an adult, Tuner at last experienced calm. Although she had some success on the stage, her big break came when she was cast as the femme fatale in the 1981 film “Body Heat.”
Three years after starring next to William Hurt, Turner was given a chance to co-star with Michael Douglas in the famous “Romancing the Stone.” Douglas was in a rocky separation from his wife Diandra at the time of filming, and he and Turner developed some feelings for each other.
“We were in the process of falling in love – fervent, longing looks and heavy flirtation. Then Diandra came down and reminded me he was still married,” Kathleen said.
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She eventually married the property developer from the film, Jay Weiss, in 1984. The two had their only daughter together soon after. Rachel Ann Weiss was born on October 14, 1987.
Unfortunately, the couple’s relationship began to fracture as they started raising their daughter.
“I’d make the movie companies give me long weekends or provide extra tickets so my daughter and husband could come to me. But there was a sense in the marriage the effort was all on his side, which made me feel guilty. It was one of the reasons it ended. I started to feel very oppressed. I thought, ‘Hang on a minute, you’ve done very well out of being married to me also,’” Kathleen explained.
Their marital issues reached a breaking point when Turner played Martha in the Broadway revival of “Who’s Afraid of Virginia Woolf?” in 2005. Acting in eight performances a week caused Turner to become exceedingly busy, and it seemed Weiss didn’t want to spend any time with her when she was at home.
Turner received a Tony nomination for her performance as Martha during that period, and the two split peacefully.
In 1987, the actress received an Oscar nomination for her performance in “Peggy Sue Got Married.” In the 1980s, she continued to make movies and appeared in a number of blockbusters, three of which starring Michael Douglas.
Kathleen, however, suffered a medical setback in the 1990s when her neck locked, preventing her from turning her head. She also lost the ability to use her hands because of swelling in them.
“It was crippling,” Kathleen said. “You stop taking things for granted when you lose them, even temporarily. What I took for granted – my athleticism, my ability to throw myself around, and just be able to move however I wanted to. When I lost that, that was a real crisis of self: who am I if I cannot do this?”
Rheumatoid arthritis, which is defined by the swelling of the lining of our joints, turned out to be the cause of her unfortunate circumstances. Chronic pain brought on by this illness can be challenging to manage.
“When it was first diagnosed, I was terrified because they said I’d be in a wheelchair,” Kathleen explained. “I thought, ‘If I can’t move, I can’t act.’ Acting isn’t just what I want to do. I was born to do it. It’s at every point of my living. The idea of not being able to do it was the most frightening part – that and the constant pain.”
As a pain reliever, Kathleen used booze and medications. Although they made it easier for her to work, her propensity for consuming vodka caused her to pass out during dress rehearsals for plays like the 2002 theatrical production of “The Graduate.”
After the episode ended, the actress genuinely entered rehab, where it was discovered that she was not an alcoholic. She was instead instructed to just keep better note of when she took her prescriptions and any negative side effects.
The actress now practices yoga and pilates to help her manage her discomfort and stay flexible.
The celebrity started to truly concentrate on her theatrical profession while managing her pain better. Although she occasionally continued to work in cinema and television, she mostly went back to her origins as she got older, even starring in “Cat on a Hot Tin Roof” on stage in her forties.
“Because I knew that the better roles as I got older would be in theatre, which is absolutely true, so that was a little foresight on my part of which I am justly proud,” Kathleen said.
The actress has been able to devote more time to her passions by concentrating on the theater, including volunteering for Amnesty International and working for Planned Parenthood of America.
Turner has dedicated her life to supporting other women as a fervent feminist and has done so for the majority of her life. Send Yourself Roses, Gloria Feldt’s 2008 biography of the actress, accurately depicts her ideas.
“We are the first generation of women who are financially independent. Women are going back to work,” Kathleen said. “They’re reinventing themselves. I thought I could support that, even increase that. So it has got a lot of philosophy in it and a lot of my beliefs.”
Why My Husband Divorced Me When He Received This Picture From Me?! It’s The Reason That Shocked Me…
It was one of those peaceful, quiet afternoons that make you feel at ease, surrounded by the calm of the open field and the gentle rustling of leaves. I leaned against the truck, enjoying the warmth of the sun and the solitude, and thought about sharing a small moment of my day with my husband. The truck looked picture-perfect against the trees, so I snapped a quick photo and sent it off without a second thought.
The reply came back almost instantly, and it wasn’t what I had anticipated.
“Who’s that in the reflection?”
I frowned, reading his words again, unsure of what he meant. I hadn’t seen anyone. “What reflection?” I typed back, a slight unease building.
“The rear window. There’s someone there,” he replied, his tone suddenly more serious.
Heart pounding, I opened the photo and zoomed in, focusing on the rear window’s reflection. At first, I assumed it was just a glare, maybe a trick of the light or a shadow from the trees. But as I studied it more closely, my stomach twisted. There was, indeed, a figure—a faint outline of a person standing just behind me. The more I looked, the more familiar the shape became. A man in a hat, his face obscured by the brim’s shadow.
My breath caught. It looked just like the hat my ex-boyfriend used to wear, one he was rarely seen without.
A chill ran through me. I had been alone, hadn’t I? I hadn’t noticed anyone when I took the picture, and the field was empty, just me and the truck. But there he was, unmistakably standing close enough to be caught in the window’s reflection. How was this even possible?
I tried to calm my husband with a hasty reply. “It’s probably just a shadow or something from the background. I was definitely alone.” But even I felt the uncertainty in my words.
His response came back with unwavering suspicion. “That doesn’t look like a shadow. It looks like him.”
My stomach churned. I knew exactly who he meant, and it didn’t seem real. It was as if my past had come creeping into that quiet afternoon, catching me off guard in a way I couldn’t quite rationalize. Could my ex somehow have been nearby, without me noticing? Or was it just a terrible trick of timing that happened to look exactly like him?
I stared at the photo, scrutinizing the figure in the reflection. The way he stood, the hat—it all felt too familiar. No matter how hard I tried to convince myself otherwise, the unease wouldn’t subside. What if it really was him, somehow lingering on the edge of my present?
I called my husband, my voice shaking, trying to explain, to tell him it had to be a weird coincidence. But the doubt was palpable, filling the silence on the other end of the line. When he finally spoke, his tone was distant, guarded. “I don’t know,” he said slowly. “That reflection… it doesn’t feel like a coincidence.”
After the call ended, I sat there, staring down at the picture that now seemed to hold far more than just a snapshot of my day. That faint outline of a man in the background was like a shadow, dredging up something from the past I’d thought was over and done with.
In the days that followed, everything between us felt off, like a shift we both felt but couldn’t quite fix. The image of that figure in the reflection hung over us, an uncomfortable reminder of my past and a mystery I couldn’t answer. I tried to assure him it was nothing, that I had been alone, but the trust between us felt shaken, as though something essential had been altered by that tiny, barely visible reflection.
What was meant to be a simple picture, a small shared moment, had suddenly changed everything, casting a shadow neither of us could escape. And in that small, haunting detail, we found ourselves questioning what should have been unquestionable.
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