
Carrie Bradshaw once said, “I will literally be the old woman who lived in her shoes.” But Sarah Jessica parker, the woman behind the sassy fashionista in the hit TV show Sex and the City, isn’t Jimmy Choo-obsessed, nor does she have a wardrobe filled with playful tutus and strappy slip dresses.Still, the confident 58-year-old actor is fielding hateful comments from the online population who can’t understand why her real-life persona is contrary to the modish character she plays.
Parker, who’s proudly aging naturally, gracefully and beautifully, answers back saying it’s, “just not a reality,” and “there’s no time to let vanity enter.” Keep reading to learn what the lovely Sarah Jessica Parker has to say about aging!
In her role as the beloved Carrie Bradshaw in Sex and the City, Sarah Jessica Parker served some iconic, oftentimes controversial, looks.
While her character was considered a trendsetter by women across the globe, Parker in real life, has never been an urban chic fashionista.
“It’s not the way I perceive myself, I’m so low on my priority list,” said Parker, who raised three children while she was at the height of her career. “I love beautiful clothes and am privileged enough to have access to a lot them…but they also are returned the next day. They are not mine.”
Keep reading to learn more…
In real life, the star admits that she prefers a practical style, which isn’t always popular with the demanding public.
Unsexiest woman alive
In fact, in 2008, she was named in a Maxim poll as the “Unsexiest Woman Alive.”
Shortly after she earned the unflattering title, Parker spoke with Grazia (through Daily Mail) and said, “Do I have big fake boobs, Botox and big lips? No. Do I fit some ideals and standards of some men writing in a men’s magazine? Maybe not.” The star of And Just Like That continues, “Am I really the unsexiest woman in the world? Wow! It’s kind of shocking when men…It’s so brutal in a way…”
Years later, the Family Stone star appeared at the Met Gala wearing a golden Dolce & Gabbana gown that she paired with an ornate nativity headpiece.
Though she was serving an incredibly unique and smashing look, the public only commented on her aging.
“Aye real quick, how old is Sarah Jessica Parker because [her] skin look like tree bark and I’m confused,” said one. A second writes, “Is that Sarah Jessica Parker? Oh gosh she looks so old and worn out.”
Then, in 2021, the Hocus Pocus star was lunching with Bravo star Andy Cohen. Parker was makeup free, her silvery hair tied back in a braided ponytail.
It didn’t take long for the online population to start spitting hate over her appearance. But, Cohen, who also has a head of grey hair, defended his friend.
“We were at lunch and there was a paparazzi, and she’s sitting next to me, white hair,” said Cohen, 55, of his own white hair. Speaking on The Drew Barrymore Show, he continued, “All the articles were ‘Sarah Jessica Parker, she’s going gray’ and ‘She looks old,’ and it was insanity.
Here she is sitting next to me, who’s gray, and people just missed the mark totally. It was so misogynistic.”
Following that, Parker spoke with Vogue and had a lot to say about unforgiving people and their unrealistic standards of beauty.
“There’s so much misogynist chatter… I’m sitting with Andy Cohen, and he has a full head of gray hair, and he’s exquisite. Why is it okay for him?” Parker continues, “‘She has too many wrinkles, she doesn’t have enough wrinkles.’ It almost feels as if people don’t want us to be perfectly okay with where we are, as if they almost enjoy us being pained by who we are today, whether we choose to age naturally and not look perfect, or whether you do something if that makes you feel better.
She adds, “I know what I look like. I have no choice. What am I going to do about it? Stop aging? Disappear?”
Influential woman
The title of “unsexist woman alive” was upstaged in 2022 when the Golden Globe winning actor was named by Time as one of its “100 most influential people in the world.”
Though she may not dress the part of Carrie, who’s the star of the TV series, two films and the reboot And Just Like That, Parker does own her own designer brand, SJP, which – not surprisingly – started as shoes.
The star of Honeymoon in Vegas is also a TV producer, the co-founder of the spirit “The Perfect Cosmo by SJP” (Carrie’s favorite drink), is involved with publishing, fragrances and has a wine label – to name a few.
And just like that
Also unlike Carrie and her hapless search for romance, the star of Footloose found love in the early 1990s with Matthew Broderick, the star of Ferris Bueller’s Day Off.
The adorable couple – who starred on Broadway together – married on May 19, 1997, and have been together ever since.
When Broderick was asked to reveal his secret for a successful marriage, he answered: “I don’t know the secret at all, but I, you know, I’m very grateful and I love her. It’s amazing. I mean, I can’t believe that it’s been that long. It doesn’t feel like it.”
The couple share three kids, son James Wilkie (born 2002), along with twins Tabitha Hodge and Marion Loretta Elwell, who joined the family in 2009, via surrogate.
The woman leads a busy life and should be applauded for her accomplishments, not criticized.
Speaking natural in real life, the actor said, “It’s not how I think of myself, and I think it’s probably the healthier approach.”
She continues, “It’s just not a reality – not when you have three kids, and you go to the market, and there are hungry people at home. You have a limited time to do it. There’s just no time to let vanity enter into that.”
Australia Implements ‘Glow In The Dark’ Road Markings To Improve Safety

Using a novel approach, Australians are paving the way for safer nighttime driving: glow-in-the-dark road markers. These creative marks are inspired by the glowing hands of tactical watches and are intended to increase road safety and visibility, especially at night.

Selected highways in the state of Victoria will be painted with fluorescent paint as part of this ground-breaking effort, which is being led by Regional highways Victoria as part of an extensive road safety campaign. The state’s Innovative Package includes glow-in-the-dark lines, which have the potential to completely transform nighttime driving conditions for drivers all around the region.

Although the idea has been praised for its potential to improve traffic safety, other people are worried about possible risks brought on by the increased luminance. The criticisms vary from worries about the photoluminescent paint’s durability and safety to worries about the temptation for drivers to turn off their headlights.

Advocates of the effort, however, are unfazed, highlighting the revolutionary potential effects it may have on road visibility and driver attentiveness. The investment in glow-in-the-dark road markings, which is expected to cost AUD $4 million (USD $2.82 million), highlights the dedication to innovative solutions that put public safety and well-being first.


In addition, the installation of LED tactile paving at controlled pedestrian crossings is a critical step in improving pedestrian safety, especially in metropolitan settings where there are many distractions. The LED hues are synchronized with traffic light signals to provide pedestrians with enhanced visibility and direction, thereby reducing the risks associated with low visibility conditions.

Even though there were some initial concerns and doubts about the application of glow-in-the-dark road markings, the basic objective is still very much the same: to create a safer and easier-to-navigate road environment for everyone. With Australia leading the way in these cutting-edge approaches to road safety issues, there is a bright future ahead for safer nighttime driving. The idea of safer roads illuminated by progress is becoming closer with constant attention to detail, teamwork, and creativity.

Some individuals believe it to be extremely dangerous since people may be tempted to switch off their headlights in an attempt to show off how awesome it is, despite the positive reviews and potential for increased safety.You simply can’t prevail, can you?
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