She spent the night working on a song that would end up becoming the lead single from Nicks’ 1983 solo album “The Wild Heart” and the single went to No. 5 in the U.S. Billboard Top 100.
After writing her song ‘Stand Back” she asked for a meeting with Prince and 20 minutes later they were introduced to each other for the first time in a studio in Los Angeles.
Nicks said Prince listened to her song, inspired by his “Little Red Corvette” classic and went straight over to the keyboard to start adding his own parts.
He then got up, gave her a hug and left.
“He spoiled me for every band I’ve ever had because nobody can exactly re-create — not even with two piano players —what Prince did all by his little self,” she said in the book “Rock Lives.”
Nicks said as much as she admired Prince, she avoided a romantic relationship with him because she appreciated their musical connection.
“He spoiled me for every band I’ve ever had because nobody can exactly re-create — not even with two piano players —what Prince did all by his little self,” she said in the book “Rock Lives.”
Nicks said as much as she admired Prince, she avoided a romantic relationship with him because she appreciated their musical connection.
“I really wanted a musical relationship, and I had smartened up, even then,” she explained. “You’ll break up and never speak again. But he wasn’t interested in just that.”
In turn, Prince’s “When Doves Cry” was inspired by Nicks’ song “Edge of Seventeen.”
The Fleetwood Mac star said that she was heavily into drugs when she collaborated with Prince.
“The eighties were pretty bad drug years for me,” Stevie Nicks told The New Yorker. “And Prince was not very into drugs. And the fact that he ended up being on a lot of pain medication just blows my mind, because he was so against it, and he gave me so many lectures about it.”
The “Gypsy” singer said Prince warned her about her drug use. “I’d talk to him every once in a while on the phone, and we’d talk for hours, and he’d go, ‘You gotta be careful, Stevie.’ And I’d go, ‘I know, I know.’”
Following his death Nicks said, “My sadness is that he did die of an accidental drug overdose. He’s up there looking down, saying to me, ‘Sweetie, I can’t believe it happened either.’”
It seems Prince was right to be worried at the time as Nicks ended up in rehab twice. The singer checked into the Betty Ford clinic in 1986 for her cocaine addiction, and then went to another hospital in 1993 for her addiction to Klonopin, which Nicks said she was over-prescribed.
But in 1986, Nicks spoke to a plastic surgeon about her nose. The doctor told her she had burned a coin-sized hole in her nose from her cocaine abuse.
“I said, ‘What do you think about my nose?’” the singer recalled. “And he said, ‘Well, I think the next time you do a hit of cocaine, you could drop dead.’”
Following her conversation with the doctor, Nicks decided to check into the Betty Ford clinic. The move helped turn her life around and arguably saved her career and her life.
Thank goodness she had a conversation that set her on the right path. It sounds like it came at just the right time.
It is, however, a tragedy that Prince couldn’t get off the harmful opioids that he was on. Nicks’ story just confirms the musical genius he really was and how generous he was with his talent.
He will always be a musical legend, missed by millions.
From the ‘Bundy Bounce’ to Household Mayhem: Unraveling the Comedic Genius of a 90s TV Classic
In the annals of classic television sitcoms, few moments have become as iconic and enduring as the “Bundy Bounce.” First introduced in a 1990s episode of the beloved series “Married… with Children,” this outrageous dance move, invented by the show’s resident fashionista Kelly Bundy, has lived on in the memories of fans for decades.
At the heart of this memorable sequence is a classic tale of sibling rivalry, as Kelly’s attempt to impress at a car audition is complicated by the meddling of her brother, Bud. But beyond the central plotline, this episode also delves into the Bundy family’s signature brand of chaotic humor, as the family matriarch, Peg, refuses to do any household chores, much to the dismay of her long-suffering husband, Al.
The episode opens with Kelly, the quintessential Bundy daughter, determined to land the coveted role of spokesperson for the new Allanté car. Recognizing that she needs to stand out from the competition, Kelly hatches a plan to wow the executives with a unique dance move that she dubs “The Bundy Bounce.”
“The Bundy Bounce” is a dynamic, high-energy routine that showcases Kelly’s confidence, sass, and flair for the dramatic. With its exaggerated hip movements and playful, almost mocking tone, the dance perfectly encapsulates Kelly’s larger-than-life personality and her unwavering desire to be the center of attention.
As Kelly prepares to unveil her showstopping routine at the audition, her brother Bud, ever the opportunist, decides to exploit his sister’s ambition for his own gain. Revealing Kelly’s dance to a rival contestant, Bud sets the stage for a dramatic showdown, with the fate of the Allanté spokesperson gig hanging in the balance.
The rivalry between Kelly and Bud has long been a source of humor and drama within the Bundy household, and this episode is no exception. As the two siblings vie for the spotlight, their animosity towards one another comes to a head, with each determined to outmaneuver the other.
Bud’s decision to share Kelly’s dance move with her competition not only jeopardizes Kelly’s chances at landing the job but also showcases the lengths the Bundy children will go to in order to one-up each other. This sibling dynamic is a crucial element of the show’s enduring appeal, as it taps into the universal experiences of family life and the push-and-pull of brotherly and sisterly relationships.
While the “Bundy Bounce” storyline takes center stage, the episode also features a hilarious subplot involving the family matriarch, Peg Bundy. Fed up with the constant demands of maintaining the household, Peg decides to go on a household strike, refusing to do any chores or cooking.
This decision sends the Bundy household into a tailspin, as Al, the family patriarch, is forced to confront just how dependent he is on Peg’s domestic labor. The resulting chaos, with dirty dishes piling up and the family left to fend for themselves, is a prime example of the show’s signature brand of over-the-top, slapstick humor.
In the decades since its original airing, the “Bundy Bounce” episode has cemented its place as a beloved classic within the “Married… with Children” canon. The iconic dance move, with its catchy rhythm and Kelly’s unforgettable performance, has become a touchstone for fans of the show, a moment that perfectly encapsulates the series’ irreverent spirit and the Bundy family’s unique brand of chaos.
Beyond the “Bundy Bounce” itself, the episode’s exploration of the family’s complex dynamics and its blend of humor, drama, and memorable characters have all contributed to its enduring legacy. As new generations discover the show, this episode continues to captivate and entertain, solidifying “Married… with Children” as a true sitcom masterpiece.
In the annals of classic television comedy, the “Bundy Bounce” episode of “Married… with Children” stands out as a shining example of the show’s ability to blend memorable characters, iconic moments, and relatable family dynamics into a truly engaging and entertaining whole. From Kelly’s showstopping dance moves to the Bundy household’s descent into domestic disarray, this episode is a testament to the series’ enduring appeal and its status as a beloved, genre-defining sitcom.
As fans continue to revisit this classic episode, the “Bundy Bounce” and the stories it encompasses will undoubtedly continue to captivate and entertain, cementing its place as a cornerstone of television history and a testament to the enduring power of the Bundy family’s unique brand of chaos.
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