After more than 50 years on the road, Elton John has officially retired from touring.
The renowned artist performed his final tour act at Stockholm’s Tele2 Arena on Saturday, the final stop on his Farewell Yellow Brick Road Tour.
“I’ve had the most incredible career, beyond words. How fortunate am I to be able to play music for 52 years?” John, 76, told the audience as he finished his concert with “Your Song” and “Goodbye Yellow Brick Road.”
“But, you know, if it wasn’t for you, I wouldn’t be sitting here talking to you. You bought the singles, albums, CDs, and cassettes, but more importantly, you bought the concert tickets, and you know how much I enjoy performing live.”
After the show, the five-time Grammy winner thanked his fans for their unending support spanning more than five decades.
“My fans have been there for me every step of the way.” They’ve remained with me, they’ve supported me, they’ve been patient, and they’ve been coming to every single event,” he stated in a post-show statement, according to Consequence.
“Tonight has been a beautiful night. I’m still processing everything, and I don’t believe it’ll take a while before I’m finally done touring. I can’t tell you how much I’m going to miss the fans or how much their love has humbled me – it will live on in my heart forever.”
At one point during the event, the “Tiny Dancer” singer received a special message from Chris Martin, who was performing with his band, Coldplay, in Sweden at the same time.
“Elton, we just wanna say, from all of us here, from all the bands and artists that you’ve loved, inspired, and helped, we just love you so much,” Martin, 46, said in part. “We love you tremendously. Happy retirement and we’ll miss you terribly, dude.”
John, who has been traveling since 1970, took to Instagram earlier Saturday to deliver a poignant message before of the highly anticipated event.
“What a journey this tour has been, and now we find ourselves at the end of it,” he wrote. “Tonight is the final night.”
While John is no longer traveling, he and his management have previously announced that fans can expect to see him perform in some way in the coming years.
“It’s essential to distinguish between Elton retiring from touring and Elton not performing his very last public performance for the very last time,” John’s husband and manager, David Furnish, told Billboard last November.
“I know he will not be touring in any capacity. What you’ll see is the prospect of a spectacular one-time event or a short residency in a single place for a limited time.”
Breaking: Whoopi Goldberg Stands in Support of Beyoncé, Vows to Leave the US with Her, “Beyoncé Is Country, I Can Assure You”
Goldberg’s departure from the United States, accompanied by Beyoncé, goes beyond mere personal support. It serves as a powerful declaration against the stifling cultural constraints that artists encounter when venturing into uncharted territories of creative expression. Goldberg elucidated, “When an artist as renowned as Beyoncé encounters resistance and criticism while exploring her musical roots and inspirations, it becomes evident that it is imperative to seek a haven that truly values and embraces artistic liberty.”
The planned departure of Goldberg and Beyoncé has ignited a broad conversation about the demands on artists and the significance of genres in music. Professionals in the industry contend that music, as with any art form, should be progressive and innovative. Dr. Lena Morris, an ethnomusicologist, remarks, “Genres have consistently transformed. The country music we perceive as ‘pure’ today was actually a fusion of blues, folk, and gospel music from the past. Beyoncé’s contributions carry on this legacy of mixing and reimagining.”
Advocates for Goldberg and Beyoncé emphasize that their departure could bring attention to the larger problem of minority artists being typecast into particular genres and pressured to remain in those boundaries. The online community has witnessed an increase in messages and hashtags such as #ArtistsWithoutBorders and #GenreEvolution, as supporters and peers express their opinions on the necessity for a broader and adaptable interpretation of music genres.
On the other hand, there are critics who argue that Beyoncé and Goldberg’s decision to leave the country may be seen as an exaggerated response. They propose that challenging the existing norms from within could potentially bring about more significant changes in the industry. Music critic Jason Keeler expressed, “Although I understand their frustration, abandoning the U.S. music scene could be interpreted as giving up rather than striving to broaden the scope of country music.”
As the ongoing debate persists, it is evident that the impact of Beyoncé’s Cowboy Carter and the resulting controversy has surpassed the realm of music, delving into deeper issues of cultural identity and artistic integrity. The discussions it has sparked regarding genre, race, and the future of the music industry are likely to shape how artists are perceived and granted the freedom to express themselves.
Looking forward, the departure of Goldberg and Beyoncé could establish a new standard for artists dealing with similar challenges, indicating that the international music scene may evolve into a fresh arena for creative freedom. This action might inspire more artists to search for environments that embrace diverse forms of artistic expression, potentially leading to a more interconnected and less genre-restricted music landscape.
In summary, Whoopi Goldberg’s choice to support Beyoncé and depart from the United States marks a pivotal moment for the music industry. It emphasizes the necessity for greater openness to artistic exploration and raises complex issues regarding cultural authenticity and the transformation of music genres. As these influential figures prepare for their next phase, the world observes and anticipates the impact of their bold decisions on the cultural realm.
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