Warning: The content of this piece may upset some readers.
Most people enjoy getting a little scared by a horror movie every once in a while, right? The kind that’s packed with blood, guts, and surprise moments that you can’t forget.
But do you think you could handle the most talked-about horror movie out there? This one is on another level.
We’re not talking about something like Sydney Sweeney’s Immaculate, which might cause a little buzz because of its satanic themes.
We’re talking about a horror movie so extreme that it’s been banned in over 40 countries. Yes, seriously!
It even got a film festival director in trouble, and he was arrested for showing it.
The movie we’re talking about? A Serbian Film. And believe me, I’m not exaggerating with how intense it is.
The story follows Milos, a retired Serbian porn star, who gets an offer to star in one last movie for a lot of money.
But soon, he finds himself stuck in a horrifying snuff film, filled with such disturbing sexual scenes and violence that some of it is too shocking to even explain.
When the director, Srđan Spasojević, was interviewed by Indiewire about what inspired the film, he said: “We wanted to show our true feelings about our region and the world. On the surface, everything seems polite and politically correct, but underneath, it’s really messed up.”
Released in 2010, the movie caused a huge controversy.
To be shown in any country, major cuts had to be made just to get a rating.
In the US, about a minute was cut to get an NC-17 rating.
In the UK, they had to cut a massive three minutes and 48 seconds from 11 different scenes just to show it in theaters.
In 2011, a bold film festival director, Angel Sala, got into trouble and was charged with “exhibiting child pornography” after a Roman Catholic group complained about a screening of the movie.
Although the charges were dropped, Sala could have faced a year in prison if things had gone differently.
Out of the 46+ countries that have banned the film, big ones like Spain, Australia, and Malaysia won’t allow it to be shown at all.
Critics are divided on A Serbian Film. Some admire the director’s vision, while others call it “disgusting.”
Film critic Mark Kermode said, “The director claims it’s symbolic, but if that’s true, the message gets lost in the ridiculous gore.”
“The most frustrating part is that regular torture porn is bad enough, but when it tries to be deep and artsy, it’s even worse.”
If you’re still thinking, “Hmm, I might give it a try,” a top review on IMDB might change your mind. It says: “I heard about this movie on YouTube, someone said don’t watch it, it’s made to disturb you. But I didn’t listen, and now I feel like throwing up. Please don’t watch this, just don’t, I’m literally crying right now.”
After reading that, I’m thinking I’ll take their advice.
If you’re in the US and still curious, A Serbian Film is available on Vudu.
But honestly? I’d skip it. Seriously.
Pregnant Taxi Driver Takes a Homeless Man to the Hospital, Next Morning She Sees a Motorcade of SUVs Outside Her Window
On a rainy night, a very pregnant taxi driver stops to help a homeless, injured stranger, offering him a free ride to the hospital. But the next morning, she wakes to find a convoy of SUVs outside her house, with suited men waiting to share a truth that would change her life forever.
Cleo had been driving taxis for two years, and by now, she’d seen it all: late-night partiers stumbling home, families racing to catch flights, and remorseful businessmen smelling of cocktails and secrets. She’d heard countless stories, dried her fair share of tears, and learned to read people before they even stepped into her cab.
As she navigated the foggy streets, her back ached, and her unborn baby’s kicks pressed against her ribs—a reminder that her night shifts were becoming unbearable. But bills didn’t stop for anyone, so she whispered to her belly, “Just a few more hours, love. Then we can go home to Chester.” She imagined her orange tabby, Chester, sprawled on her pillow at home, shedding fur everywhere as her only true companion.
Her mind drifted back to the heartbreak she’d endured only five months ago. She had excitedly shared the news of her pregnancy with her husband, Mark, only to learn he’d been unfaithful with his secretary, Jessica, who was also expecting. Within weeks, Mark left and drained their bank account, leaving Cleo to work endless shifts to provide for the baby alone.
Late one night, just three weeks before her due date, Cleo’s attention was caught by a lone figure struggling along the highway’s shoulder, drenched by the rain. Even from afar, he looked injured and desperate. He staggered in tattered clothes, one arm held to his chest as he dragged himself forward. Cleo knew she should keep driving, especially at eight months pregnant, but her instincts overruled caution. Rolling down her window, she called out, “Are you okay? Need help?” The stranger, visibly shaken and bloody, pleaded, “I just need to get somewhere safe.”
Without hesitation, Cleo unlocked her doors, and he collapsed into the backseat. She quickly realized they were being followed as headlights flooded her mirror. The stranger urged her to drive faster, and Cleo’s adrenaline kicked in, navigating the winding streets with the skill of a seasoned driver. Finally, she lost the trailing car and brought her passenger to the hospital. As he thanked her, she thought little of her good deed, returning home exhausted and ready for a quiet morning.
But that morning was anything but quiet. Cleo awoke to the rumble of engines outside and peeked out her window to see a dozen sleek black SUVs lining her street. Men in suits formed a perimeter around her home, and Cleo’s heart raced, wondering if she’d unwittingly helped a criminal the night before. Opening the door cautiously, she was met by a man in an expensive suit who introduced himself as James, head of security for the Atkinson family.
“Last night, you helped their son, Archie,” he explained. The name Atkinson meant little to Cleo until she realized they were the Atkinsons—the billionaire family with a tech empire. Their son had been kidnapped three days earlier, and the ransom set at 50 million dollars. She had saved Archie on the side of the road without knowing it.
Archie explained, “They moved me last night, and I saw my chance to escape. But I wouldn’t have made it without you. I owe you everything.” His father, overcome with gratitude, handed Cleo an envelope with a check that made her knees nearly give out.
“Please, sir, this is too much,” she stammered, but Mr. Atkinson insisted, “It’s a small thank you for saving our son.” He glanced at her belly and added gently, “No child should enter this world with a mother who has to worry about providing.” Tears filled her eyes as Archie leaned forward, proposing that she lead a new community safety initiative for their family’s foundation—an effort to foster more people like her, who aren’t afraid to help.
As Cleo accepted their offer and watched the convoy leave, she felt an unfamiliar lightness, the burdens of the past few months finally lifting. She glanced down at her belly and whispered, “Did you hear that, little one? Mommy’s night job just got a big upgrade. And we did it by just being human.”
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