
Everyone, we are confident, dreams of a miracle. And now we’ll demonstrate the talent of a cosmetic artist who was able to perform this miracle on a woman in desperate need. She was somewhat altered beyond recognition as the master helped her regain her confidence.

Numerous comments were made under the post by enthusiastic users.

The subscribers responded with comments like, “I have no words, just feelings,” “Fantastic work,” “What happiness,” “I sobbed gazing at the smiling eyes of this woman,” “What a great job you did,” “I pray things would work out for her,” and “Be happy, sweetie.”

Although the master did not alter his client’s looks, he was nevertheless able to demonstrate that she is a lady—a stunning woman who has conquered obstacles and maintained trust in her stunning future.

Abandoned strawberry house

Built in the late 1920s, this house was originally the residence of banker Dimitar Ivanov and his wife Nadezhda Stankovic. The interior features a striking red marble fireplace in the reception room, as well as a stage for musical performances and crystal-adorned interior doors.
The house has several bedrooms, elegant terraces, a spacious study and various utility rooms. Although the original furnishings have been lost, historical records indicate that the elite Sofia residents of the time preferred Central and Western European furniture.

The exterior of the property features a large front garden bordered by an ornate wrought iron fence. A large triple staircase leads to the main entrance, and the property is also characterized by carriage portals that flank the courtyard.

These portals are reminiscent of a bygone era where one can imagine a horse-drawn carriage driving into the courtyard, while the horses and carriage wait in a specially designated area behind the house until the end of the reception.

The Ivanov family enjoyed their residence until 1944, after which the estate was nationalized. At first it served as the Romanian embassy, later as the USSR’s trade mission in Bulgaria and as the headquarters of various communist organizations with unclear functions.

In the 1990s the house was returned to Ivanov’s heirs. In 2004 it was taken over by Valentin Zlatev, director of Lukoil. Despite this change of ownership, the property, which had fallen into disrepair for decades, remains neglected and abandoned, with no apparent connection to its cultural heritage.

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