Born on September 29, 1931, in Malmö, Sweden, Anita Ekberg grew up in a modest household as the sixth of eight children. Though her early years gave little hint of the international fame that awaited her, her striking beauty set her apart from an early age.
Her journey to stardom began in 1950 when she won the title of Miss Sweden. While she didn’t take home the Miss Universe crown, her participation in the pageant proved to be a turning point. The exposure brought her to Hollywood, where her captivating presence quickly caught the eye of industry insiders. This newfound recognition opened doors in modeling and acting, setting the stage for her entertainment career.
Breaking into Hollywood
Ekberg’s Hollywood debut came in the mid-1950s with supporting roles in films such as Blood Alley (1955), where she appeared alongside John Wayne and Lauren Bacall, and the comedy Artists and Models (1955), starring Dean Martin and Jerry Lewis. Her Nordic beauty and statuesque elegance earned her the nickname “The Iceberg,” reinforcing her image as a classic Hollywood bombshell. Popular media, including Playboy, frequently featured her, further cementing her status as a pop culture sensation.
La Dolce Vita and Global Stardom
However, it was her role in Federico Fellini’s La Dolce Vita (1960) that made her an international icon. Her portrayal of Sylvia, the enchanting yet elusive starlet, captured the essence of celebrity allure and mystery. The film’s most legendary moment—Ekberg wading through Rome’s Trevi Fountain in a flowing black gown—became one of the most enduring images in cinematic history.
Despite the worldwide recognition La Dolce Vita brought her, the role also led to typecasting, with many directors offering her parts that emphasized her glamorous persona. While this limited her opportunities for more diverse roles, Ekberg embraced the fame it afforded her, understanding the power of the image she had cultivated.
Life in Italy and Career Beyond Hollywood
Choosing to remain in Italy after her rise to stardom, Ekberg found greater creative freedom outside Hollywood’s constraints. She appeared in notable European films such as Boccaccio ’70 (1962), an anthology featuring works by Fellini and Vittorio De Sica, and 4 for Texas (1963), where she reunited with Dean Martin and Frank Sinatra. Though filmmakers often cast her in roles that leaned into her seductive image, she maintained a strong presence in European cinema, solidifying her legacy as a screen siren of her era.
“I Can’t Move It,” the Real Reason Morgan Freeman Wore Only One Glove at the Oscars
When Morgan Freeman escorted Margot Robbie on stage at the 2023 Oscars, his left arm caught the attention of many. In fact, the 85-year-old actor wore an elbow-length satin black glove, which raised many concerns. And the reason behind it goes back to a heartbreaking event that transformed Freeman’s life 15 years ago.
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Back in 2008, the Shawshank Redemption star was injured in a serious car accident that left him with a paralyzed left hand.
After the crash, Freeman had to undergo a 4-hour surgery in order to deal with his broken left shoulder, arm, and elbow.
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A couple of years after the unfortunate event, the acclaimed actor opened up about his struggle, saying ’’I suffered nerve damage, and it hasn’t gotten better, I can’t move it.’’
He added, ’’If you don’t move your hand, it will swell up. Do you know you move your hand about a million times a day?’’
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And even though doctors had reassured him that his hand would get better by 2011, this unfortunately didn’t happen to be the case.
Freeman ended up with permanent nerve damage and is still unable to wiggle his fingers.
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And it seems that even 15 years later, the Oscar-winning actor is still dealing with the consequences of his accident, as we saw him wearing a glove during the ceremony.
According to experts, the compression glove works by lightly squeezing the veins in one’s hand to support blood circulation and can even help to manage tingling, pain, and swelling.
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