The hit 1972 sitcom “M*A*S*H” introduced the world to a number of memorable and beloved characters, from the smart-mouthed yet compassionate Captain Benjamin Franklin “Hawkeye” Pierce to his endearing friend, Captain B.J. Hunnicutt. Almost every character had stuck in the minds of the fans.
One of the characters that often featured but was easily overlooked by his military counterparts due to his nervous nature was the 4077 MASH unit’s company clerk, Corporal Walter Eugene “Radar” O’Reilly. Although many of the staff on the base tended to take Radar’s effort for granted, the fans sure noticed him.
Radar was portrayed by the acclaimed actor Gary Burghoff from the start of the TV show in 1972 until the seventh season, which aired in 1979. Although fans clamored for more of the unassuming clerk, Burghoff revealed that he needed to step away from the show to rekindle his personal relationships and fight burnout.
“M*A*S*H’s” Influence and Burghoff’s Personal Identity
Although Burghoff enjoyed playing Radar, the role became increasingly demanding. The actor commented that it became difficult to separate himself from his character in the eyes of the public, which soon became tedious. He also noted that he despised being fawned over by the crowds:
“Aw, I know I’m cute. Cute, cute, CUTE! I was always cute because I was always the smallest kid on the block. I hate cute.”
Everyone saw Burghoff as an adorable, short, timid character as they’d known him on-screen and on the stage for many years. However, after years of being looked down upon, both metaphorically and physically speaking, Burghoff grew tired of the persona so easily attributed to him by scores of people he had never even met.
The actor lashed out against this view of him as a cute little fellow by defending his height. As he so rightly pointed out, 5 feet 6 inches isn’t irregularly short, and he would have seen the tops of Arte Johnson or Mickey Rooney’s heads had they ever met. Nonetheless, the persona stuck.
Luckily for all his fans, Burghoff didn’t let his disability stand in his way, and he pursued his dream of becoming an actor.
Despite his misgivings about how others perceived him, Burghoff’s fellow cast members adored him. The director Charles Dubin recalled working with Burghoff before he left “M*A*S*H,” noting how caring and pleasant Burghoff was to everyone on set. However, Burghoff had another aspect of himself that drove down his self-esteem.
Burghoff had been born with a congenital disability called Brachydactyly, a form of Poland Syndrome. The condition left the actor with three fingers on his left hand that were noticeably smaller than the rest of his digits, and the abnormality had plagued him since he was a small child. The actor commented:
“Of course, this defect affected me while I was growing up. I suppose when I was very young, I knew my disability would set me apart and make me special.”
Luckily for all his fans, Burghoff didn’t let his disability stand in his way, and he pursued his dream of becoming an actor. Yet, becoming a fan-favorite on one of the most iconic TV shows America had ever produced never managed to quell his insecurities about his stout fingers and stocky frame.
Throughout his run on “M*A*S*H,” Burghoff tried to hide his left hand from the camera. He would often position himself so that the camera could only see one side of his body and usually gestured with his right if the scene required it, although the actor would be obligated to use both hands now and again.
In one of the earliest episodes, viewers were introduced to Radar as he stood in an open area, wearing a greyish shirt and his trademark cap. As the actor turned around and looked at the sky — once again hearing approaching helicopters before everyone else — the camera briefly panned over both his hands holding a football.
When Colonel Sherman T. Potter first made his appearance on the show, taking over from the beloved Lieutenant Colonel Henry Blake, Radar and the new commander shared a scene where they first met. As Colonel Potter exited the room to find the latrines, the camera centered on Burghoff’s upper body as he opened a box with both hands.
Another infamous scene caught Burghoff with both hands on camera. During a regular morning salute, with the loathsome Major Frank Burns leading the ceremony, Radar does his usual morning salute with a bugle. In a hilarious twist, one of the men fires off the ceremonial canon at Burns’s behest.
Naturally, Radar gets the short end of the stick as the cannonball flies directly at him, knocking his instrument clean out of his hands. In the next few seconds, Burghoff turns toward the camera in a pantomime of rage, balling his fists and stomping in outrage. Here, both his hands can be seen for a brief second.
In one of the later episodes, the writers showed off Radar’s softer side when he cuddled his pet guinea pig, Babette. Naturally, Radar stood with his left hand beneath his right, but just as he started to sing, Father John Mulcahy called for him. Burghoff’s hands were visible again as he put the Babette away.
One of the scenes where Burghoff openly showed his left hand came as part of another gag the show pulled. At the start of the scene, Radar could be seen walking across a dirt road while two other military personnel walked away from the camera. The man on Radar’s right first lifted his hand in salute, followed shortly by one on the left.
Radar, the pleasant character he was, lifted his right hand in response to the first salute, as military etiquette dictates. Caught off guard by the quick second salute, Radar lifted his left hand as well, essentially performing a double salute. Feeling sheepish, he frowned and lowered his hands slowly in one of Burghoff’s classic displays of confusion.
Céline Dion Shares Raw Video of Stiff-Person Syndrome Crisis in Never-Seen Footage from New Documentary
In a devastating moment from “I Am: Céline Dion,” the famous person battles through an unexpected and horrifying SPS episode.
Fans are getting an unheard-of glimpse inside Céline Dion’s tribulations during the last few years of her life.
After being diagnosed with stiff-person syndrome in August 2022, the 56-year-old superstar tentatively but proudly returns to the recording studio in a devastating sequence towards the end of her new documentary, I Am: Céline Dion (available for streaming globally on Prime Video).
Shortly after, as part of her continuous treatment regimen, she makes her way to physical therapy and her foot starts to hurt.
Dion’s body locks up, indicating that she is in severe agony while her care team gives her a diazepam nasal spray during the SPS crisis episode. One of her teammates says, “We’ll do a 9-1-1 if she goes back into a spasm.”
In the movie, Dion subsequently remarks, “Every time something like this happens, it makes you feel so embarrassed.” “I’m not sure how to say it. You know that you dislike losing control of yourself?
The five-time Grammy winner thought back on the horrifying moment that director Irene Taylor’s crew captured on camera during her PEOPLE cover interview.
“Overstimulation—whether it be happiness, sadness, sound, or a surprise—can put me into a crisis—that’s one part of the [SPS] condition,” Dion explains, adding that she “did not see” the crisis episode coming that day. “Before something triggered, I was fine.”
Taylor’s understanding of the condition deepened when she was “two feet away” from Dion during the crisis.
Taylor remarks, “That was really amazing, not just for Céline to go through it, but for me to see as well.” “I continued to film because that is how I work, and I thought we would decide later whether or not to incorporate that into the movie.”
Dion and Taylor had developed a close relationship by the time the movie was in post-production, and according to Taylor, “I knew that putting it in the film was really not a risk because she believed in me at that point.” “I really can only thank her for that because she is an open book, was there, and didn’t hold anything back.”
Dion is attempting to humanize the uncommon illness through the movie and contribute to fund-raising efforts for scientific studies in the pursuit of a solution.
Neuropathy has a very broad spectrum. For this reason, I’m making a lot of effort to raise money so that people can speak with their husbands, friends, or neighbors about it,” Dion explains.
Adds Dr. Amanda Piquet, the doctor who diagnosed Dion and director of the University of Colorado Anschutz Medical Campus’s program on autoimmune neurology: “There are many exciting things in store for SPS, and the future looks bright.”
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