The fluorescent lights of the discount electronics store hummed, a monotonous drone that seemed to amplify the weariness in Arthur’s bones. At 70, he hadn’t expected to be back in the workforce, but his wife, Eleanor, needed surgery, a costly procedure that their meager savings couldn’t cover. So, he’d taken the job, a part-time gig at a place that sold everything from bargain-bin headphones to refurbished laptops.
The work was tedious, the customers often demanding, but Arthur endured it. He focused on Eleanor, on the image of her healthy and vibrant again, and the days passed.
One afternoon, a man entered the store, his hesitant steps and the white cane tapping ahead of him clearly marking him as visually impaired. He approached the counter, his brow furrowed in concentration. “Excuse me,” he said, his voice soft, “I’m looking for a digital voice recorder. Something simple, for taking notes.”
Arthur, who had been organizing a display of phone chargers, paused and offered a kind smile. “Certainly, sir. We have several options. Let me show you.”
He led the man to a shelf displaying various voice recorders, explaining the features of each model in clear, concise terms. The man listened attentively, nodding occasionally. Finally, he settled on a small, unassuming device. “This one sounds perfect,” he said. “How much is it?”
Arthur checked the price tag. “That’s $39.99, sir.”
But before Arthur could ring up the sale, the store manager, a young man named Kevin, with a slicked-back hairstyle and an air of arrogant impatience, stepped in. “Actually,” he said, his voice laced with a false sweetness, “that model is $79.99.”
The visually impaired man hesitated, his brow furrowed. “That’s… that’s quite a bit more than I expected.”
“It’s a high-quality device,” Kevin insisted, his eyes glinting. “Worth every penny.”
Arthur’s stomach churned. He couldn’t believe what he was hearing. He knew the price, he had just checked it. He couldn’t stand by and let Kevin take advantage of this man’s vulnerability.
“Excuse me, Kevin,” Arthur said, his voice firm, “the price is $39.99. I just checked.”
Kevin’s eyes narrowed. “Are you questioning me, old man?” he hissed, his voice dropping to a low growl.
“I’m correcting you,” Arthur replied, his gaze unwavering. “It’s the right thing to do.”
The visually impaired man, sensing the tension, looked from Arthur to Kevin, his expression confused.
Kevin’s face flushed crimson. “You’re making a fool of yourself,” he spat. “You think you know better than me?”
“I know what’s right,” Arthur said, his voice steady.
“Get out!” Kevin roared, his voice echoing through the store. “You’re fired! You’re nothing but a washed-up old fool. Get out of my sight!”
Arthur stood his ground, his gaze fixed on Kevin. He felt a surge of anger, but he also felt a strange sense of peace. He had done what was right.
He turned to the visually impaired man. “Sir,” he said, his voice gentle, “the price is $39.99. I’m sorry for the confusion.”
The man smiled, a grateful expression spreading across his face. “Thank you,” he said. “Thank you for your honesty.”
Arthur nodded and walked away, leaving Kevin fuming behind the counter. He gathered his belongings, his heart heavy but his conscience clear. As he walked out the door, he knew he had lost his job, but he had gained something far more valuable: his integrity.
The next few days were difficult. Without his job, the burden of Eleanor’s surgery loomed larger than ever. But Arthur refused to despair. He spent his days searching for new opportunities, his determination fueled by his love for Eleanor.
One afternoon, he received a phone call. It was the visually impaired man he had helped. The man, whose name was Thomas, was a lawyer. He had been so impressed by Arthur’s honesty that he wanted to offer him a job.
“I need someone I can trust,” Thomas said, his voice warm. “Someone with integrity. And I believe you’re that person.”
Arthur was overwhelmed. He had never expected such kindness, such generosity. He accepted the job, his heart filled with gratitude.
With his new job, Arthur was able to pay for Eleanor’s surgery. She recovered quickly, her health restored, her smile brighter than ever. Arthur had lost a job, but he had gained a friend, a new career, and a renewed sense of purpose. He had learned that even in the face of adversity, honesty and integrity will always prevail. And that sometimes, the most unexpected acts of kindness can change your life forever.
The transformation of Joan Van Ark: From star on ‘Dallas’ and ‘Knots Landing’ to loving mother and wife
While performing in Denver, Van Ark met actress Julie Harris while interviewing her for a local newspaper, and the actress persuaded her to study acting and drama at the Yale Drama School.
As a result, Van Ark became the youngest student ever to receive a scholarship to the well-respected school and the second woman ever to enroll. The first woman was Julie Harris, who helped Van Ark into the school.
“She wrote to the dean and asked him to meet me. Long story short, my parents drove me to New Haven, Connecticut, to meet the dean, who gave me a scholarship,” she recalled.” It was meant to be.”
Valene Ewing on ‘Dallas’ and ‘Knots Landing’
Van Ark began her professional career at the Minneapolis Guthrie Theater, where she starred in The Miser by Moliere. After working about a year at the Arena Stage in Washington DC, she moved down to work with the national touring company Barefoot in the Park in 1963, which led to her Broadway debut. In 1971, she was nominated for the Tony Award for Best Featured Actress in a Play after starring in The School for Wives.
At that point, Joan Van Ark had begun working in front of a screen rather than on stage. She appeared on television series including Temperature’s Rising, Spider-Woman, and Days of Our Lives and even in one episode of Bonanza.
Even though Joan Van Ark wasn’t short of jobs, she was still looking for her significant breakthrough role as the 1980s approached. In 1978, she made several appearances as Valene Ewing on Dallas – which led her to the role of a lifetime.
Knots Landing – a spinoff of Dallas – premiered in 1979, and Joan Van Ark reprised her role as Valene Ewing. She starred in 327 episodes – acting alongside Michele Lee as Karen and Ted Schakleford as Gary – and became a massive star.
Even though it was a spinoff of Dallas – about the rotten but wealthy Ewing Clan – it was initially brought to CBS years before.
However, the network wanted a “big rich family” show, and Dallas got picked as the one. But later on, Knots Landing became a massive success as the studio realized how big of a show Dallas had grown into, and after only one season, it rose into the top 20 in TV ratings.
How Joan Van Ark almost missed out on her biggest role
Knots Landing became the story of Gary Ewing and his wife Valene – played by Van Ark – and how they decided to start a new life in Knots Landing.
However, Van Ark almost missed out on the part of Valene Ewing. She explained that she had a “three-way clash” where she did The Love Boat simultaneously, as well as a commercial in New York.
In the end, it was her husband – John Marshall, who we will come back to in a minute – that persuaded her into choosing Dallas. And it was a significant – and important – decision.
“I got the call asking me to do a guest appearance in this show called Dallas, which was attracting a lot of buzz, but I said to my husband, ‘John, why should I even read this script? I can’t be in three places at once,’” she told Express. “Then he read it and said, ‘No, you’ve got to do it. It looks wonderful.’”
“So basically, he talked me into a schedule that had me in LA one day, then flying to Dallas for two days, followed by two days in New York and then back to Texas. But looking at this old cast photo from Knots Landing – the spinoff from Dallas – I’m so glad I listened to him,” she added.
Dallas and Knots Landing became a 15-year commitment for Van Ark, who became identified by her role. As earlier mentioned, she and Julie Harris had quite a history – and in 1980, they met again
“I could stay forever on the show and be safe”
Harris was cast in Knots Landing as the mother of Van Arks’ character, and for the actress, it was almost too good to be true.
“When the producers told me they had finally last someone to play my mother, I held my breath,” she recalled in a 1984 interview with Florida Today.
“I thought, ‘Oh my God, are they going to say Phyllis Diller or Zsa Zsa Gabor, or who?’ Then they said it was Julie Harris, and I went right through the roof. I couldn’t believe they had picked her to be my mother. They didn’t even know we were friends.”
Joan Van Ark stayed for 13 seasons and 327 episodes on the show. Then in 1993, just one season after she left, Knots Landing was canceled. But the reason for Joan leaving wasn’t that she didn’t like it. Instead, it was all about her trying on new challenges.“I could stay forever on the show and be safe,” Van Ark told the Los Angeles Times in 1992.
“But three years ago, I did Night of the Iguana in Williamstown (Mass.), and I had a quote from Tennessee Williams taped on my mirror, taken from an essay he’d written on success. It said, and I’m paraphrasing here: ‘Security is in the shape of a kidney-shaped pool in Los Angeles, where you sit waiting for your residual checks.’ I was in a comfortable spot on Knots, and an artist should not be comfortable.”
At the same time, the television series became a huge part of Van Ark’s life. So even though she felt comfortable leaving, it was a tough blow since she thought it would be easier.
Blamed herself for ‘Knots Landing’ cancelation
“I have loved more than life the 13 years I’ve had on that show,” she said. “[Knots Landing creator] David Jacobs is a great influence on my life, has taught me so much about so many things. Ted [Shackelford] is the other half of every breath I take on the show, and personally, he’s a large part of my heart. The people are my family–we have shared marriages, deaths, divorces. It’s far more difficult to leave than I thought.”
The show didn’t quite work without the great chemistry between characters Valen and Gary. In fact, Joan took the blame for the show being shut down.
“Well, it was my fault. I jumped over to NBC to do a pilot which did not sell,” she said. “I was so ready to go, after fourteen years with the one lady, so I auditioned for the pilot, and they cast me. It wasn’t as cleanly negotiated as it should have been. When the pilot didn’t sell, they asked me back, and I did do the four-hour finale of the show.”
Joan Van Ark left the soap opera business behind but continued to star in many television series. She had minor parts in television series, including Fresh Prince of Bel-Air, and starred in some television movies. Between 2004 and 2005, Joan appeared as Gloria Fisher in 55 episodes of the hugely successful television drama The Young and The Restless.Joan Van Ark – marriage, husband, children
It’s common for celebrities in Hollywood to marry other celebrities, and show-biz marriages don’t always last very long.
But that wasn’t the case for Joan Van Ark, who met the love of her life back in high school. She met her husband, John Marshall, while the two were students in Boulder. In 1966, the couple married on a military base in Germany.
“Believe me, it was nothing like the marriages [Valene Ewing] has gone through,” she told UPI.
In 1969, they welcomed daughter Vanessa Marshall, who also chose a career in entertainment. She became a well-known voice-over artist and actually gave up on her on-camera acting career. Instead, Vanessa Marshall has lent her voice to animated films, television series, and several video games.
John Marshall went on to become an Emmy newsman, working on KNBC-TV and NBC. He’s had a flourishing career just as his wife Joan, and while the couple was working hard to make it in their respective fields, Vanessa was growing up.
For Van Ark, becoming a mother while trying to navigate through the business was tough. And she gives credit to her husband, John, for keeping the family together during those stressful years.
“He is the reason we have the most wonderful daughter in the world and that the marriage has stayed strong,” Van Ark told The Leader-Post in 1988. “I feel I am the committed person who can’t give up time for this or that.”
“He did not want to miss watching Venessa grow up, and he did not want to miss me,” she added. “He knows correspondents live out of suitcases. John made career choices I didn’t agree with because if it had been me, I would have packed my bags, and I would have been waiving at the airport.”Joan Van Ark – net worth
Besides her acting job, Joan Van Ark has a great interest in running. The 78-year-old has completed several marathons and explained she’s running instead of going to a psychologist. However, when it comes to her husband, she stated that she would never go on a run with him.
Why? Because “it’s the quickest way to a divorce that I know of. You’re always criticizing the other’s style,” Joan said.
In the last decade, Joan Van Ark has continued to work on stage in several productions for theater and starring in television series and movies such as Watercolor Postcards and Psycho Wedding Crasher. But she will always be most remembered for her magnificent spell on Dallas and Knots Landing.
According to Celebrity Net Worth, Joan Van Ark has a net worth of around $10 million.
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