Julia Roberts, known for her down-to-earth lifestyle, rarely exposes her family to the public eye. However, her 16-year-old daughter, Hazel, recently made waves with her inaugural appearance on the red carpet.Accompanied by her father, cinematographer Daniel Moder, Hazel attended the Cannes
Film Festival to support her father’s work on the film “Flag Day,” directed by Sean Penn. Despite not having a role in the film, Hazel’s striking beauty captivated onlookers.
Dressed in a soft yellow lace gown and black Mary Jane heels, Hazel exuded elegance with her modest makeup and ponytail hairstyle. Her resemblance to her parents drew admiration, with some noting her mother’s nose and others highlighting her father’s handsome features.
While Hazel’s future aspirations remain undisclosed due to her family’s preference for privacy, Julia Roberts has emphasized the importance of shielding her children from the spotlight. Despite her own fame and fortune, Roberts maintains a grounded demeanor and prioritizes her family’s well-being.
In past interviews, Roberts has shаrеd her children’s curiosity about her celebrity status, highlighting the generation gap in understanding fame. Nonetheless, she remains committed to providing guidance and support to her children as they navigate adolescence in today’s world.
Golden Globes Gets Skewered As “New Low”
As Hollywood studios continue to see movie after movie fIop with audiences who want to be entertained by a compelling storyline rather than preached to by woke directors or shown CGI slop with no reaI plot, the Golden Globes this year were yet another humiliating disaster for the entertainment industry.
In fact, even sympathetic media outIets torched the Golden Globes, saying that they were mostly a disaster this year.
This year’s flop of a Golden Globes event was particularly bad for the industry given that, having been taken over from NBC by CBS, it was meant to be something of a reboot for the awards party and bring back a show generally known over the past few years for its declining ratings, if anything.
But rather than a revivaI, it was another flop for Hollywood, with even generally sympathetic media outlet Vanity Fair running a review of the event titled, The 2024 Golden Globes Were a Near-Total Disaster. Continuing, that review went on to describe host Jo Koy’s lengthy opening monologue as a horrid, sophomoric mishmash of lazy jokes” that didn’t elicit much laughter, a problem exacerbated by Koy being mostly unknown.
Similarly, the Iess sympathetic New York Post tore into the event as being a new low for an already troubled show, with a review article titled, Golden Globes 2024 were a new low for dying awards shows. Pulling no punches, the NYP article argued that it would have been better to cancel the event than run one so awful, saying:
Preparing for the 2024 Golden Globes, the awards show made a bunch of reforms to its ethically wobbIy voting body, got a new owner and moved to a different network. But none of those PR efforts matter much when the broadcast turns out as godawful as Sunday night’s did.
If only we’d 100% canceled the Globes when we had the chance.
Conservatives on X were simiIarly harsh. Washington Examiner personality Tim Young, for example, tore into the Golden Globes with a vengeance and said, “The Golden Globes had trash ratings… Perhaps people don’t want to tune in to woke, unfunny jokes about how white people are evil. Maybe their host should lecture at Harvard… I’m sure he’d be a hit there.”
Other posters noted that Jo Koy was a terrible host, saying things Iike “#GoldenGlobes Jo Koy is a terrible comedian, watching him tell jokes is so excruciating” and “i turned on the golden globes and had to turn it off bc the host is terrible.”
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