Dylan Mulvaney has found herself at the center of controversy after sharing photos celebrating International Women’s Day. Mulvaney, a prominent activist for transgender rights, faced backlash for her participation in the annual event. However, she found a powerful ally in none other than Lady Gaga, who came to her defense, emphasizing the importance of inclusivity and solidarity among all women, regardless of their gender identity.
Dylan Mulvaney posted some pictures on her social media.
Dylan Mulvaney took to her social media, on March 8th, to share a series of photos alongside none other than Lady Gaga. In the images, both Mulvaney and Gaga donned sleek black outfits, exuding confidence and strength.
The caption, “Happy International Women’s day 👯♀️💓,” accompanied the pictures, emphasizing their celebration of womanhood and unity. What truly captured hearts, however, was the exchange between the two icons. Gaga, expressing admiration for Mulvaney, exclaimed, “I’m putting you on my vision board, for life,” to which Mulvaney responded with a heartfelt declaration of love.
Controversy ensued.
Controversy erupted as Dylan Mulvaney’s photos sparked a flurry of comments on social media. Among the barrage of negativity were remarks such as, “This is so degrading to REAL women,” and “You will always be a man,” reflecting the pervasive transphobia still present in society.
However, amidst the hate, voices of support emerged, with individuals emphasizing the importance of inclusivity and acceptance. One commenter stated, “These comments are truly horrendous, TRANS WOMAN ARE WOMAN. So, therefore, they should celebrate themselves as well as other women on International Women’s Day.”
Another defender proudly proclaimed, “I’m a ‘real woman’ and I’m not offended in the slightest! I am proud that these two women are supporting other women! Love is the only thing that can extinguish hate!“
She has talked about her facial feminization surgery.
The journey of self-discovery is beautifully illuminated by Dylan’s courageous transparency by sharing her experience as a trans woman. Recently, she unveiled the profound results of her facial feminization surgery, a poignant milestone in her journey towards self-realization.
In a heartfelt message accompanying the reveal, she articulated her profound desire for every trans individual to experience the same sense of affirmation and confidence when they gaze into the mirror. Her words resonate as a powerful testament to the universal quest for self-acceptance and the unwavering belief in the right to define one’s own identity.
Lady Gaga defended Dylan Mulvaney.
Lady Gaga took a bold stand in defense of Dylan Mulvaney and the transgender community, expressing her dismay at the vitriolic response to their National Women’s Day post. In an Instagram statement, Gaga condemned the hateful comments as acts of violence, refusing to label them as mere “backlash.”
She continued “I feel it is important to clarify that hatred is hatred, and this kind of hatred is violence.” She highlighted the ongoing struggle for transgender acceptance and emphasized the need for society to cherish and uphold transgender lives. Gaga’s protective stance extended beyond Mulvaney to encompass the entire trans community, praising their resilience in the face of relentless discrimination and violence.
Gaga wrote “I hope all women will come together to honor us ALL for International Women’s Day, and may we do that always until THE DAY that all women are celebrated equally. That all people are celebrated equally. A day where people of all gender identities are celebrated on whichever holiday speaks to them. Because people of all gender identities and races deserve peace and dignity.”
The singer added “May we all come together and be loving, accepting, warm, welcoming. May we all stand and honor the complexity and challenge of trans life—that we do not know, but can seek to understand and have compassion for. I love people too much to allow hatred to be referred to as “backlash.” People deserve better.”
Lady Gaga’s recent paparazzi snapshot has set tongues wagging and hearts racing as speculation about a possible engagement reaches fever pitch. In the candid photo, Gaga is spotted sporting a dazzling ring, instantly igniting a whirlwind of rumors about her romantic life.
Preview photo credit dylanmulvaney / Instagram, dylanmulvaney / Instagram, dylanmulvaney / Instagram
Child star Mara Wilson, 37, left Hollywood after ‘Matilda’ as she was ‘not cute anymore’
The world first fell in love with the endearing Mara Wilson in the early 1990s. She was a child actor best remembered for her roles as the bright young girl in beloved family films like Miracle on 34th Street and Mrs. Doubtfire.
The rising actress, who turned 37 on July 24, looked like she was ready for big things, but as she got older, she lost her “cute” factor and vanished from the big screen.
She continues, “If you’re not cute anymore, if you’re not beautiful, then you are worthless. Hollywood was burned out on me.”
To find out what happened to Wilson, continue reading!
When five-year-old Mara Wilson played Robin Williams’ youngest kid in Mrs. Doubtfire in 1993, she won over millions of fans’ hearts.
When the California native was invited to feature in one of the highest-grossing comedies in Hollywood history, she had already made appearances in advertisements.
“My parents grounded me even though they were proud of me.” My mother would always tell me that I’m just an actor if I ever stated something like, “I’m the greatest!” Wilson, who is now 37, remarked, “You’re just a kid.”
Following her big screen premiere, she was cast in 1994’s Miracle on 34th Street as Susan Walker, the same character Natalie Wood had performed in 1947.
Wilson describes her audition as follows: “I read my lines for the production team and told them I didn’t believe in Santa Claus” in an essay for the Guardian. “But I did believe in the tooth fairy and had named mine after Sally Field,” she writes, referring to the Oscar-winning performer who portrayed her mother in Mrs. Doubtfire.
“Very unhappy”
Next, Wilson starred with Danny DeVito and his real-life wife Rhea Perlman in the 1996 film Matilda as the magical girl.
Additionally, Suzie, her mother, lost her fight against breast cancer in that same year.
“I wasn’t really sure of my identity.I was two different people before and after that. Regarding her profound grief following her mother’s passing, Wilson explains, “She was like this omnipresent thing in my life.””I found it kind of overwhelming,” she continues. I mostly just wanted to be a typical child, especially in the wake of my mother’s passing.
The young girl claims that she was “the most unhappy” and that she was fatigued when she became “very famous.”
She reluctantly took on her final significant role in the 2000 fantasy adventure movie Thomas and the Magic Railroad at the age of 11. “The characters had too little age. I reacted viscerally to [the] writing at 11 years old.I thought, ugh. I love it, she says to the Guardian.
“Destroyed”
Her decision to leave Hollywood wasn’t the only one, though.
Wilson was going through puberty and growing out of the “cute” position as a young teenager, so the roles weren’t coming in for him.
“Just another weird, nerdy, loud girl with bad hair and teeth, whose bra strap was always showing,” was how she was described.
“When I was thirteen, no one had complimented me on my appearance or called me cute—at least not in a flattering way.”
Wilson had to cope with the demands of celebrity and the difficulties of becoming an adult in the public glare. It had a great influence on her, her shifting image.
“I had this Hollywood notion that you are worthless if you are not attractive or cute anymore. Because I connected that directly to my career’s downfall. Rejection still hurts, even if I was kind of burned out on it and Hollywood was burned out on me.
Mara in the role of author
Wilson wrote her first book, “Where Am I Now?,” before becoming a writer. “Ancidental Fame and True Tales of Childhood,” published in 2016.
The book explores “her journey from accidental fame to relative (but happy) obscurity, covering everything from what she learned about sex on the set of Melrose Place, to discovering in adolescence that she was no longer ‘cute’ enough for Hollywood.”
In addition, she penned the memoir “Good Girls Don’t,” which explores her experiences living up to expectations as a young performer.
In her Guardian column, she states, “Being cute just made me miserable.” It was always my expectation that I would give up acting, not the other way around.
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