You could say Lorenzo Lamas was always destined to become an actor. His parents worked in the industry, and it didn’t take long before he entered it himself.
Lamas has starred in classics such as the television series Falcon Crest and the legendary film Grease. Still to this day, the California native is working as an actor – and at 65, he looks terrific!
However, Lamas’s life has had its ups and downs, and he’s gone through some rather tough times. Here’s all you need to know about Lorenzo and the many struggles he’s overcome.
One was getting over the fact that his son had an affair with his ex-wife.
Even as a young kid, Lorenzo Lamas’s stars had aligned where acting was concerned.
Born Lorenzo Fernando Lamas on January 20, 1958, in Santa Monica, California, he was raised by his mother Arlene Dahl, an American actress of Norwegian descent, and his father Fernando Lamas, an Argentinian who worked as an actor and director.
Lorenzo Lamas – early life
Lorenzo grew up in the fashionable area of Pacific Palisades, California. At age two, his parents divorced, and eight years later, he moved to New York with his father.
Lorenzo has often drawn upon the fact that his family comes from different parts of the world. He once starred as Dracula in a Halloween production of the famous Bram Stoker novel and had no problem at all adopting a different accent.
“I grew up with a man who had a voice like Dracula and every other bigger-than-life character you could ever think of in my father,” he told the New York Times in 2007. “I take a little bit from him to do the accent. I’ve also done four movies in Bulgaria.”
While Lorenzo was transitioning from a kid into a young man, his father had a pretty wild lifestyle. According to Lorenzo, his father had “been with every woman.” Yet as a child, he adored him.
“I idolized my father, especially as a young boy. He was bigger than life. He commanded the room. He’d done everything, seen everything,” he told Fox. “It’s pretty heady stuff to grow up with.”
“He was Latin, he was very judgmental, he thought a woman’s place was in the kitchen. He just happened to marry a woman who was a top ten box office star of the ’50s, and she retired to serve him!”
First work in acting
Lorenzo’s father married actress Esther Williams in 1969, a year after their move to “The Big Apple,” and life for Lorenzo got tough at times. For example, when Esther’s children visited, Lorenzo wasn’t even allowed to sleep in the house!
“He was many things, but he was also fair, so if he wasn’t going to allow another man’s children in his house, then he couldn’t allow me in the house,” he recalled.
“So my roommate was a Rolls Royce. I had a key that let me in the backdoor where there was a guest bathroom. But I came from military school, so living in a garage in Beverly Hills was plush to me. I had shared a urinal with 30 guys for the last four years. Looking back, I know that’s not normal. I know that I would never do that to my kids. I run my three teenage daughters around like a chauffeur.”
Lorenzo Lamas attended private school and graduated from the Admiral Farragut Academy in 1975. Instead of staying on the East Coast, he decided to leave for his home state of California.
Though his father could be a strict man, he always encouraged his son to follow his dreams and backed him wholeheartedly in pursuing his dreams of becoming an actor. Lorenzo enrolled at Tony Barr’s Film Actors Workshop. In 1977, he got his first minor role in television, starring in two episodes of the show Switch.
While cultivating his acting talent, Lorenzo also found that he had a tremendous interest in martial arts. He got in shape – and later on, earned black belts in both taekwondo and karate.
Lorenzo Lamas in ‘Grease’
Now, getting roles in bigger productions often takes time for most actors. Some have to try out at hundreds of auditions to get one part; others have to wait years, maybe even decades, to land their first role in a more significant Hollywood production.
For Lorenzo Lamas, however, this wasn’t the case. In 1978, he was cast as the good-looking stud “Tom Chisum” in the legendary film Grease, featuring John Travolta and Olivia Newton-John. He played the boyfriend of Olivia Newton-John’s character, “Sandy”. That said, he initially wasn’t chosen for the part.
Steven Ford – son of former President Gerald Ford – was considered for the role, but was reportedly too nervous to play “Tom”. The part had no dialogue, but that didn’t bother Lorenzo when he got the gig.
People probably knew that the film had potential at the time, but even so, it’s safe to say that Lamas secured himself an extraordinary place in film history with his relatively small credit in Grease.
“I’m amazed by the longevity. It keeps finding new generations of people,” he told Studio 10.
Lorenzo had dark hair at the time, but the producers thought he looked too much like a “T-Bird” to star as Sandy’s boyfriend. As a result, they dyed his hair lighter – something that he didn’t mind at all.
“I would have dyed it green, fuchsia, anything,” he told People.
At the time, John Travolta and Olivia Newton-John were already stars. For Lorenzo Lamas, it was a dream come true just to meet them. What made the whole thing even better, was that Olivia Newton-Jon had been Lorenzo’s childhood crush.
Became a star on ‘Falcon Crest’
“I was 19. It was only the third thing I’ve ever done. And I was at the Paramount lot, meeting my childhood crush, Olivia Newton-John, and Mr. Saturday Night Fever, John Travolta. So I was kind of in a complete zombie state, to begin with,” Lorenzo recalled.
He explained that he had all her albums, and in high school, he and his friends even had routines dancing to her albums. When they finally met, Lorenzo was almost knocked off his heels.
“I couldn’t take my eyes off her,” he told Studio 10.
Grease was, of course, a big deal for Lorenzo and a fantastic opportunity when looking back. Naturally, though, it wasn’t quite a breakthrough since he only appeared in a few scenes.
In 1981, he got the role of Lance Cumson on Falcon Crest. The nighttime soap became a huge success, with Lamas starring alongside Oscar-winning actress Jane Wyman for 228 episodes.
Wyman portrayed Lamas’ grandmother on the show – at that time, she was a massive Hollywood star. Lamas had problems with illegal substances at this point in his career, until one day on set, Wyman had enough of his behavior
Became a star on ‘Falcon Crest’
“I was 19. It was only the third thing I’ve ever done. And I was at the Paramount lot, meeting my childhood crush, Olivia Newton-John, and Mr. Saturday Night Fever, John Travolta. So I was kind of in a complete zombie state, to begin with,” Lorenzo recalled.
He explained that he had all her albums, and in high school, he and his friends even had routines dancing to her albums. When they finally met, Lorenzo was almost knocked off his heels.
“I couldn’t take my eyes off her,” he told Studio 10.
Grease was, of course, a big deal for Lorenzo and a fantastic opportunity when looking back. Naturally, though, it wasn’t quite a breakthrough since he only appeared in a few scenes.
In 1981, he got the role of Lance Cumson on Falcon Crest. The nighttime soap became a huge success, with Lamas starring alongside Oscar-winning actress Jane Wyman for 228 episodes.
Wyman portrayed Lamas’ grandmother on the show – at that time, she was a massive Hollywood star. Lamas had problems with illegal substances at this point in his career, until one day on set, Wyman had enough of his behavior
I Let a Homeless Woman Stay in My Garage, but One Day, I Walked in Without Knocking & Was Stunned by What She Was Doing
When a wealthy, emotionally distant man offers shelter to Lexi, a homeless woman, he’s drawn to her resilience. Their unlikely bond begins to grow — until the day he walks into his garage unannounced and discovers something disturbing. Who is Lexi really, and what is she hiding?
I had everything money could buy: a sprawling estate, luxury cars, and more wealth than I could ever spend in a lifetime. Yet, inside, there was a hollow I couldn’t fill.
I’d never had a family since women always seemed to want me only for the money I inherited from my parents. At sixty-one, I couldn’t help but wish I’d done something differently.
A lonely man | Source: Midjourney
I tapped the steering wheel absently, trying to shake off the familiar weight on my chest. That’s when I saw a disheveled woman bent over a trash can.
I slowed the car, not sure why I even bothered. People like her were everywhere, weren’t they? But there was something about the way she moved, her thin arms digging through the garbage with a sort of grim determination that tugged at something inside me.
She looked fragile, yet fierce, like she was holding onto survival by sheer force of will.
A homeless woman | Source: Pexels
Before I realized what I was doing, I had pulled over. The engine hummed as I rolled down the window, watching her from the safety of my car.
She looked up, startled. Her eyes were wide, and for a moment, I thought she might run. But she didn’t. Instead, she straightened up, brushing her hands on her faded jeans.
“Do you need some help?” I asked, my voice sounding strange even to my ears. It wasn’t like me to talk to strangers, let alone invite trouble into my world.
A man speaking through an open car window | Source: Pexels
“You offering?” There was a sharpness to her voice, but also a kind of tiredness, like she’d heard every empty promise before.
“I don’t know.” The words tumbled out before I could think them through. I stepped out of the car. “I just saw you there and… well, it didn’t seem right.”
She crossed her arms over her chest; her gaze never leaving mine. “What’s not right is life.” She let out a bitter laugh. “And cheating, no-good husbands in particular. But you don’t strike me as someone who knows much about that.”
A homeless woman | Source: Pexels
I winced, even though I knew she was right.
“Maybe not.” I paused, unsure of how to continue. “Do you have a place to go tonight?”
She hesitated, her eyes darting away for a second before locking back onto mine. “No.”
The word hung in the air between us. It was all I needed to hear.
A smiling man | Source: Midjourney
“Look, I have a garage. Well, it’s more like a guest house. You could stay there until you get back on your feet.”
I expected her to laugh in my face, to tell me to go to hell. But instead, she just blinked at me, the edges of her tough exterior starting to crack.
“I don’t take charity,” she said, her voice quieter now, more vulnerable.
“It’s not charity,” I replied, though I wasn’t entirely sure what it was. “It’s just a place to stay. No strings attached.”
A man smiling | Source: Midjourney
“Okay. Just for a night,” she replied. “I’m Lexi, by the way.”
The drive back to the estate was quiet. She sat in the passenger seat, staring out the window, her arms wrapped around herself like a shield.
When we arrived, I led her to the garage-turned-guest-house. It was nothing fancy, but enough for someone to live in.
“You can stay here,” I said, gesturing toward the small space. “There’s food in the fridge, too.”
A cozy home interior | Source: Pexels
“Thanks,” she muttered.
Over the next few days, Lexi stayed in the garage but we saw each other for occasional meals. I couldn’t quite put my finger on it, but something about her pulled at me.
Maybe it was how she seemed to keep going despite everything life had thrown at her, or perhaps the loneliness I saw in her eyes, mirroring my own. Maybe it was just the simple fact that I didn’t feel quite so alone anymore.
One night, as we sat across from each other over dinner, she began to open up.
Dinner on the table | Source: Pexels
“I used to be an artist,” she said, her voice soft. “Well, I tried to be, anyway. I had a small gallery, a few shows… but it all fell apart.”
“What happened?” I asked, genuinely curious.
She laughed, but it was a hollow sound. “Life happened. My husband left me for some younger woman he got pregnant and kicked me out. My whole life unraveled after that.”
A sad woman | Source: Midjourney
“I’m sorry,” I muttered.
She shrugged. “It’s in the past.”
But I could tell it wasn’t, not really. The pain was still there, just beneath the surface. I knew that feeling all too well.
As the days passed, I found myself looking forward to our conversations.
A man looking out a window | Source: Midjourney
Lexi had a sharp wit and a biting sense of humor that cut through the gloom of my empty estate. Slowly, the hollow space inside me seemed to shrink.
It all changed one afternoon. I had been rushing around, trying to find the air pump for the tires on one of my cars. I barged into the garage without knocking, expecting to grab it quickly and leave. But what I saw stopped me cold.
There, spread across the floor, were dozens of paintings. Of me.
A shocked man | Source: Midjourney
Or rather, grotesque versions of me. One painting showed me with chains around my neck, another with blood pouring from my eyes. In the corner, there was one of me lying in a casket.
I felt a wave of nausea wash over me. This was how she saw me? After everything I’d done for her?
I backed out of the room before she noticed me, my heart pounding.
A woman painting | Source: Pexels
That night, as we sat down for dinner, I couldn’t shake the images from my mind. Whenever I looked at Lexi, all I saw were those horrific portraits.
Finally, I couldn’t take it anymore.
“Lexi,” I said, my voice tight. “What the hell are those paintings?”
Her fork clattered to the plate. “What are you talking about?”
A fork on a plate | Source: Pexels
“I saw them,” I said, my voice rising despite my efforts to stay calm. “The paintings of me. The chains, the blood, the coffin. What the hell is that?”
Her face went pale. “I didn’t mean for you to see those,” she stammered.
“Well, I did,” I said coldly. “Is that how you see me? As some monster?”
“No, it’s not that.” She wiped at her eyes, her voice shaky. “I was just… angry. I’ve lost everything, and you have so much. It wasn’t fair, and I couldn’t help it. I needed to let it out.”
An emotional woman | Source: Midjourney
“So you painted me like a villain?” I asked, my voice sharp.
She nodded, shame etched into her features. “I’m sorry.”
I sat back, letting the silence stretch between us. I wanted to forgive her. I wanted to understand. But I couldn’t.
“I think it’s time for you to go,” I said, my voice flat.
A man running his hands through his hair | Source: Midjourney
Lexi’s eyes widened. “Wait, please—”
“No,” I interrupted. “It’s over. You need to leave.”
The next morning, I helped her pack her belongings and drove her to a nearby shelter. She didn’t say much, and neither did I. Before she stepped out of the car, I handed her a few hundred dollars.
She hesitated but then took the money with trembling hands.
Dollar bills | Source: Pexels
Weeks passed, and I couldn’t shake the feeling of loss. Not just because of the disturbing paintings, but because of what we’d had before. There had been warmth and connection — something I hadn’t felt in years.
Then, one day, a package arrived at my door. Inside was a painting, but this one was different. It wasn’t grotesque or twisted. It was a serene portrait of me, captured with a peace I hadn’t known I possessed.
Tucked inside the package was a note with Lexi’s name and phone number scrawled at the bottom.
A man holding a note | Source: Midjourney
My finger hovered over the call button, my heart beating faster than it had in years. Getting worked up over a phone call felt ridiculous, but there was so much more riding on it than I wanted to admit.
I swallowed hard and hit “Call” before I could second-guess myself again. It rang twice before she picked up.
“Hello?” Her voice was hesitant like she somehow sensed it could only be me.
A man speaking on the phone | Source: Midjourney
I cleared my throat. “Lexi. It’s me. I got your painting… it’s beautiful.”
“Thank you. I didn’t know if you’d like it. I figured I owed you something better than… well, those other paintings.”
“You didn’t owe me anything, Lexi. I wasn’t exactly fair to you, either.”
“You had every right to be upset.” Her voice was steadier now. “What I painted — those were things I needed to get out of me, but they weren’t about you, really. You were just… there. I’m sorry.”
A man taking a phone call | Source: Midjourney
“You don’t need to apologize, Lexi. I forgave you the moment I saw that painting.”
Her breath hitched. “You did?”
“I did,” I said, and I meant it. It wasn’t just the painting that had changed my mind, it was the gnawing feeling that I had let something meaningful slip through my fingers because I was too afraid to face my pain. “And… well, I’ve been thinking… maybe we could start over.”
A smiling man speaking on the phone | Source: Midjourney
“What do you mean?”
“I mean, maybe we could talk. Maybe over dinner? If you’d like.”
“I’d like that,” she said. “I’d really like that.”
We made arrangements to meet in a few days. Lexi told me she’d used the money I gave her to buy new clothes and get a job. She was planning to move into an apartment when she received her first paycheck.
I couldn’t help but smile at the thought of having dinner with Lexi again.
A smiling man | Source: Midjourney
Here’s another story: On his deathbed, my grandfather handed me a key to a secret storage unit, igniting a mystery that changed my life. When I finally opened the unit, I discovered a treasure trove that made me rich and gave me something far more precious — a window into the soul of a man who was my hero.
This work is inspired by real events and people, but it has been fictionalized for creative purposes. Names, characters, and details have been changed to protect privacy and enhance the narrative. Any resemblance to actual persons, living or dead, or actual events is purely coincidental and not intended by the author.
The author and publisher make no claims to the accuracy of events or the portrayal of characters and are not liable for any misinterpretation. This story is provided “as is,” and any opinions expressed are those of the characters and do not reflect the views of the author or publisher.
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