For a great number of people, it is a sign.
Regardless of one’s religious affiliation or lack thereof, there are events and relationships in life that give us the feeling that they are a part of something bigger.
It is necessary to avoid doubting the things that happen or the difficulties that may come up on the path in order to have faith in God.
Italian photographer Alfredo Lo Brutto recently shared a shot of a figure he had captured in the sky on social media. The figure had a striking resemblance to the Christ the Redeemer statue in Rio de Janeiro, Brazil. Reaching a height of thirty meters, this magnificent statue is not only the biggest representation of Jesus on the planet but also the highest art deco statue ever created.
Alfredo managed to spark some controversy when he shared the amazing snapshot he had taken over the Tyrrhenian Sea. Some say that the figure is just the clouds with the sun beaming through them, while others think it is divine and a sign from God.
People have expressed different opinions about pictures that have surfaced online before, and this time, there are a sizable number of people on both sides of the debate.
The view enthralled me totally. “I don’t usually post images on social media, but when I took this one, I instantly felt like I wanted other people to see it because it was so beautiful,” Alfredo told Daily Mail. “Since I don’t share many pictures, I don’t share them on social media very often.”
We can all agree that this image is extraordinary because it portrays the beauty of the natural world in which we live, even if you don’t think you can see a picture of Jesus in it.
What position do you occupy? What’s in front of your eyes? Do you believe there may be a connection between this sign and higher powers?
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Abandoned strawberry house
Built in the late 1920s, this house was originally the residence of banker Dimitar Ivanov and his wife Nadezhda Stankovic. The interior features a striking red marble fireplace in the reception room, as well as a stage for musical performances and crystal-adorned interior doors.
The house has several bedrooms, elegant terraces, a spacious study and various utility rooms. Although the original furnishings have been lost, historical records indicate that the elite Sofia residents of the time preferred Central and Western European furniture.
The exterior of the property features a large front garden bordered by an ornate wrought iron fence. A large triple staircase leads to the main entrance, and the property is also characterized by carriage portals that flank the courtyard.
These portals are reminiscent of a bygone era where one can imagine a horse-drawn carriage driving into the courtyard, while the horses and carriage wait in a specially designated area behind the house until the end of the reception.
The Ivanov family enjoyed their residence until 1944, after which the estate was nationalized. At first it served as the Romanian embassy, later as the USSR’s trade mission in Bulgaria and as the headquarters of various communist organizations with unclear functions.
In the 1990s the house was returned to Ivanov’s heirs. In 2004 it was taken over by Valentin Zlatev, director of Lukoil. Despite this change of ownership, the property, which had fallen into disrepair for decades, remains neglected and abandoned, with no apparent connection to its cultural heritage.
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