Paris Jackson, the only daughter of late pop star Michael Jackson, opened up about her African-American roots and how proud she is of that, as well as the criticism she received.
Paris, 25, was born to parents Billie Jean hitmaker and Debbie Rowe in 1998.
Over the years, there have been speculations that Jackson wasn’t the biological father of his three children, Paris and her two brothers, Bigi, 22, and Prince, 27. This was due to the fact that that many couldn’t see any resemblance between the late star and the kids, especially Paris who has white skin, light eyes and now bleached-blond hair.
The kids were very close with their father who went to great lengths to protect them from media scrutiny. His measures were unlike, however. He would show his son Bigi to the public with his face covered with a blanket, causing him troubles while growing up because his friends often teased him. He now prefers to be called Bigi.
Following the star’s death in 2009, his children were tossed alone in the public eye, turning them a highly profitable prey for the media that were eager to share their photos and followed their every step.
This experience left Paris battling a post-traumatic stress disorder (PTSD).
“I experience audio hallucinations, sometimes, with camera clicks and severe paranoia and have been going to therapy for a lot of things, but that included,” she shared.
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By age 15, Paris attempted suicide “multiple times” and in 2019 she was admitted at a treatment facility. “It was just self-hatred…Low self-esteem, thinking that I couldn’t do anything right, not thinking I was worthy of living anymore.”
Today, she’s a successful musician who follows into her father’s footsteps. Over the years, she has also walked the runway for famous brands such as Chanel. Paris is a member of the band The Soundflowers.
“Everyone in my family does music. I mean, I’m a Jackson,” she said in 2020. “It makes sense that I’m a musician but like, a Jackson doing folk indie?”
Paris is very close to her brothers and looks up to Prince. “He’s everything to me, you know?” In 2020, she told People of her relationship with her older brother. “I’ve always looked up to him and always wanted his approval and everything, and wanted to be more like him.”
He loves and supports his younger sister as much. “Basically, as a person, she is who my dad is. The only thing that’s different would be her age and her gender,” he said of Paris, adding that she’s similar to her father “in all of her strengths, and almost all of her weaknesses as well. She’s very passionate.”
The physical appearance of the King of Pop underwent significant changes over the course of his life and many accused him of bleaching his skin, which was considerably darker in his younger days, but he claimed he had never done anything to his skin and that it turning white was a result of Vitiligo, during an Oprah interview in 1993.
“I am proud of my race. I am proud of who I am,” Jackson told Winfrey at the time.
Back in 2017, speaking of herself, Paris told Rolling Stone magazine she “considers [herself] black,” and that “[Michael] would look me in the eyes and he’d point his finger at me and he’d be like, ‘You’re black. Be proud of your roots.’”
“Most people that don’t know me call me white. I’ve got light skin and, especially since I’ve had my hair blond, I look like I was born in Finland or something,” she said. “And I’d be like, ‘okay, he’s my dad, why would he lie to me?’ So I just believe what he told me. [Because], to my knowledge, he’s never lied to me.”
This declaration of race triggered criticism on Paris. Among the rest, it was host Wendy William’s that mocked Paris’ statement.
“I get that she considers herself black and everything, but I’m just talking about the visual because you know…black is not what you call yourself, it’s what the cops see you when they got steel to your neck on the turnpike.”
She added: “It’s what they see. But that’s cute and good for her.”
33 Thomas Street: The Mysterious 29-Story Windowless Skyscraper in New York. What’s it use for?
Standing tall and enigmatic in the center of Lower Manhattan is an odd 29-story skyscraper that is devoid of windows. It is situated at 33 Thomas Street and goes by the code name Titanpointe. For years, this building has puzzled New Yorkers.1.
Promotion
When the building was first completed in 1974, it was meant to contain essential telecommunications equipment and was built to resist atomic bombs. The architectural company John Carl Warnecke & Associates envisioned it as a communication nerve center that was protected from nuclear threats.
Unlike any other building in the area, this massive gray concrete and granite tower soars 550 feet into the New York skyline. It is completely dark and lacks windows, in contrast to the nearby office and residential buildings. It has an unsettling aura at night, while during the day it creates a massive shadow. Its square vents give off a subtle hum, which is frequently muffled by the sounds of the city.
For many years, New Yorkers have been fascinated with 33 Thomas Street, popularly known as the “Long Lines Building,” since it is one of the most unusual and recognizable skyscrapers in the city. However, the real function of this mysterious building has remained mostly unknown and covered up.
33 Thomas Street’s Secret
33 Thomas Street is a mysterious building with a darker side. It seems that this structure serves as more than just a communications center. Architectural drawings, information from documents leaked by NSA whistleblower Edward Snowden, and interviews with former AT&T workers all point to 33 Thomas Street being an NSA monitoring location known as Titanpointe.
There is more to the NSA’s role than meets the eye. A significant international gateway switch that routes phone calls between the United States and other nations is located inside the structure. It is thought that these calls were intercepted by the NSA from a safe location inside the AT&T headquarters. This clandestine monitoring scheme has targeted several nations, including friends of the United States, in addition to global institutions including the World Bank, the International Monetary Fund, and the United Nations.
Although AT&T has collaborated with the NSA on monitoring, not much is known about the precise function that locations such as 33 Thomas Street play in executing top-secret initiatives. On the other hand, the Snowden documents include hitherto unseen details on the integration of NSA hardware into AT&T’s New York City network. This integration makes clear the tools and techniques the agency uses to extract communications data from the business’s systems.
The NSA’s location inside this famous skyscraper begs the question of where the lines are drawn in terms of contemporary surveillance. “This is yet more proof that our communications service providers have become, whether willingly or unwillingly, an arm of the surveillance state,” notes Elizabeth Goitein, co-director of the Brennan Center for Justice’s liberty and national security program. The idea that this kind of surveillance can be cleanly limited to non-American targets is called into question by the NSA’s extensive integration with the country’s communications infrastructure.
T&T, Security, and Law Enforcement
It is commonly known that AT&T and the NSA worked closely together. Although AT&T and the government have a long history together, it’s unknown if the NSA was utilizing AT&T’s 33 Thomas Street facility or equipment. This uncertainty prompts concerns about the scope of government monitoring inside the structure.2.
In August 2015, the New York Times and ProPublica revealed that AT&T had been praised by the NSA for its “extreme willingness to help” and had a long history of working with the agency. But neither the fresh reports nor the information leaked by Edward Snowden conclusively indicate that AT&T space or equipment was being used by the NSA. As it happens, Verizon owns the remaining portion of the 33 Thomas building, with AT&T Inc. owning the ground but only around 87 percent of the floor area.
There are important ethical and legal concerns about the NSA’s surveillance activities at 33 Thomas Street. The structure might serve as a memorial to the difficulties in maintaining proper supervision in an age of cutting-edge technology and government monitoring, as well as the delicate balance that needs to be struck between privacy and security in our globalized society.
In conclusion, 33 Thomas Street is still a famous and mysterious tower in New York City, encapsulating the secrets of contemporary monitoring as well as the history of telecommunications within its concrete walls. Its actual level of participation in government eavesdropping may never be known, but it represents the fine line that must be drawn in our connected world between security and privacy.
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