Like Miss America, Miss Italy has made the audacious decision to honor tradition by announcing that only biological women would be permitted to vie for the esteemed title. The event’s creator, Patrizia Mirigliani, resolutely declared that Miss Italy will preserve the essence of authentic womanhood in the competition and refuse to jump on the flashy bandwagon of trans activism.
Recent Miss Netherlands pageant events, in which a biological male winner emerged victorious, have provoked intense discussions and outcries of transphobia from numerous quarters. Miss Italy, however, is unwavering in its determination to uphold the competition’s integrity and honor the natural beauty of women who identify as female.
Mirigliani gave a clear response to the issue when she said, “I think it’s a bit ridiculous that beauty contests have been trying to make the news lately.” However, Miss Italy will not sacrifice its morals in the name of political correctness. Participation is restricted to biological women; individuals who do not identify as such are not permitted.
Miss Italy has welcomed applicants with tattoos, piercings, and hair weaves as a way to accommodate changing social norms throughout the years. But the pageant crosses the line when it comes to redefining what it means to be a woman.
“Since its inception, our competition has upheld that participants must be women from birth,” Mirigliani added. This choice is a reflection of our awareness that beauty may change and that we must stick to our essential principles. We will not compromise on what it means to be a woman, but we will celebrate individuality and expression.
Rikkie Valerie Kolle, the transgender winner of the Miss Netherlands contest, talked about her experience and path toward empowerment. Although Miss Italy’s victory demonstrates her personal development, her unwavering choice pays homage to the pageant’s heritage of showcasing female beauty and its history.
Their conviction has not wavered in the face of the controversy regarding Miss Italy’s position. They remain steadfast in the face of opposition and criticism, refusing to yield to contemporary narratives that seek to conflate the distinctions between the biological sexes.
Conservatives everywhere are praising Miss Italy for her choice to honor custom and stress the value of honoring women who have encountered particular difficulties and experiences. Many people view the pageant as a timeless institution, thus it is admirable that Miss Italy is committed to maintaining its historical roots.
Even though the world is changing quickly, Miss Italy is still a steadfast champion of femininity who presents women’s beauty in its purest form. As the tournament go forward, it sends a strong message to aspirant women everywhere, encouraging them to embrace their individuality and inherent beauty instead of letting attempts to redefine womanhood get in the way.
In a culture where limits are being pushed, Miss Italy’s choice shows that customs don’t have to be given up in order to welcome change. They continue to provide an enticing platform where women may shine, inspire, and make a lasting impression by being true to their ideals.
The Miss Italy pageant is an institution that celebrates femininity, honors history, and highlights the strength of being a woman, not merely a competition. Miss Italy remains steadfast and unwavering in its dedication to womanhood and encouraging future generations of women as the journey progresses and new tales are recorded.
Richard Gere, 75, and his wife Alejandra Silva, 41, recently stole the spotlight with a public display of affection on the red carpet at the Zurich Film Festival
The 75-year-old Richard Gere and his 41-year-old wife Alejandra Silva recently wowed onlookers with their passionate gesture on the Zurich Film Festival red carpet as they attended the film’s premiere of “Wisdom of Happiness.” On October 8, 2024, Silva dazzled in a gorgeous cream and silver gown, while Gere looked smart in a classic black tuxedo. As they posed together, the couple, who looked to be totally in love, enjoyed intimate moments that highlighted their strong bond.
Gere wore a black bow tie and a spotless white shirt to go with his elegant tuxedo for their romantic evening at Corso in Zurich. Silva wore a sleeveless dress with a unique layered design that accentuated her toned arms. The silver heels perfectly complemented her manicure.
Supporters were eager to show their appreciation for the couple, complimenting their appearance and chemistry in numerous remarks. “How sweet,” one fan wrote, while another said, “She is a very attractive lady.” What he sees in her, I see as well. They are a compatible pair. “Beautiful couple,” and “Love Richard Gere,” were posted by other admirers.
Although the majority of responses were encouraging, one person expressed dissent, saying, “She’s much younger, but hey, it’s their life.” I dislike her outfit at this place. Furthermore, a few fans pointed to a similarity between Silva and Julia Roberts, the actress who costarred with Gere in the cherished movie “Pretty Woman.”
One of the movie’s most iconic scenes had Gere’s character, Edward, playing the piano as Roberts’ character, Vivian, walked in. Years later, Gere made a sarcastic quip about their electric chemistry, adding, “I mean, no chemistry.” It was clear that there was no chemistry between this actor and this actress. That’s not anything I’ve seen in a while. It’s a seductive scene.
The real bond between Gere and Silva was evident during their appearance, as they remained close, in sharp contrast to the dynamics on screen. Before, Silva told Richard how happy she was, saying, “I never thought I’d find a man so perfect for me.” There are no words to express how happy I am. She has also stated that it was intended for them to be apart in terms of age. Silva remarked, “He has promised me at least 20 good years!” and said that Gere’s intensity frequently made it difficult for her to keep up with him.
Silva also brought attention to the fact that friends frequently make assumptions about what Gere gains from her and remark on how much he loves her. She feels that her steadfast dedication to serving others has given him stability. Above all, the fact that I wasn’t a model or an actor helped. That has never piqued my attention. Our shared commitment to Buddhism and the Tibetan people, as well as our desire to assist those in need, are what have most brought us together, she said.
Silva’s resolve to stick with Gere is reinforced by her description of their love as the most romantic and delightful dream she has ever had. Gere has stated that, as a result of being married to a lady who is so stunning, wise, and compassionate, he feels like the happiest guy alive. He is impressed by her commitment to humanitarian causes, her easygoing demeanor, her patience, and her extraordinary culinary abilities—especially her renowned salads.
Every time they go to important occasions together, their devotion for one another is obvious. On September 1, 2024, Gere made a noteworthy appearance at the Venice Film Festival in Italy. He was accompanied not only by his spouse, but also by his attractive son, Homer Gere.
The duo was the talk of the red carpet at the amfAR Gala Venezia. Gere looked dapper in his tuxedo, and Silva complemented him with an equally elegant dark blue gown by Silvia Tcherassi that included gorgeous lace floral appliqués. The dress had a daring low-cut back and a flowing skirt with a high neckline.
Videos from the occasion showed the pair exchanging passionate looks and striking poses for the cameras. Homer even made an appearance, flaunting his tuxedo and spending quality time with his father. Many people made comments about their appearances as the crowd saw the family connection, with one saying, “His son looks a lot like him! fortunate man
Gere was spotted joyfully greeting spectators as they arrived by boat at the Venice Film Festival, prior to their glitzy event. During their boat ride, they were also observed conversing, underscoring the close relationship between father and son.
about stage during the festival, Gere reflected about his 1978 debut picture, “Days of Heaven,” in a moving moment. “This is so emotional for me to see— this is my first film and [..] I don’t think I’ve seen this probably in 30/40 years,” he said after seeing a moment from the film. Noting that he was only a few years older than his son at the time he made the movie, he took great satisfaction in Homer’s emerging acting career and acknowledged his artistic ability.
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