Phil Collins reveals he can “barely hold a drumstick anymore”

He can barely walk and confessed that he can no longer sing.

With eight Grammy awards under his belt, Genesis drummer and lead singer Phil Collins is one of the most prominent musicians there are. He is one of only three musicians, alongside Michael Jackson and Paul McCartney, who have sold more than 100 million albums both as a solo act and a member of a band.

Born on January 30, 1951 in London, England to parents who possessed creative spirits, Collins fell in love with making music.

When he was just five, his uncle made him a drum kit out of tambourines, triangles, cymbals and toy drums, Collins recalled. “The old cliché is, ‘Well, at least it will keep him quiet’,” he told Interview Magazine.

Soon after, he found himself performing in shows at his parents’ boating club.

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“When I started playing seriously, the English beat thing was just happening, the Shadows and bands like that. It was the very early ’60s,” Collins recalled.

“I remember buying Please Please Me. I used to put the record player on very loud and set up my drums so I was facing the mirror, that way you don’t look at what you’re doing.

“Then when I was fourteen I went to a teacher to learn to read drum music. I figured when this rock-and-roll thing finished I would have to make a living playing in a dance band or in an orchestra pit. So I learned to read drum music, but I found that my capacity for reading was not anywhere near as good as actually playing by instinct.”

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It was in the 1970 that Collin’s life changed forever. He was already playing in some bands when he came across an ad by a group called Genesis which was looking for a drummer. He decided to get in touch with them and the rest is history. In the first years of Collins being part of it, the group released five albums with singles that reached the charts.

After the founder and lead singer of Genesis left the group, Collins took his place. He was both a singer and a drummer. Speaking of his new role, he said he didn’t really feel comfortable, but as the group failed to find a singer, he simply stepped in.

Besides being a member of Genesis, Collins also had a very impressive solo career. With smash hits such as In The Air TonightYou Can’t Hurry Love and I Don’t Care Anymore he soon became one of the best in the music industry.

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When he decided to leave the group and focus on his solo career, Collins said: “Having been with Genesis for 25 years, I felt it time to change direction in my musical life.

“For me now it will be music for movies, some jazz projects and of course my solo career. I wish the guys in Genesis all the very best in their future. We remain the best of friends.”

However, in 2017, he decided to reunite with the band. Last year, they announced a world tour, The Last Domino, but had to put it on hold because of the pandemic.

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And as fans were looking forward to seeing the group on stage together, Collins gave an interview with BBC Breakfast which made many concerned about his health. He and his band mates announced that it will be Collins’ son Nicholas who would do the drumming and Collins will only sing.

“Nic is a great drummer, but he is capable of sounding like early Phil. For Mike and I, that was always quite exciting,” Genesis band member Tony Banks said.

“It means you can play some of the songs that you haven’t played with Phil as the drummer for a long time.”

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Speaking of why he’s not getting behind the drums, the musician revealed: “I’d love to but you know, I mean, I can barely hold a stick with this hand. So there are certain physical things that get in the way.

“I’m kind of physically challenged a bit which is very frustrating because I’d love to be playing up there with my son,” adding that he doesn’t know if he wants to be touring any longer.

“We’re all men of our age, and I think to some extent, I think it probably is putting it to bed,” he said. “I think yeah, I think just generally for me, I don’t know if I want to go out on the road anymore.”

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During the past few years, Collins experienced certain health issues which left him struggling to get on his feet. Speaking to Billboard, he revealed that after a surgery in 2009, he was left with dislocated vertebra, nerve damage. He had also suffered a foot fracture that left him feeling like he’s walking “on sticks.”

Recall this legendary item that provided us with a lot of data.

A Glimpse into the Past
Before the digital age, the vintage telephone address/phone book index flip open was a staple in homes and offices. This compact and ingenious device held a treasure trove of contact information, organized in a way that made accessing phone numbers and addresses quick and easy.

Origins and Evolution
The telephone address/phone book index flip open originated in the early 20th century, during a time when telephones were becoming more widespread. People needed a practical way to store and retrieve contact details. The flip-open design, often featuring a spring-loaded mechanism, allowed users to quickly flip to the desired letter and find the needed contact.

Design and Features
These vintage devices were typically made from durable materials like metal or hard plastic. They featured tabs for each letter of the alphabet, making it easy to categorize and locate entries. Some versions even had a small notepad or a slot for storing a pen, adding to their functionality. The tactile experience of flipping through the index and the satisfying click of the mechanism were part of their charm.

Usage and Popularity
In an era without smartphones or digital contacts, these flip-open indexes were indispensable. Families kept them near the telephone for easy access, while businesses relied on them to manage client and supplier information. They were particularly popular in the mid-20th century, coinciding with the post-war economic boom and the subsequent rise in consumer goods.

Legacy and Collectibility
Today, vintage telephone address/phone book indexes are cherished by collectors and nostalgia enthusiasts. They represent a bygone era of simplicity and ingenuity. While they may no longer serve a practical purpose in our digitally connected world, their legacy lives on as a reminder of how people once managed their personal and professional networks.

Modern Influence
The design principles of these vintage devices continue to influence modern technology. The emphasis on organization, ease of use, and quick access can be seen in today’s digital contact management systems. Furthermore, their aesthetic appeal has inspired retro-themed decor and office supplies, blending vintage charm with contemporary functionality.

The vintage telephone address/phone book index flip open remains a beloved relic of the past. Its history, design, and lasting impact on both practical use and cultural nostalgia highlight the ingenuity of simpler times. As a collectible item, it continues to evoke fond memories and admiration for an era when managing contacts was a tactile, deliberate process.

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