Raquel Welch was born Jo Raquel Tejada on September 5, 1940, in Chicago, Illinois. She was the daughter of a Bolivian aeronautical engineer and an American mother. Growing up in a multicultural household, Raquel developed an early interest in performing arts.
Her family moved to San Diego, California, where she attended high school and was crowned Miss La Jolla and Miss San Diego, foreshadowing her future stardom.
Rise to Fame
Raquel Welch’s breakthrough role came in 1966 when she starred in “Fantastic Voyage,” a science fiction film that showcased her talent and stunning looks.
However, it was her iconic appearance in “One Million Years B.C.” the same year that solidified her status as a sex symbol. The image of Welch in a fur bikini became a cultural phenomenon, propelling her to international fame.
Hollywood Success
Throughout the late 1960s and 1970s, Welch starred in a series of successful films, including “Bedazzled” (1967), “Bandolero!” (1968), and “100 Rifles” (1969).
She demonstrated her versatility as an actress in comedies, dramas, and action films. Her performance in “The Three Musketeers” (1973) earned her a Golden Globe Award for Best Actress in a Motion Picture – Musical or Comedy.
Legacy and Influence
Raquel Welch’s impact on Hollywood extended beyond her acting career. She became a symbol of beauty and glamour, influencing fashion and pop culture.
Welch’s distinctive style and charisma left a lasting mark on the entertainment industry. In addition to her film work, she appeared in numerous television shows, stage productions, and even released a successful line of wigs and beauty products.
Personal Life
Raquel Welch was married four times and had two children. Despite the ups and downs in her personal life, she remained a dedicated mother and a resilient figure in the public eye. Welch’s enduring beauty and talent kept her in the spotlight well into her later years.
Raquel Welch passed away on February 15, 2023, from cardiac arrest. Her death marked the end of an era for Hollywood, as fans and colleagues mourned the loss of a true icon.
A TV presenter with a Māori face tattoo fires back at cruel trolls.
Reiterating her pride in her cultural heritage and identity, a TV hostess with a customary Māori face tattoo gracefully responded to trolling remarks.
These pictures often start online debates about facial tattoos. Some people accept the cultural significance of these motifs, while others think tattoos should only be placed to the body.
Oriini Kaipara, 41, is a trailblazing TV presenter who made history at Newshub in New Zealand when she began her career as a newsreader. She was the first to present a primetime TV news report while donning the traditional Māori women’s marking, the moko kauae.
Moko kauae are vitally significant symbols of Māori history and identity, as they are considered by the native Polynesian population of the mainland of New Zealand. These facial tattoos, which are typically applied to the lips and chins, honor a woman’s heritage, status, and skills while also denoting her leadership in her community and within her family.
However, in the midst of all the appreciation, Newshub received an email from a viewer named David who was unhappy with Kaipara’s moko kauae.
He responded, “We continue to object strongly to you using a Māori newsreader with a moku [moko], which is offensive and aggressive looking,” as reported by the Daily Mail.A nasty look. She also speaks incoherently in our non-English tongue, Māori. Now put an end to it.
Kaipara boldly addressed the issue head-on in spite of David’s disparaging remarks, sharing images of the messages on her Instagram story and responding in a refined and polite way.
“Today, I’d had enough.” I responded. I never behave like that. She posted a picture of David’s message to Instagram with the remark, “I hit the send button and broke my own code.”
Furthermore, Kaipara made public the email discussion she had with David in which she said she couldn’t take David’s complaint seriously “given there is no breach of broadcast standards.”
She also made an effort to correct his spelling of “moko,” as David had referred to hers as “moku.”
Kaipara stated in her email, “I understand your complaints originate from a place of preference on how one must look on-screen.” This kind of intolerance, harassment, or prejudice is not warranted for Moko and others around her; they are not dangerous.
“We don’t intend to cause harm or have any bad intentions, and neither do we/I deserve to be treated with such disregard,” she continued. “Please stop complaining and wait until a later time, preferably the 1800s, to express your cultural ignorance and bias.”
Kaipara swiftly stressed that most of her comments are pleasant and that ugly trolls are uncommon, even in the wake of David’s negative remarks.
Shortly after responding to David’s complaint, Kaipara spoke with the New Zealand Herald about the need for more Māori activists. “The fact that some people find my existence upsetting is evidence of the need for more Māori advocates in important positions throughout every sector,” she stated.
All things considered, Kaipara’s cool response serves as a powerful reminder of the importance of cultural pride and resilience in the face of adversity. She is also inspiring people to embrace their identities with courage and speak out against discrimination.
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