Consider entering your grandparents’ home, where every room had a story to tell and every corner possessed a relic. Of these, the oil lamp shelves placed on the walls to this day will make you feel the warmth that you used to experience while reading under them. These shelves, which were an important part of the early twentieth-century houses, were not just practical – they were a symbol of a time when the light of an oil lamp would unite family members in the evening.
Usually wooden or metallic, oil lamp shelves were commonly located in various parts of the house to ensure the light’s effectiveness. These shelves were frequently located on walls in the living room, bedrooms, and hallways. They were not randomly placed; they were strategically positioned to ensure that there was enough light for activities done in the evening such as reading, sewing or even family meetings.
The form of these shelves or niches was quite diverse, ranging from flat ledges to more complex constructions complete with guardrails to avoid lamp tip overs. In wealthier homes, these shelves may have been elaborately decorated or even incorporated into the design of the room, complete with carved-out niches and fancy trim that matched the rest of the house.
This was because oil lamps presented a fire risk due to the exposed flame. Shelves for oil lamps were therefore intended to keep the lamps stowed away from the everyday activities in the house while at the same time letting in the light. These were usually located in positions that were not easily accessible to children and not close to curtains or any other combustible material. This tactical positioning ensured that risks of fire breakouts were reduced to the barest minimum while issuing adequate light.
The existence of oil lamp shelves in old houses gives us an insight into the lifestyles and the technological advancements that were available at the time. Lighting was an important part of people’s lives before the use of gas and electric lights and this meant that the management of lighting was an important part of the daily routine and architecture. These shelves were an important part of the interior design and showed how people of that time managed to optimize the use of living spaces.
Today, oil lamp shelves in historic homes are kept for both their functionality and their historical and cultural value. In the modern homes where such shelves have been installed, they are used for storing candles, plant among other items to enhance the beauty of the house. This is because preservation measures always aim at preserving the original construction features and the material used in the construction in this case the design of the period.
Therefore, the shelves for oil lamps in old houses are not only practical furniture pieces, but they are also a symbol of the creativity of the previous generations and a link to the tangible world of the past. Such details give us ideas about the changes that were made by our ancestors and make us reflect on how these architectural landmarks should be preserved.
Matthew Perry has reportedly died. The “Friends” actor was 54
Actor Matthew Perry, famously known for the role of Chandler Bing in the iconic show Friends, was found dead Saturday in a hot tub at his Los Angeles home, law enforcement has reported.
Spokesperson of the LA Fire Department reported that first responders arrived at Perry’s home at about 4 p.m. regarding a “water emergency” of an unknown type, but did not name the actor. Sadly, upon arrival, they discovered Perry’s unresponsive body. According to them, there were no drugs of any type at the scene. At the time being, no foul play is suspected.
A representative of the actor hasn’t issued any comments regarding the tragic incident.
The investigation over Perry’s passing is still ongoing and the cause of death remains unknown. It will be determined by the Los Angeles County coroner’s office at a later date.
“We are devastated by the passing of our dear friend Matthew Perry,” Warner Bros. Television Group, which produced “Friends,” said in a statement to The Times. “Matthew was an incredibly gifted actor and an indelible part of the Warner Bros. Television Group family. The impact of his comedic genius was felt around the world, and his legacy will live on in the hearts of so many. This is a heartbreaking day, and we send our love to his family, his loved ones, and all of his devoted fans.”
“We are incredibly saddened by the too soon passing of Matthew Perry,” NBC, which aired the series for all 10 seasons, said in its own statement to The Times. “He brought so much joy to hundreds of millions of people around the world with his pitch perfect comedic timing and wry wit. His legacy will live on through countless generations.”
Saturday evening yellow-and-black LAPD crime scene tape blocked off the entrance to Blue Sail Drive, a tony street just off the Pacific Coast Highway at the crest of a hill with sweeping views of the Pacific Ocean.
Shortly after 7 p.m., as multiple helicopters whirred overhead, Perry’s mother, Suzanne, and her husband, broadcaster Keith Morrison, joined the journalists and LAPD officers on the scene. Morrison declined to comment. An LAPD officer at the scene said he had no information and that he did not know when any would be forthcoming.
Peter, a neighbor of Perry’s on Bluesail Drive who declined to give his last name Saturday evening, said he only spoke to the actor once, for five minutes, and that he was “very pleasant” and a “nice guy.”
“It’s shocking,” Peter said as he waited for the LAPD, who had barred journalists from passing the police tape, to approve him for entry. “He’s been redoing this house forever and he seemed fine. It’s very sad.”
Leo, another neighbor who declined to give his full name, said he was home when an ambulance arrived at Perry’s house Saturday afternoon. He declined to say whether paramedics tried to revive Perry or if a body was removed from the premises.
“I was shocked,” he said. “It was very disturbing and sad after all these years.”
Perry was one of his favorite actors, Leo said, and the funniest member of the “Friends” cast.
“I encountered him once and he was very, very friendly. More so than I thought,” Leo said. “It’s definitely a tragedy, especially at such a young age,” he added. “I was very heartbroken to see what happened.”
(Wally Skalij / Los Angeles Times)
Perry, the son of actor John Bennett Perry and Suzanne Marie Langford, onetime press secretary of Canadian Prime Minister Pierre Trudeau, was born in 1969 and grew up between Montreal and Los Angeles after his parents separated when Perry was 1.
He got his start as a child actor, landing guest spots on “Charles in Charge” and “Beverly Hills 90210” and playing opposite River Phoenix in the film “A Night in the Life of Jimmy Reardon” in the 1980s and early 1990s.
But his big break came when he was cast in “Friends” — originally titled “Friends Like Us” — a sitcom about six single New Yorkers navigating adulthood that premiered on NBC in 1994.
The series soon became a juggernaut, the anchor of the network’s vaunted Thursday-night “Must-See TV” lineup, and turned Perry and his castmates Jennifer Aniston, Courteney Cox, Lisa Kudrow, Matt LeBlanc and David Schwimmer into mega-stars almost overnight. At its high-water mark — for a 1996 Super Bowl episode and the 2004 series finale — the series could notch more than 50 million live viewers; by its end, cast members were earning more than $1 million an episode.
As Chandler Bing, the handsome, wisecracking roommate of LeBlanc’s Joey Tribbiani and, later, love interest of Cox’s fastidious Monica Geller, Perry distinguished himself in a crackling ensemble cast. With his dry delivery he created a catchphrase with a mere turn of inflection, based on banter he’d shared with childhood friends: Could he be any more Chandler?
Soon, he was attached to major stars like Julia Roberts and appearing in prominent films such as 1997 rom-com “Fools Rush In,” opposite Salma Hayek, and 2000 ensemble mob comedy “The Whole Nine Yards” with Bruce Willis.
There was a dark side to the life of one of television’s most beloved funnymen, however. In his 2022 memoir, “Friends, Lovers, and the Big Terrible Thing,” Perry recounted his lifelong struggle with addiction to alcohol and opioids. He wrote that he had his first drink at 14, but didn’t recognize the signs of alcoholism until 21. Since then, he estimated, he’d spent more than $7 million on efforts to get sober, including multiple stints in rehab. His substance abuse also led to a number of serious health issues, including a five-month hospitalization in 2018 following a colon rupture that left him, he wrote, with a 2% chance to live through the night.
And it was fueled, he acknowledged during a “Friends” reunion special in 2021, by the pressure to land the joke in front of a live studio audience night after night.
(NBC / NBCUniversal via Getty Images)
“Nobody wanted to be famous more than me,” Perry told The Times in April, discussing “Friends, Lovers, and the Big Terrible Thing” at the Festival of Books. “I was convinced it was the answer. I was 25, it was the second year of ‘Friends,’ and eight months into it, I realized the American dream is not making me happy, not filling the holes in my life. I couldn’t get enough attention. … Fame does not do what you think it’s going to do. It was all a trick.”
Perry was remembered on Saturday by friends and collaborators such as Selma Blair, Paget Brewster, Morgan Fairchild and Mira Sorvino as a singular comic talent and kind soul.
Perry’s “Friends” co-star Maggie Wheeler, who played his on-again, off-again girlfriend Janice on the hit show, shared a sweet tribute on Instagram.
“What a loss. The world will miss you Mathew Perry,” she wrote. “The joy you brought to so many in your too short lifetime will live on. I feel so very blessed by every creative moment we shared.”
He was also memorialized by Canadian Prime Minister Justin Trudeau, Pierre’s son and one of Perry’s childhood friends.
“Matthew Perry’s passing is shocking and saddening,” Trudeau wrote on X. “I’ll never forget the schoolyard games we used to play, and I know people around the world are never going to forget the joy he brought them. Thanks for all the laughs, Matthew. You were loved — and you will be missed.”
Though Perry estimated he had relapsed “60 or 70 times” since first getting sober in 2001, he maintained a steady presence on American television, playing key parts in backstage dramedy “Studio 60 on the Sunset Strip” and therapy sitcom “Go On,” and making a steady stream of guest appearances on acclaimed shows such as “The West Wing” and “The Good Wife.”
Since his near-death experience in 2018, Perry had found solace in friends, frequent games of pickleball and, especially, writing. Though producing “Friends, Lovers, and the Big Terrible Thing” had forced him to relive his darkest moments, it also connected him to “all the sufferers out there”: “I had a story to tell, a story that could really help people,” he wrote. “And helping others had become the answer for me.”
Indeed, for all his success as an actor and, more recently, as a bestselling memoirist, Perry told The Times in April that his work was not the center of what he hoped would be his legacy.
Pressed to name how he’d like to be remembered, he said: “As a guy who lived life, loved well, lived well and helped people. That running into me was a good thing, and not something bad.”
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