Known for her starring role opposite Lee Majors in The Fall Guy, Heather Thomas–who turned 66 on September 8–was poised for a hugely success Hollywood career.
But when the actor’s mother showed up on set after the show’s finale was filmed, the gorgeous blonde rushed to hospital, believing that her father had an emergency.
The family and friends who greeted her at the Santa Monica hospital let her know that her dad, Leon, was fine, and that it was her who had their concerns.
This was just the beginning of a new journey for the then 28-year-old woman, whose personal life and career completely transformed after that visit to the hospital.
Keep reading to find out what happened to the former pinup girl of the 1980s!
Gifted with the talent and natural movie star beauty that rivalled Farrah Fawcett and Heather Locklear, Heather Thomas did what she was born to do.
Playing Jody Banks, a stuntwoman-bounty hunter on the popular action show, Thomas was adored by the male population who viewed her as a sex symbol, a title which she admits to having mixed feelings.
“There’s obligatory condescension that goes with that,” Thomas told People. “You fill that archetype, the blonde bimbo. But at that point, I was just having fun.”
Unfortunately, she was having too much fun with the inclusion of drugs, a habit that started before her role as Jody Banks.
Her substance use dates to the sixth grade when she started using drugs to maintain steady top grades. Thomas said, “I was taking acid and making straight A’s. I just thought it was mind expanding.”
As her mind evolved from child to adult, so did the drugs she consumed.
At UCLA Thomas started using cocaine and in 1981, one year into her role on The Fall Guy, her drug problems escalated.
Also, feeling like she had to live up with her sex symbol title, the 5-foot-7 Thomas became obsessed with weight, and started taking Lasix, a diuretic that can cause severe lethargy.
To counteract the lethargy, she took more cocaine for a burst of energy.
“At first I was in a honeymoon stage with the drug. I felt that I was getting a lot for my money. It enabled me to stay up all night and then work all the next day,” she said, claiming that she never used cocaine on set. “Cocaine is not approved of on sets. It’s not clubby to do it anymore. It is just a private hell.”
Contrary to her claims, a source close to the actor told People that her drug use was derailing her career. “Word was out on Heather,” the source said. “People knew she had a problem.”
Thomas dropped from 125 to 105 pounds and was falling asleep between takes. Thomas admitted, “Sometimes I was in a minicoma.”
And then she passed out in front of Majors, who called her manager, who called her mother.
When the series finale of The Fall Guy wrapped, her mom, Gladdy Ryder–a former special education teacher–appeared on the set and told her daughter that her father was in hospital.
Rushing to St. John’s Hospital, the author of “Trophies” was greeted by family and friends who were ready to see her admitted into the hospital’s three-week drug program.
“It was a big relief to me,” Thomas said of that day, adding that when she checked into detox, she had pneumonia, scarred lungs and inflamed kidneys. “I’d been on a roller coaster and I wanted to get off. If my family hadn’t intervened, I probably would have gone on my merry way until I lost my job or I died.”
She added, “…The doctors said I should have been dead three years ago.”
Committed to recovery, Thomas surrounded herself with like-minded people who would benefit her goals of being drug-free. That was when Thomas, 28 at the time, met and married Allan Rosenthal, the co-founder of Cocaine Anonymous, whom she divorced in September 1986.
The same month, she suffered serious injuries to both legs when she was struck by a car while crossing the street.
After detox, divorce and surgery repair major damage in one of her legs, Thomas returned to work with smaller roles in TV series. She can also be seen in films like in Cyclone in 1987 and the 1990 Canadian film Red Blooded American Girl with Christopher Plummer.
With her troubles behind her, Thomas started new in the 1990s and while trying to revive her career, she married entertainment lawyer Skip Brittenham in 1992. Taking on the new role as the stepmother to his two daughters, Kristina and Shauna, Thomas also gave birth to her only biological child, daughter India Rose who was born in June 2000.
“So when I had about 45 restraining orders out, and I was on everything from a toilet seat cover to an ashtray–and I was in love, and [then] had two little girls–I decided to give it up and write for a while,” she told Reuters.
In 2017, Heather made a brief comeback in the movie Girltrash: All Night Long, one of her 26 acting credits in her career.
Focused mostly on writing, the Zapped! actor said it wasn’t a lack of roles that drove her from acting, but the stalkers who persistently breached her privacy.
“I was getting so stalked. I had one guy climb over the fence with a knife one time. I had these two little girls and they desperately needed raising so that was that. But I think now I have gotten so old that people won’t bother me much.”
Thomas is also now involved as an activist and formerly served on the board for the Rape Foundation and Amazon Conservation Team.
Identifying as a feminist–a duplicitous title for a former sex symbol–Thomas explained the power of both.
“When I was young, I did what people told me to do but when I was older, I didn’t compromise myself. I wanted power and freedom. This gave me a house and the notoriety to get into the door. There is nothing horrible in letting people see your body. I don’t think I betrayed myself. I don’t think being a feminist means you should be ashamed of your body,” she said.
It’s really sad that Heather Thomas was unable to revive her career in acting again but we’re happy that she got the help she needed and is now in a lifelong journey of recovery.
There are so many wonderful shows of the 1980s and we loved seeing her in the role of Jody Banks in The Fall Guy with the Six Million Dollar Man Lee Majors!
We’d love to hear what you have to say about Thomas and her recovery!
Known for her starring role opposite Lee Majors in The Fall Guy, Heather Thomas–who turned 66 on September 8–was poised for a hugely success Hollywood career.
But when the actor’s mother showed up on set after the show’s finale was filmed, the gorgeous blonde rushed to hospital, believing that her father had an emergency.
The family and friends who greeted her at the Santa Monica hospital let her know that her dad, Leon, was fine, and that it was her who had their concerns.
At only 14 the girl hosted an NBC series called Talking with a Giant, a show where she and four other teens interviewed celebrities.
Wanting to take her career to the next level–as an actor, director and writer–Thomas, now 66, then studied film and theater at UCLA, and the year before she graduated, she appeared in the short-lived comedy series, Co-Ed Fever (1979).
Heather Locklear and Heather ThomasPosted by Back to 80s on Saturday, June 5, 2021
In 1980, the Connecticut-born actor won her first leading role in the TV series, The Fall Guy, playing the sidekick to Lee Majors, who in the 1970s, gained global recognition for his performance as Steven Austin in The Six Million Dollar Man.
Playing Jody Banks, a stuntwoman-bounty hunter on the popular action show, Thomas was adored by the male population who viewed her as a sex symbol, a title which she admits to having mixed feelings.
“There’s obligatory condescension that goes with that,” Thomas told People. “You fill that archetype, the blonde bimbo. But at that point, I was just having fun.”
Unfortunately, she was having too much fun with the inclusion of drugs, a habit that started before her role as Jody Banks.
Her substance use dates to the sixth grade when she started using drugs to maintain steady top grades. Thomas said, “I was taking acid and making straight A’s. I just thought it was mind expanding.”
As her mind evolved from child to adult, so did the drugs she consumed.
At UCLA Thomas started using cocaine and in 1981, one year into her role on The Fall Guy, her drug problems escalated.
Also, feeling like she had to live up with her sex symbol title, the 5-foot-7 Thomas became obsessed with weight, and started taking Lasix, a diuretic that can cause severe lethargy.
To counteract the lethargy, she took more cocaine for a burst of energy.
“At first I was in a honeymoon stage with the drug. I felt that I was getting a lot for my money. It enabled me to stay up all night and then work all the next day,” she said, claiming that she never used cocaine on set. “Cocaine is not approved of on sets. It’s not clubby to do it anymore. It is just a private hell.”
Contrary to her claims, a source close to the actor told People that her drug use was derailing her career. “Word was out on Heather,” the source said. “People knew she had a problem.”
Thomas dropped from 125 to 105 pounds and was falling asleep between takes. Thomas admitted, “Sometimes I was in a minicoma.”
And then she passed out in front of Majors, who called her manager, who called her mother.
When the series finale of The Fall Guy wrapped, her mom, Gladdy Ryder–a former special education teacher–appeared on the set and told her daughter that her father was in hospital.
Rushing to St. John’s Hospital, the author of “Trophies” was greeted by family and friends who were ready to see her admitted into the hospital’s three-week drug program.
“It was a big relief to me,” Thomas said of that day, adding that when she checked into detox, she had pneumonia, scarred lungs and inflamed kidneys. “I’d been on a roller coaster and I wanted to get off. If my family hadn’t intervened, I probably would have gone on my merry way until I lost my job or I died.”
She added, “…The doctors said I should have been dead three years ago.”
Committed to recovery, Thomas surrounded herself with like-minded people who would benefit her goals of being drug-free. That was when Thomas, 28 at the time, met and married Allan Rosenthal, the co-founder of Cocaine Anonymous, whom she divorced in September 1986.
The same month, she suffered serious injuries to both legs when she was struck by a car while crossing the street.
After detox, divorce and surgery repair major damage in one of her legs, Thomas returned to work with smaller roles in TV series. She can also be seen in films like in Cyclone in 1987 and the 1990 Canadian film Red Blooded American Girl with Christopher Plummer.
With her troubles behind her, Thomas started new in the 1990s and while trying to revive her career, she married entertainment lawyer Skip Brittenham in 1992. Taking on the new role as the stepmother to his two daughters, Kristina and Shauna, Thomas also gave birth to her only biological child, daughter India Rose who was born in June 2000.
“So when I had about 45 restraining orders out, and I was on everything from a toilet seat cover to an ashtray–and I was in love, and [then] had two little girls–I decided to give it up and write for a while,” she told Reuters.
In 2017, Heather made a brief comeback in the movie Girltrash: All Night Long, one of her 26 acting credits in her career.
Focused mostly on writing, the Zapped! actor said it wasn’t a lack of roles that drove her from acting, but the stalkers who persistently breached her privacy.
“I was getting so stalked. I had one guy climb over the fence with a knife one time. I had these two little girls and they desperately needed raising so that was that. But I think now I have gotten so old that people won’t bother me much.”
Thomas is also now involved as an activist and formerly served on the board for the Rape Foundation and Amazon Conservation Team.
Identifying as a feminist–a duplicitous title for a former sex symbol–Thomas explained the power of both.
“When I was young, I did what people told me to do but when I was older, I didn’t compromise myself. I wanted power and freedom. This gave me a house and the notoriety to get into the door. There is nothing horrible in letting people see your body. I don’t think I betrayed myself. I don’t think being a feminist means you should be ashamed of your body,” she said.
It’s really sad that Heather Thomas was unable to revive her career in acting again but we’re happy that she got the help she needed and is now in a lifelong journey of recovery.
There are so many wonderful shows of the 1980s and we loved seeing her in the role of Jody Banks in The Fall Guy with the Six Million Dollar Man Lee Majors!
We’d love to hear what you have to say about Thomas and her recovery!
If you just took a walk down memory lane, step back in time again and read about the iconic model Twiggy – and press here to see how she looks today, at 73.
How Elizabeth Taylor brought paparazzi to their knees at the 1970 Oscars
The 42nd Academy Awards in 1970 was a night filled with glamor, but one star undoubtedly shone brighter than all the others.
At just 38, Elizabeth Taylor was at the height of her beauty, and her fabulous gown and the world-famous diamond sparkling around her neck made the night special.
However, behind the scenes, a heartbreaking loss threatened to overshadow proceedings…
Looking back at old Oscars ceremonies is like stepping into a time machine that whisks you away to an era filled with glamor and grace. Honestly, the stars of that time had more class in their little fingers than many of today’s so-called celebrities combined.
I can’t help but feel a wave of nostalgia wash over me. It’s bittersweet to gaze upon these iconic figures, so many of whom are no longer with us. To me, it serves as a stark reminder of how fleeting life truly is — a short, beautiful journey we should cherish every moment of.
An historic night
The 1970 Academy Awards was a memorable evening for many reasons, most notably its lack of an official host.
It also marked a groundbreaking moment in Oscars history, as it was the first ceremony broadcast via satellite to an international audience.
One of the night’s most iconic moments was Cary Grant receiving the Academy Honorary Award. The audience erupted into thunderous applause, a heartfelt tribute to his timeless appeal and remarkable legacy in film.
On the other hand, John Wayne’s acceptance speech for Best Actor for his role in True Grit also stole the emotional spotlight. The legendary American icon delivered a humble and gracious speech, showcasing his genuine appreciation for the honor.
Yet, the evening wasn’t without its controversies. Many still debate that the biggest robbery in Oscars history occurred when Dustin Hoffman was overlooked for his breathtaking performance in Midnight Cowboy. Many might argue that John Wayne received the statue for his long and loyal service to the film industry, and perhaps there’s some truth to that as well.
Sinatra saved Cary Grant
Looking back at the archives, it’s clear that Cary Grant played a starring role during the 1970 Oscars. As the legendary actor took the stage to accept the Academy Honorary Award, he naturally expected some applause — a simple courtesy.
When the audience gave him a standing ovation, he was on the verge of tears.
”When everyone stood up, I was all at sea. I thought for a moment I was seeing things. I was so taken aback that I don’t know how I delivered my acceptance speech,” he later recalled.
Grant was on the brink of breaking down, overcome by the emotion of the moment. But just then, he spotted Frank Sinatra in the crowd, his eyes twinkling with a mischievous spark, and that quick glance was all it took to steady him.
”It pulled me together,” Grant said.
Elizabeth Taylor’s entrance
But let’s be honest, the real star of the 1970 Oscars wasn’t Cary Grant, Dustin Hoffman, or even John Wayne. As remarkable as they were, it was a 38-year-old beauty who truly stole the spotlight, captivating everyone at the Dorothy Chandler Pavilion in Los Angeles, California.
When Elizabeth Taylor stepped onto the stage to present the award for Best Picture, her entrance was nothing short of mesmerizing.
Her kindness and generosity contrasted sharply with the cutthroat nature of Hollywood. “Liz Taylor, no one ever as beautiful,” people would say, and it was true.
There was a genuine aura about her that drew people in.
Dressed in a stunning gown that hugged her tiny waist and highlighted her natural beauty — sans the heavy tan that was popular at the time — she left everyone in awe at 42nd Academy Awards.
And with her world-famous 69-carat Cartier diamond sparkling around her neck, it was clear that Elizabeth was not just an actress; she was an icon.
The truth about her diamond
Looking closely at the photos of Taylor from that night, it’s hard not to be captivated by the magnificent jewel around her neck.
Yet, few may know the story behind this iconic piece of jewelry. The Taylor-Burton Diamond, which glittered so beautifully against her skin, wasn’t just a glamorous accessory — it was a symbol of love, determination, and a bit of Hollywood drama.
Just days before April 7, 1970, the date of that year’s Oscars, the press was buzzing with anticipation, speculating on what Elizabeth Taylor would wear to the glamorous event.
Rumors swirled that she planned to dazzle the audience with her million-dollar diamond, newly set in a stunning necklace. For the privilege of showcasing this gem, Taylor reportedly paid a $2,500 insurance premium to three Australian companies — equivalent to about $20,250 today.
This iconic piece, known as the Taylor–Burton Diamond, weighed in at a breathtaking 68 carats and was a gift from her husband, actor Richard Burton.
A raving maniac
The original rough diamond, discovered in 1966 at the Premier Mine in South Africa, weighed 241 carats. Burton acquired the diamond during a visit to London, though not without a fight. Initially, the jeweller manufacturer Cartier had won the diamond at auction for a record-breaking $1,050,000, leaving Burton as the underbidder.
Furious over his loss, Burton turned into a raving maniac.
”I was going to get that diamond if it cost me my life or 2 million dollars, whichever was greater,” he declared.
Elizabeth, however, remained calm.
”Elizabeth was as sweet as only she could be and protested that it didn’t matter, that she didn’t mind if she didn’t have it, that there was much more in life than baubles, that she would manage with what she had,” Burton later wrote in his diary.
The day after the auction, Burton spent hours at a payphone in his London hotel, working with his lawyers to secure the funds to buy the diamond from Cartier — no matter the cost.
Their determination paid off, and the following day, the diamond was officially theirs for $1.1 million.
”I wanted that diamond because it is incomparably lovely … and it should be on the loveliest woman in the world,” Burton later said, cementing this iconic gem’s place in Hollywood history.
Bob Hope joke about Elizabeth Taylor
Comedian Bob Hope led some of the humorous presentation of films and actors nominated for the 42nd Academy Awards, bringing his signature wit to the evening.
As he acknowledged the distinguished guests in attendance, he quipped about Taylor, saying, ”I know Miss Taylor is here. I saw a Brinks truck parked outside.”
Richard Burton couldn’t help but chuckle at the clever nod to his wife’s exquisite collection of jewels.
The truth about her dress
The moment Elizabeth Taylor stepped onto the red carpet at the 1970 Academy Awards, it was as if time stood still.
The first thing that captured attention was the stunning color of her dress: a mesmerizing cornflower blue that danced between violet and lilac hues with every shift in the light — and the hundreds of flashing cameras capturing her every move.
The dress wasn’t just a piece of fabric; it was a masterpiece designed by Edith Head, meant to accentuate every inch of Taylor’s radiance.
For starters, the color choice wasn’t a coincidence. Designed by the iconic Edith Head, the gown’s shade was carefully selected to match Taylor’s own mesmerizing eyes. Taylor herself collaborated with Head, seeking an updated version of the dress she wore in the 1951 film A Place in the Sun.
The gown was more than just a fashion statement; it was a work of art. The plunging neckline perfectly framed the Taylor-Burton diamond, allowing the necklace to shine while accentuating her newly slim figure.
“It is designed to show off Elizabeth’s new, thin figure. It’s a soft, floaty, romantic chiffon. Over it, she has a soft, stole-cape to the floor in chiffon with a hood,” Edith Head told AP.
It was a look that would become etched in Oscars history, forever tied to the elegance and allure of Elizabeth Taylor.
Took a 10 minute bath
On the day of the event, Taylor’s beauty routine was reportedly refreshingly simple.
The celebrated movie star didn’t follow an elaborate skincare regimen; instead, she used a basic drugstore moisturizer.
Although she enjoyed doing her own makeup, she worked with a professional makeup artist for important occasions like the Oscars. Taylor favored a sheer foundation and soft blush, often using cake eyeliner for her eyes. Interestingly, she never wore false lashes, as she was naturally blessed with a double set of lashes.
”Elizabeth took a 10 minute bath at the end of her makeup application, to help set her makeup and relax a bit before the event,” a rep for House of Taylor told AOL.
Cried backstage
The celebrated star, one of the last of classical Hollywood cinema, had an important role during the 1970 Oscars — she was there to present the coveted Best Picture award.
However, chaos reigned behind the scenes.
Moments before her appearance, Richard Burton had just suffered a heartbreaking defeat, losing the Best Actor award to John Wayne. This marked the sixth time Burton had been nominated without clinching the iconic golden statuette, and the news hit Taylor like a thunderclap.
Devastated, she broke down in tears backstage, with witnesses recounting how the makeup artist had to rush to refresh her look before she could take the stage.
When she finally stepped onto the stage, her composure was shaky. You could see it in her eyes. As she appeared, a hush fell over the audience; you could hear a pin drop.
Despite her professionalism, the heaviness of her husband’s loss was clear as she announced the winner for Best Picture.
The man she loved had faced yet another loss, and it weighed heavily on her heart.
After-party
In his diary, Burton captures the essence of that magical night:
“Wednesday 8th: We went to the party afterward and sat with George Cukor, the Pecks, and the Chandlers (owners of the LA Times), but we were surrounded by scores of photographers who, to my delight, paid little attention to anyone else, including the winners. Barbra Streisand, who fancies herself a big star, was completely eclipsed.”
A glance at the countless photographs of Taylor from that unforgettable night makes it abundantly clear — she was the undeniable center of attention.
At the after-party, the actress and her husband was surrounded by a constellation of celebrities. Flashbulbs lit up their table like fireworks.
It was as if the paparazzi were also spellbound, struggling to focus on their task as they recognized the sheer magnitude of the moment. No longer were they mere photographers capturing dreams for glossy magazines; they found themselves entranced by the vision before them.
Many would argue that the greatest star of the 20th century shone brightest on that unforgettable night. On her left ring finger glittered yet another extravagant gift from her husband — the stunning 33.19-carat Krupp diamond ring, capturing the essence of her iconic allure.
So how did this magical night end for Taylor and her entourage?
”We got out with a great difficulty because of the hordes of photographers, visiting Gig Young, who won best supporting actor, en route, who was stoned but sweet. Hawn won the supporting actress, also as predicted. We couldn’t find Duke Wayne so came home, [. . .] Later still came Wayne himself also very drunk but, in his foul-mouthed way very affable,” Burton wrote in his diary.
As the curtains fell on the 1970 Oscars, one thing was abundantly clear: Elizabeth Taylor was the undeniable star of the night. She encapsulated everything that was magical about Hollywood in the 1970s: beauty, talent, and an unyielding spirit that transcended the screen.
Reflecting on her charisma and humility, it feels entirely fitting to celebrate her in this way. She was not just a phenomenal actress but a remarkable human being who captured the hearts of many.
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