This young man was raised as an average youngster in Stratford, Ontario, participating in sports like hockey and soccer. He is originally from London, Ontario.
This young man was raised as an average youngster in Stratford, Ontario, participating in sports like hockey and soccer. He is originally from London, Ontario.
His early interest for drumming was fostered during church visits where he would watch the drummer, saying, “Ever since I can remember, I’ve always loved music.” He went on to teach himself how to play the piano, guitar, and trumpet while taking drum classes.
The boy’s mother continued to be his greatest supporter despite their financial difficulties, posting videos of him performing soul covers on YouTube. Despite her inability to purchase drum kits, she got him drumsticks so he could drum on the ground.
When he was twelve years old, he entered a local talent competition and placed second with a performance of Ne-Yo’s “So Sick.” His mother posted footage of him performing on YouTube so that others could see how committed she was to promoting his potential.
The boy’s luck altered as his musical ability flourished. He made almost $3,000 doing everything from busking in front of a Stratford theater during the summer to shrieking pop songs while brushing his teeth.
With this fortune, he was able to take his family on their first-ever Disneyland vacation, realizing a dream for them. Once restricted by his lack of resources, the child now gets to walk into a restaurant and order without looking at the menu.
Justin Bieber thought back on his history and admitted that although they didn’t have much money, he had a happy childhood. His lack of riches gave him a profound respect for money.
Bruce Dale, Justin’s grandfather, said that despite Justin’s gifts and unwavering work ethic, he was a good youngster who rose to prominence in today’s popular music.
Scooter Braun, a rising star in the music industry and party promoter in Atlanta, saw Justin Bieber’s YouTube videos and took an interest in the singer-songwriter.
At first, Braun was looking for a different YouTube sensation, but his attention was drawn to Justin’s incredible vocal ability. Braun was determined to find Justin, so he tracked down the busking video, found his school, and persistently contacted Justin’s mother, Pattie.
Australia’s adopted popstar son Leo Sayer reflects on his career
“I look at my role as being a friend of Canberra Hospital, I can bring some pleasure and happiness sometimes to people who are really in difficult times in their lives.”
With backing music from a Bluetooth speaker, Sayer croons his way around the cancer wards, making a human connection with everyone he comes across.
Canberra Region Cancer Centre Operations Manager Caroline McIntyre says Sayer’s visits are typically kept a surprise for patients and staff.
“He’s always come in so discreetly,” she says.
“Normally it’s just very quiet, he comes up in the back lift and says hello to literally everybody.
“Some of them are doing it tough, and to have a little bit of joy and light – it really gives them a lift.
“What makes me happy is to see people getting chemo on their feet dancing.”
Jamming with Jimi Hendrix, Countdown and the Troubadour
Originally a graphic designer by trade, English-born Leo Sayer rose to pop prominence in London in the late 1960s, as a singer-songwriter – and was soon adopted by Australia as an honorary son after his first tour here in 1974.
He went on to become an Australian citizen in 2009.
Sayer was a regular on ABC TV’s Countdown during the 70s and 80s, performing chart-toppers like “You Make Me Feel Like Dancing”, “When I Need You”, “More Than I Could Say” and “Orchard Road”.
He blushingly admits they were wild days – when he didn’t always live up to his “good-guy” public persona.
“It was mad, I mean, Top of the Pops in England, Countdown over here,” he says.
“You were mobbed by the fans, I remember being dragged out of a limousine the first tour that I came here, and then speaking to crazy people like Molly Meldrum on TV and trying to sort of like take it all in.”
It seems hard to believe – the petite, well-spoken singer, with a mane of curly hair that inspired changing his name from Gerard to Leo – beating off mobs of screaming fangirls.
Sayer circulated in superstar company, becoming close friends with former Beatles George Harrison and Paul McCartney, collaborating with Roger Daltrey of The Who, and even sharing a sly cigarette or two with John Lennon and Yoko Ono who had a flat above his design studio.
“I met Jimi Hendrix right at the start of his career. I actually jammed with him, playing the harmonica, and him playing the guitar,” he says.
Recalling his 1975 opening night at the famous Troubadour Club in Los Angeles, he looked up to see an intimidating line-up of fans in the front row.
“It was David Bowie, Elton John, and ‘The Fonz’ [Henry Winkler].”
Alongside them: John Cleese, Mick Jagger, Bernie Taupin, and comedian Marty Feldman.
“We never thought it would last, we were adapting to things around us, writing songs about things that are around us,” he says.
“And we thought they were only for our generation — so the amazing thing is my music’s become like a fine wine, where you lay it down and years later, it becomes a collector’s item.
“We’re in an age where the music that I make, young kids are actually latching onto it now, and they’re finding that that generation and that style of music we made is as current now as anything.”
Sayer’s health battles, still spreading hope at 76
Leo Sayer says his hospital charity work caps off a career dedicated to providing joy through music.
“It’s a nice piece of synchronicity really, because I was born in the grounds of a hospital in Shoreham by Sea in Sussex, near Brighton in England,” Mr Sayer said.
“I suppose I’ve always felt comfortable in hospitals and being around hospitals.
“Growing up, my dad was a hospital engineer, Mum was a nurse, my sister was a matron.”
Sayer has health struggles of his own, including three stents in his heart, which help him have a genuine connection to the hospital patients he entertains.
“[My music] is providing something that isn’t taking away from any of the treatment that’s going on. It’s providing something that’s just putting a smile on peoples’ faces.
“Music is communication and that’s what this is all about, we’re communicating, we’re making people feel better.
“We’re not healing people with music, but we are making them feel better about their healing.
“To sell out Canberra Hospital will do me fine.”
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