“I work at a gym and have never seen anyone do what you were doing,” one writes.
“Looks nothing like pulse squats,” another agrees.
Other commenters are angry at Ruvee for filming herself in a public place.
“Ban video recording in gyms!!” one demands.
“Cameras should be banned, and she should 100 per cent be banned forever,” another shares.
While a third writes: “It’s the facial expressions. Pulse squats is one thing but adding facial expressions to make it look like something else is where she went wrong.”
In the video, a man approaches Ruvee while asking: “What are you doing?”
She explains it’s a leg warm-up, and he replies: “I know what you’re doing.”
The man then accuses Ruvee of being ‘what’s wrong with girls’, at which point the woman asks him: “Are you pointing at me?”
He goes on to describe her behaviour as ‘ridiculous’ before kicking her phone away, seemingly breaking the screen.
Later on, Ruvee speculates that the man knew who she was and that he was angry because of her OFs fame.
“I can’t believe I’m not allowed to stretch at the gym because of what I do for work,” she shares on Instagram.
“Before I started OFs I was doing the same stretch before every leg day,” she says in a follow-up TikTok video.
“And all the people saying that I deserve to have my phone kicked, I deserve to be harassed in public because I was minding my business in the smallest corner of the gym… is there a rule that says no phones? No there’s not. Was it on a tripod? Was I being obnoxious? No, I wasn’t. Was I being loud? No.
“So it’s really sad to me to see all these comments saying that I deserve something because I went to the gym and was stretching.”
There has since been some speculation on X, formerly known as Twitter, about whether or not the video was a staged skit.
Joy Behar Calls Dolly Parton’s Jolene Anti-Feminist And Fans Come Unglued
There doesn’t seem to be a shortage of viewpoints these days, and people are willing to argue almost anything. The View, where the hosts explore some of the most fascinating subjects, is one venue where these discussions frequently take place.
Joy Behar, one of The View’s members, recently sparked a heated discussion by questioning the renowned country song “Jolene” by Dolly Parton, implying that it might have anti-feminist connotations.
Behar even went so far as to declare that Beyoncé’s more current rendition of “Jolene” was better. People’s attention is being drawn to the intense conversation that has been ignited by this comment.
Joy Behar is not afraid to voice her opinions, and she made sure the show’s producer knew that she preferred Beyoncé’s performance of “Jolene.” Behar claims that Dolly Parton’s rendition of the song displays possessiveness and insecurity, especially when Parton is pleading with the mistress not to take her lover.
This notion, according to Behar, is antifeminist because it suggests that women should be worried that their men might cheat on them because they are attracted to other women. She feels that it undercuts women’s empowerment.
However, Beyoncé’s rendition of “Jolene,” known as “Cowboy Carter,” presents an alternative viewpoint. In the song, Beyoncé issues a warning to the other person, telling them to avoid her connection, instead of pleading with them.
Naturally, a lot of people—including country music icon Reba McEntire—had comments about the matter. McEntire just chuckled when asked about Joy Behar’s remark and complimented Beyoncé on her contributions to the country music genre.
Behar praises Beyoncé’s performance of “Jolene” for its strong message, but she still maintains that Dolly Parton’s song is anti-feminist. Behar claims that Beyoncé’s rendition shows a self-assured lady who is prepared to face the difficulties in her relationship head-on.
Fascinatingly, Dolly Parton appears to value Beyoncé’s rendition of the song, which adds another dimension to this continuing discussion.
As long as people are willing to talk about it, this argument will undoubtedly continue. Undoubtedly, Joy Behar evoked powerful feelings, and not everyone finds it amusing.
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